The Job is an explosive and intriguing account of what it takes to be a criminal investigator at the highest level.

    Filled with critical insights from respected authors, education researchers, and expert practitioners, this comprehensive volume features twenty-six chapters in six primary areas of interest: Principles of Leadership, Moral Leadership, Culture and Change, Standards and Systems, Diversity and Leadership, and the Future of Leadership.

    

    Celebrated NY Post columnist, author and playwright Chip Deffaa edited this dark, yet inspirational story. "Heartbreaking," "surprising," "emotionally charged." "Shocking," "volatile," "riveting" and "just plain scary." Those comments are from readers of this book who cut a wide swath across a varied demographic--men, women; young, old; and who are from varying socio-economic and cultural backgrounds and locales. Michael Musto, award-winning columnist for The Village Voice in NYC and TV's "E! Channel" regular calls it: A gritty tale of dark struggle!" America's largest Italian American newspaper promises: "You'll be captured by his story from the very first page!" Jerry Seinfeld, sitcom star and comedian says, "I'm tellin' you right now--this guy is gonna be the biggest thing in show business."

    Many of the events in his life, and the characters whom he knew, are described in his books: this is the story of the man who wrote them.

    For many students this can be a terrifying experience. Although colleges and universities may have different systems, basic principles for planning research and making the compromise between what is desirable and what is feasable are the same. This book aims to provide a plain guide to ways of producing a dissertation with minimum stress and frustration. It covers such areas as choosing a subject, planning the total work, selecting research methods and techniques, written style and presentation.

    Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.

    Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Anzaldua is a rebellious and willful talent who recognizes that life on the border, "life in the shadows," is vital territory for both literature and civilization. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues.