Thereafter, he was his worst enemy. A tough-as-nails father who firmly enforces his old-fashioned ways, a mother who has little or no say, and a son with a penchant for getting into misadventures. The boy tries to convince his parents that something is wrong with him, and he is really physically ill. He suffers three years of humiliation, agony, and punishment from the school and his father. The school principal, gave him swats, detention and isolation, where he spent all day locked up in an empty storage room. His emotionally unstable father spanked him ferociously. The boy was also whipped shirtless with his shorts on leaving him with welts all over his body from head to toe. He suffered other cruel punishments as well. The school and his parents misjudge him almost costing him his life. The parents get a divorce. The mother and brothers moved back to Wisconsin from Texas. They found themselves in an all-black housing project, being the only whites there for almost four years. He grows up quick and learns that life isn't as simple as black and white. When he turns 18, he decides to move back to Texas to seek vengeance from his father in a small country town with his father and his new mother. He hasn't seen or talked to his father in almost four years. Things fall apart fast. The young man and his younger brother end up out on the streets being homeless for two months and encounters unpredictable adventures. A raw, uncut true story.

    

    Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897–1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career.Never before has the account of Hollywood’s most influential designer been so thoroughly revealed—because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.

    Like the bungling burglar who logged on to his own Facebook page at his victim's house - and forgot to turn the computer off when he left, or the stupid bank robber who made his escape in his own car - complete with personalised number plates, or the idiotic criminal who tried to hand himself into the police... in order to collect the reward. Award-winning writer Andrew Penman has scoured the country for this hilarious collection of those who are not just bad, but also dim very dim. 'Andrew Penman enjoys a laugh at the expense of Britain's most stupid burglars' - The Mirror 'Exploits so dim-witted it's surprising they ever managed to keep themselves breathing long enough to commit any crime' - Wales Online Illustrated with cartoons drawn by Neil Kerber.

    His journey has, until now, never been told.In the winter of 1979, aged just twenty-seven, the inmate who would come to be known as 'Charlie Bronson' was considered uncontrollable by the prison system. Certified insane, he was transferred from Parkhurst Prison to the most infamous high-security psychiatric hospital in England, Broadmoor Asylum for the Criminally Insane. There he embarked on a one-man campaign to retain his sanity, and to fight against the brutality of a largely hidden regime that relied on enforced drug control.This outstandingly honest account takes the reader back to those dark days. It is a journey filled with sadness, and yet it is one that includes much laughter and pathos, as well as detailing the camaraderie among fellow patients, who included Ronnie Kray and Frankie Fraser.How Charlie Bronson survived Broadmoor, what he endured and the things he witnessed are, for the very first time, documented in this sad, often chilling, sometimes funny and often moving account of one man's journey into madness and his methods for surviving the UK's most feared and notorious psychiatric hospital. Capturing Bronson's unique voice, it is a roller-coaster ride of madness, pain, laughter and tears. It is also a testament to one man's triumph over adversity.

    Sarah and Cory would take Adrienne's body to Sarah's grandparents' farm where they attempted to burn it to no avail. They would then recruit another friend to help dismember the body after which they would dump it in a historic site. The three then went and ate lunch at McDonald's to celebrate their crime. What would ever possess these teens to commit such a horrific crime?

    Two little boys joined our family when the bitter winter weather was still chilling our bones and their dad was absolutely destitute, no home, no money and no hope of getting his children back with a social worker who seemed to be a bit of a ladies man and favoured their mother. Steve was the second father we had met that would do anything and everything to get his children home…once he had managed to clean himself up and convince the department of Social Services that he would stay off the drink, stay away from women and that he intended to raise his sons in a happy and safe family home. We had to bend a few rules...then break a couple of them in order to help keep this family together…the rewards are immeasurable and, until now, I guess no-one but us and our nearest and dearest (and of course Elizabeth) knew how far we were willing to go to make sure that the right outcome for this placement happened in the end. This placement more than any other we have had, taught me that the determination that one man can have to save his family, against the determination of a department that knows he can’t is a powerful thing, and love really can conquer all.

    In Pornocracy, a beautiful woman wanders through a gay disco and engages a man, confident that he will follow her. Perversely and dispassionately, she offers her body as the ground of a ritualistic game in which, over the course of three evenings, the two will explore the numbing mechanics of sexual brutality. What follows is an exchange between a man and a woman that is both frankly sexual and deeply philosophical. Adapted and directed for film in France by Breillat as Anatomy of Hell (2004), Pornocracy leads the reader through an undulating and atmospheric exploration of the criminal and the erotic, finally climaxing in a place well beyond more familiar moral terrain. Although Breillat's films—most recently Fat Girl (2001) and Romance (1999)—are well known to international audiences, this publication marks her literary debut in America. It will demonstrate that Breillat's famous films are but one aspect of her strikingly original poetic and philosophical vision.

