She definitely didn’t expect to be sharing a bunk bed with her for four long weeks.Courtney has what every girl wants—she’s beautiful, rich, and the object of every boy’s desire at Camp Pine Ridge. Too bad none of them make her feel an iota of what Riya’s kiss did all those years ago. But Courtney needs to uphold appearances at all costs—even if it means instigating an all-out prank war with Riya as her main target. Neither girl can stop thinking about the other…but that doesn’t mean they can give up past hurts and take a chance on a future together.

    Falling in love off-page was like the next part of the story. But after a huge falling out, three years have passed in bitter silence.When they both appear at a science fiction convention in London, Natalie, a struggling writer, wants nothing to do with El, the hot debut novelist who sold her book at auction under a male pseudonym. But over the weekend, ignoring each other--and their attraction--proves impossible, not least because they have several panels together. Can El hope to atone for the mistakes of their past, and is Natalie willing to let hope fly?

    Besides, how hard could one festive family weekend be, anyway?That’s before she meets the boisterous McElroy clan, with accents as thick as a homemade pie crust, and an endless supply of competitive siblings, including Lizzie, Michael’s beautiful younger sister.Lizzie seems to be everywhere, with her intoxicating scent, wandering hands, lingering gaze, and that bright, echoing laugh. The more time Fiona spends in her orbit, she wonders how she can even concentrate let alone pull off a convincing fake relationship.An amusing, charming lesbian romance about finding unexpected love inside family expectations.Themes: Christmas · family · holiday romance · POC64,000 words

    The seventeen-year-old, new to everything around her—college, the East Coast, bodies of literature, and the sexual flurries of student life—is shocked by her desire to follow this wherever it will take her. When Flannery finds herself enrolled in a class with the remote, brilliant older woman, she is intimidated at first, but gradually becomes Anne Arden's student—Baudelaire, lipstick colors, or how to travel with a lover—Flannery proves an eager pupil, until one day learns more about Anne than she ever wanted to know.

    In the heady years before the crash, financiers drape their mistresses in Chanel, while expatriates flock to the avant-garde bookshop Shakespeare and Company. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka.Struggling to halt a downward slide toward prostitution, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara's most iconic Jazz Age images, among them her most accomplished—and coveted—works of art. A season as the painter's muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history's darkening tide.Inspired by real events in de Lempicka's history, The Last Nude is a tour de force of historical imagination. Avery gives the reader a tantalizing window into a lost Paris, an age already vanishing as the inexorable forces of history close in on two tangled lives. Spellbinding and provocative, The Last Nude is a novel about genius and craft, love and desire, regret, and, most of all, hope that can transcend time and circumstance.

    Her roommate has a boyfriend—and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she’s treading water in a dead-end job, her know-it-all therapist gives her advice she doesn’t ask for, and the men she is surrounded by are, to be polite, subpar. Enough is enough.So when Julia gets invited to a warehouse party in a part of town where “trendy people who have lots of sex might go on a Friday night”—she readily accepts. Whom she meets there, however, is surprising: a conceptual artist, also a woman.Julia’s sexual awakening begins; her new lesbian life, as she coins it, is exhilarating. She finds her tribe at queer swing dancing classes, and guided by her new lover Sam, she soon discovers London’s gay bars and BDSM clubs, and . . . the complexities of polyamory. Soon it becomes clear that Sam needs to call the shots, and Julia’s newfound liberation comes to bear a suspicious resemblance to entrapment . . . In at the Deep End is an unforgettably frank, funny, and racy odyssey through the pitfalls and seductions we encounter on the treacherous—and more often, absurd—path to love and self.

    While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.Under the strain of their grief, Beth's remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Boston, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London--the same city where one Mr. Theodore Laurence is stationed as an army pilot.Each March sister's point of view is written by a separate author, three in prose and Beth's in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one's way in a world undergoing catastrophic change.

    There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline's next semidocumentary movie, which follows the girls' clandestine after-school activity: a Fight Club inspired by the violent classic.As Cass is drawn into the film's orbit, she is awed by Caroline's drive and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art--especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she's no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.

    If she has any doubts about her role in life, they’re easy to push down. But when she takes a fateful shortcut through the woods, her idyllic life is threatened by an attack from the fabled beasts who stalk the trees. Fortunately, she’s rescued by the equally fabled witch who lives there. Unfortunately, the attack has left injuries that only the witch can heal. Jane is forced to stay with her until she recovers.This poses a problem, because the witch, Adelaide Thompson, is everything that Jane is not: blunt, abrasive, and unapologetic. But there is more to the fabled woman of the woods than meets the eye, and her harsh exterior belies a gentle kindness. As they grow closer, Jane’s attraction to both magic and the witch herself get harder to ignore. But can a life with Adelaide alone and cut off from society truly fulfill her, or will she be forced to compromise on her happiness no matter her choice?

