He's kind to animals, loves children and helps old ladies across the street. But when he gets a pencil in his hands, he becomes a menace. No subject is too taboo. From dead kittens, to Helen Keller, to organized religion, there's no subject he won't twist. Politically correct? Dan Collins doesn't know the meaning.You've never seen cartoons like this before. This definitely isn't the Sunday funnies. Hilarious, demented and guaranteed to have you clutching your navel between gasps for air. Once you get hold of this book, you'll be convinced that this guy needs serious help before he's doomed to an eternity in hell.Check out this collection of insane cartoons and see if you're as demented as Dan Collins. If you find yourself laughing hysterically at some of the most marvelously bent cartoons ever created, plan on joining him on his decent into the inferno.From an early age Dan was heavily influenced by revolutionary comic artists such as Robert Crumb, B. Kliban, Gahan Wilson and Sam Gross. Coming from small town Ohio to Ohio State University in the early, turbulent 70's was a cultural and political awakening for him that would have a lasting impact. The Vietnam War and the counter culture revolution were the back drop from which this small town choirboy 'innocent' would pen his creations. What emerged were some of the most off the wall cartoons ever drawn.

    Brilliantly drawn and bitterly funny, these cartoons thoroughly demonstrate better living through plywood, reaffirm that what's good for business is good for America-even if Your Government in Action has taken to the streets-the Madonna is out of order and Yoga has been made silly. 122,000 copies in print.

    

    

    With an ever increasing fan base, an expanding number of publications who regularly feature his work, one of the most popular and most visited web-logs (www.thismodernworld.com), the time is now for The Great Big Book of Tomorrow. This massive collection of Tomorrow's greatest hits, unseen gems and obscurities, new material and color section is the so far definitive collection of one of the most popular 'underground' cartoonists ever--a delight to long-time fans and new readers alike.

    They're all here in this brand-new full-color compilation comic strip book: Jon, Odie, Nermal, and, of course, our favorite fat cat, Garfield! Leftovers? Garfield doesn't get the concept. The conscientious fat cat does his best to reduce food waste, gobbling all the grub the first time. (Besides, ignored edibles develop low self-esteem.) Garfield fans will feast on this binge-worthy new collection of comics!

    

    The colors are delicately applied, a visual feast. In short, not only is this tome exemplary of the cartoonist's art, it is similarly an exemplar of the printer's. A well-made book." - Comics Buyer's Guide, on MUTTS' first Sunday treasury, MUTTS SundaysMUTTS is known for its straight-forward, delightful artwork, its positive messages, and, of course, the antics of its charming furry protagonists, Earl the dog and Mooch the cat. But MUTTS has also garnered praise for its creative and colorful Sunday strips.Sunday Mornings is a collection of MUTTS Sunday strips hand-picked by creator Patrick McDonnell. Monday through Saturday, readers of every generation have wide-ranging reasons why they love MUTTS. But Sunday is a special visual adventure. The logo panel is almost a strip unto itself, often paying homage to cartooning of yesteryear, with Mooch and Earl in a comic book cover tribute or parodying a strip from decades gone by. Some readers may have never seen the logo panel, since they are sometimes dropped for space. Those cheated readers, as well as those who have come to love MUTTS' special Sunday full-color strips, will cherish this vibrant collection.

    Travel back to the wacky Fifties in this comic compilation of the best of MAD's early years! From the Cold War and Richard Nixon (the first time around) to Howdy Doody and Mickey Mouse, this one's got it all...and then some!

    Cannon's internationally popular strip features a disturbing and sidesplitting cast of characters that includes latex-clad fathers, sadistic milkmen, vomiting robots, malformed neighbors, incontinent interdimensional beings, decomposing clowns, and dozens of other bizarre Red Meat denziens who will keep you laughing until it hurts. Pure Gold!

    You can’t fathom the weirdness– unless you’re one of the ER aliens. If you are, buy a dozen copies to give away: to your family, your neighbors, and the PTA. They’ll learn things you never had the heart to tell them, but they should know, like how it's like to work in the ER, the deviousness of shampoo bottles and the dangers of frying bacon naked.

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    If this is true for students, it is exponentially true for teachers-those hearty souls who have taken on the education of the youth of the world.This wonderful collection of the best and funniest cartoons published over the last eighty years in The New Yorker takes a wry look into the classroom-at the students, at their blindly devoted but demanding parents, and, especially, at the teachers who negotiate the delicate balance between those forces every day.With 118 cartoons, this is a perfect gift for teachers and a treasure of laughs for all!

    And laundry." --Baby Blues proverbWhen the recipe box has more pizza coupons than recipes, or for those parenting days when all you seem to accomplish is brushing your hair and making a tray of ice cubes, Baby Blues offers parental fatigue redemption. The brainchild of Rick Kirkman and Jerry Scott, this Baby Blues treasury features cartoons from Briefcase Full of Baby Blues and Night Shift. From prophetic Baby Blues proverbs like, "The grass is always greener on the knees of your kid's new white pants," to Dinner Table Olympics where Synchronized Whining is the main event, young parents Darryl and Wanda keep pace with energetic children Zoe, Hammie, and baby Wren, as Kirkman and Scott expertly navigate the daily nuances of newborns, nocturnal diaper changes, and the nirvana of family life.

    Always together—and sometimes with their fellow funny-page characters—the regular Pearls clan weighs in on everything from modern technology to current events to human nature. All the members of the skewed gang are here as Zebra engages in a never-ending war of neighborly hate with the Crocs. As always, Goat offers a voice of reason amid the ongoing chaos that Pastis creates, either from behind the pen or as a character within the strip itself. Includes all cartoons from the collections I Scream, You Scream, We All Scream Because Puns Suck and Floundering Fathers.