    He'd lay on his bedroom floor, locked in his room listening to the horror unfolding below. Waiting until the boots came up the stairs and it would be his turn. He couldn’t even begin to understand what he’d done wrong. Why he wasn’t allowed to see his brother, why he was always brutally punished and his mother was horribly beaten. Bullied at school and brushed away by his teachers, this fragile boy's only companion was teddy; a dusty, battered and torn teddy bear that meant everything to this young boy. A sad story unfolds shedding light on some of the horrific events that occurred behind closed doors and a seemingly normal house. A harrowing childhood nightmare. A broken and traumatic childhood. "Heart-breaking, I felt every blow to that poor boy who went through so much pain, but I smiled at the happy ending even through my tears, an excellent read" - Joan Johns (Author) WARNING: This book is based upon a true story of child abuse, and as such contains passages that some readers may find disturbing.

    At least a few, sometimes more than a few of our third platoon would be looking forward to spending an hour or so “unwinding from the stress” with brother officers while enjoying a cold beer.Every precinct had a “cops” bar where we could gather without concern about running into the guy we locked up last week. The bad guys knew that bar was off-limits and they were not welcome. They stayed away. After that first cold beer the conversation would usually begin with, “Let me tell you what happened to me and my partner tonight. You won’t believe it.” The storyteller would embellish his most recent policing experience and a good storyteller would always add just enough drama to keep everyone interested. Of course there was always a follow-up by someone with another story and that’s the way it would go until it was time to leave. Those stories became known as “War Stories,” as in, “Do I have a war story for you guys tonight!”

    Three local women notice the couple's suspicious behaviour and apprehend them. The two are handed over to the police, charged and sent for trial. A month later, a young doctor is shot dead on the streets of Mohill, Co. Leitrim. The two incidents are connected, but how? In the days following the shooting of Dr Paddy Muldoon, the name of a local priest was linked to the killing and  rumours abounded of a connection to the events in Dublin a month earlier and also that an IRA gang had been recruited to carry out the murder. However, despite an investigation at the time, the murder remained unsolved for almost 100 years. Now, newly discovered archive material from a range of sources, including the Muldoon family, has made it possible to piece together the circumstances surrounding the doctor's death, and reveals how far senior figures in the Church, State and IRA were willing to go to cover up a scandal.

    It's about a child living like and often acting like a wild animal, fighting for survival, on and under the streets of England. This story may be of interest to other survivors of childhood abuse and cruelty and should be of interest to anyone with children or anyone who cares for them. It contains some powerful lessons relating to child protection and should be of an educational value to child care professionals.

    We also know the original lead investigator, Goncalo Amaral’s, counter-narrative, now a legally defensible matter of public record. The questions that arise from these opposing narratives are dead simple: Which narrative is more credible? Which narrator is more credible? What was the motive behind all the publicity? Neither Madeleine nor her abductor ultimately benefited from the ongoing media barrage, so who did? True crime maestro, Nick van der Leek, plumbs quagmires of confusion and a thicket of thorny inconsistencies to probe what lies beneath: the psychologies. What is the significance of "doctors" as suspects? Did it matter or mean anything that the McCanns and their cabal of friends in the Algarve were mostly doctors? Peeling away the gossamer threads, over the course of just four days [April 29th – May 2nd], van der Leek intuits that very little was routine: not the weather, not where meals were eaten, not where or when they slept and not what they did as a family. But what were their routines when it came to other, murkier things, like sleeping patterns, cell phones and sedatives? Drawing intangibles out of the darkness, van der Leek sews the vexing loose ends from several conflicting stories into a definite - if not definitive - end-result.

     So what's different about this book, "The Assassination of JFK - Who Really Did It And Why"? Written by a lawyer, it cuts through all the misinformation surrounding the Kennedy assassination and focuses only on the evidence available. Something the Warren Commission strangely failed to do. It also reveals how the assassination went wrong and why the subsequent cover-up was so important for the perpetrators. This is something that almost all other studies into the John F Kennedy assassination overlook. And it takes us back to the early days of the Kennedy family business empire, in the 1920s, and throws light on aspects ignored by other Kennedy assassination investigators. Such as the activities and boundless ambition of Joe Kennedy, the family patriarch and father of the president. Talking of boundless ambition, how did Johnson, JFK's Vice-President, feel at the 1960 Democratic Party Convention, when JFK won the nomination in the first round? Why did he accept the comparatively menial post of Vice-President under Kennedy? Especially when throughout much of the preceding Eisenhower administration he had been more senior in rank to JFK as Senate Majority Leader? And at 52 years of age he wasn't getting any younger. Did he know something even then? Since 1978 the official version of the Kennedy assassination acknowledges that it took place "probably as the result of a conspiracy". So there WAS a Kennedy conspiracy! Who, then, were the conspirators and why did they plan and carry out this murder? Who benefited? How did US policy towards certain foreign countries change after November 1963? What happened with domestic and financial policy? The clues are there. Craig Newman takes us behind the scenes for a glimpse of who really makes the decisions, and who has the power to murder the President of the United States and then order an "investigation" that covers up their crimes? This is one book that no-one remotely interested in the JFK Assassination Conspiracy should be without. This Second Edition contains some new material, including an additional Appendix on the Warren Whitewash/Report.

    In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance.In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?