In 'The River Nemunas', a teenaged orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. 'Village 113' is about the building of the Three Gorges Dam and the seedkeeper who guards the history of a village soon to be submerged. And in 'Afterworld,' the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson.The stories in Memory Wall show us how we figure the world, and show Anthony Doerr to be one of the masters of the form.

    Collected here for the first time are all the classic stories—and one all new tale—by The New York Times best-selling author R.A. Salvatore!From the startling origin of Drizzt’s panther companion, to the tale of Jarlaxle and Entreri’s first encounter with the dragon sisters, the tales in The Collected Stories enrich this epic series, and many are available here for the first time in years.

    He needs to move fast to make sure everyone around him believes he is getting married for real and to the right woman, even if it’s for only two years. Anjali never expected a complete stranger to propose a marriage contract as if he were offering her a job with a salary and benefits package, especially the first time they meet. What he offers is tempting enough for her to give in, so she can fulfill her dream and keep the promise she made to a loved one. For their friends and family, Dheeraj and Anjali are a loving couple who fell in love at first sight, but they both have an agenda. Their reasons for the marriage contract were different, but what they never expected is what happens when two people start living under the same roof pretending to be a couple. Sparks fly and butterflies flutter between stolen kisses, but when they start to find out more about each other’s reason for the fake marriage, will they still honor the contract? Will love make its way into the contract as a clause? Note: This is a stand-alone romance with a passionate couple who finds their HEA. This book is recommended for mature readers.

    At least it is for a guy like me. As a talent agent in New York, I know how to wine and dine with the best of them. Unfortunately, work has been my main thing for a little too long. And my body is showing signs of it. Doc says I need to take a summer off. Hell yes, I do. Lucky for me, I run into my latest wedding fling as my time frees up. And the pretty girl just can’t get enough of me. She needs a plus-one for an upcoming wedding and wants to up the ante of our deception. Be her fake fiancé. She’s tired of being the bridesmaid and never the bride. Why would I ever say no? I’m a no-strings-attached kinda guy, but with her, I want to be tied up—forever. The more time I spend playing the part, the more I want to hit my knee and offer her a ring. It started with us promising nothing, but now, I want her to promise it all—to me.

    Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

    Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work. This first volume of the series, brings together 25 of his fantasy stories, written between 1925 and 1930, including such classics as "The Abominations of Yondo," "The Monster of the Prophecy," "The Last Incantation" and the title story.

    Ripley, Strangers on a Train, A Suspension of Mercy, and others) Highsmith is an all-too-frequently forgotten master of the short story. These stories in this volume examine the dark soul of humanity in a deceptively simple voice that draws you in and won't let go. The sheer beauty of the streamlined prose disguises a complexity of character and situation that is the mark of a true master.Highsmith's ability to create believable characters with very little exposition, but rather through their behavior and dialog, is incredible. None of the stories in this volume is particularly long, but you're drawn in and seduced by the power of the prose. Whether it's a cat driven to commit murder to protect his mistress ("Ming's Biggest Prey"), a rat exacting a horrible revenge on a family that maimed him ("The Bravest Rat in Venice"), or a house party interrupted by something grisly ("Something the Cat Dragged In"), these stories are impossible to put down.A great example of Highsmith's artistry is "Mermaids on the Golf Course," about a presidential adviser who took an assassin's bullet to protect the president. This seemingly heroic man is slowly exposed throughout the story as something completely different, mainly through his dialogue and the reactions of his family to him. Highsmith deftly exposes the many layers in his character, shows that the surface we see often disguises the truth below, and asks the question, "How well do we know anyone?"Likewise, "The Female Novelist" is so consumed with herself and her craft that she destroys herself. "The Hand" is a chilling twist on the age-old custom of asking for someone's hand in marriage. Highsmith's stories linger on after they are read, and show that for true horror, you don't need the supernatural; you merely need to write about people.

    Peter Hamilton takes us on a journey from a murder mystery in an alternative Oxford in the 1800s to a story featuring Paula Myo, Deputy Director of the Intersolar Commonwealth's Serious Crimes Directorate.

    Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, the widows and divorcées struggling to hold their own.The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.