    Vanni never planned to get stuck—but that was before her father was diagnosed with Huntington’s disease, leaving her and her mother to care for him. Now, she doesn’t have much of a plan at all: living at home, working as a performing mermaid at a second-rate water park, distracting herself with one boy after another.That changes the day she meets Leigh. Disillusioned with small-town life and looking for something greater, Leigh is not a “nice girl.” She is unlike anyone Vanni has met, and a friend when Vanni desperately needs one. Soon enough, Leigh is much more than a friend. But caring about another person stirs up the moat Vanni has carefully constructed around herself, and threatens to bring to the surface the questions she’s held under for so long.With her signature stunning writing, Rebecca Podos, author of The Mystery of Hollow Places, has crafted a story of first love and of the complex ways in which the deepest parts of us are hidden, even from ourselves.

    Tremeyne.Erin and her brother Alex were the last children abducted by 'the Father', a serial killer who only ever took pairs of siblings. She escaped, but her brother was never seen again. Traumatised, Erin couldn't remember anything about her ordeal, and the Father was never caught.Eighteen years later, Erin has done her best to put the past behind her. But then she meets Harriet. Harriet's young cousins were the Father's first victims and, haunted by their deaths, she is writing a book about the disappearances and is desperate for an interview. At first, Erin wants nothing to do with her. But then she starts receiving sinister gifts, her house is broken into, and she can't shake the feeling that she's being watched. After all these years, Erin believed that the Father was gone, but now she begins to wonder if he was only waiting...

    Freiburg is too provincial for her taste, and besides, pen and paper are outdated anyway.Anja Lamm, Paper Love’s only full-time employee, takes an instant dislike to the arrogant, digital-loving snob who’s supposed to be her temporary boss.But thanks to a meddling cat, a business trip to a stationery fair, and an armada of origami boats, Anja soon starts to see beneath Susanne’s aloof exterior, and Susanne discovers how sexy pens and notebooks can be—at least when Anja handles them.As the end of Susanne’s three-month stay approaches, will she stick to her plan to leave, or will she open her heart to more than just paper love?Themes: enemies to lovers · geek romance · office romance · set in Germany · workplace romance89,000 words

    Now, only a goddess can tell the truth. Persephone has everything a daughter of Zeus could want--except for freedom. She lives on the green earth with her mother, Demeter, growing up beneath the ever-watchful eyes of the gods and goddesses on Mount Olympus. But when Persephone meets the enigmatic Hades, she experiences something new: choice. Zeus calls Hades "lord" of the dead as a joke. In truth, Hades is the goddess of the underworld, and no friend of Zeus. She offers Persephone sanctuary in her land of the dead, so the young goddess may escape her Olympian destiny. But Persephone finds more than freedom in the underworld. She finds love, and herself.

    Not since she fled Texas to start a new life. Away from her father’s volatile temper and the ever-watchful gaze of her claustrophobically conservative small town, Nora has freed herself. She can live—and love—however she wants. The only problem is that she also left behind the one woman she can’t forget. Now tragedy calls her back home to confront her past—and reconcile her future.Sophie seems to have everything—a wonderful daughter, a successful husband and a rewarding career. Yet underneath that perfection lies an explosive secret. She still yearns for Nora—her best friend and first love—despite all the years between them. Keeping her true self hidden hasn’t been easy, but it’s been necessary. So when Sophie finds out that Nora has returned, she hopes Nora’s stay is short. The life she has built depends on it.But they both find that first love doesn’t fade easily. Memories come to light, passion ignites and old feelings resurface. As the forces of family and intolerance that once tore them apart begin to reemerge, they realize some things may never change—unless they demand it.

    Chloe likes Angela. It should be simple enough - there's just the small matter of Angela's aversion to sunlight. And crosses. And mirrors . . .In 1998, Angela was a smart, gothy astronomy student ­- until her then-girlfriend accidentally turned her into a vampire. A year later, she divides her time between her post-graduate degree (working on it in a dark, basement room, and only at night) and controlling her need for human blood.Then she meets lonely but wryly humorous slush-pile reader Chloe, who's battling demons of her own. Chloe's anxiety and depression can make it hard for her to leave the house, while memories of her ex haunt her at night.As sparks fly and romance blooms, Angela and Chloe struggle to hide their difficulties from each other - but sometimes the only way out is to let someone else in.