Germany, 1939: Thirteen-year-old Magda is devastated by the loss of her best friend, shy and gentle Lotte, cruelly snatched from her and sent to a concentration camp – the Star of David sewn on her faded, brown coat. As the Nazi’s power takes hold, Magda realizes she’s not like the other girls in her village - she hates the fanatical new rules of the Hitler Youth. So Magda secretly joins The White Rose movement and begins to rebel against the oppressive, frightening world around her. But when an English RAF pilot lands in a field near Magda’s home she is faced with an impossible choice: to risk the lives of her family or to save a stranger and make a difference in the war she desperately wants to end. England, 1939: Fifteen-year-old Imogen is torn from her family and evacuated to the Lake District, a haven of safety away from the war raging across Europe. All she has to connect her to the bombs and the battles are the letters she writes to her loved ones. Little does she know, on the other side of the enemy line, her fate rests on the actions of one girl who will change her life forever…

    She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton the day before, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.” Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? And what has become of her two most precious possessions, a dragonfly pin left to her by her mother and a writing case containing her journal, the only record of those missing weeks? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends. Another delicious read from the author praised by Ruth Rendell as having “a gift for creating suspense, apparently effortlessly, as if it belongs in the nature of fiction.”