But the more Coward digs into his case, the more he believes that, as a black man, Ferguson is a victim of hate and prejudice, and that the wrong man is going to be executed. Cowart lets fly a series of hard-hitting investigative articles that ultimately frees Ferguson and gets Cowart a Pulitzer Prize. He's a hero, a celebrity, a big-hearted guy--who has unwittingly set in motion a scenario of horror and death....Now a Warner Bros. Motion Picture starring Sean Connery.

    In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title).Donald Keene, who translated this and Dazai's first novel, The Setting Sun, has said of the author's work: "His world … suggests Chekhov or possibly postwar France, … but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book." His writing is in some ways reminiscent of Rimbaud, while he himself has often been called a forerunner of Yukio Mishima.Cover painting by Noe Nojechowiz, from the collection of John and Barbara Duncan; design by Gertrude Huston

    It is a riveting tale of two disparate worlds joined by one man and his ultimate redemption.

    Traveling through Italy and France, Camenzind is increasingly disillusioned by the suffering he discovers around him; after failed romances and a tragic friendship, his idealism fades into crushing hopelessness. He finds peace again only when he cares for Boppi, an invalid who renews Camenzind's love for humanity and inspires him once again to find joy in the smallest details of every life.

    Outside the school, the town of Broken Branch watches and waits.Officer Meg Barrett holds the responsibility for the town's children in her hands. Will Thwaite, reluctantly entrusted with the care of his two grandchildren by the daughter who left home years earlier, stands by helplessly and wonders if he has failed his child again. Trapped in her classroom, Evelyn Oliver watches for an opportunity to rescue the children in her care. And thirteen-year-old Augie Baker, already struggling with the aftermath of a terrible accident that has brought her to Broken Branch, will risk her own safety to protect her little brother.As tension mounts with each passing minute, the hidden fears and grudges of the small town are revealed as the people of Broken Branch race to uncover the identity of the stranger who holds their children hostage.

    Clay wouldn't have said his life was defined by his place on the high school football team's roster, but when he's sidelined by injury, everything, including his sense of self, seems different. And it's not just that his concussion was bad enough to cause his parents and doctors to worry, to make him have trouble concentrating. It's that he's seeing the previously familiar people in his world—from his girlfriend Megan to his geriatric neighbor Mrs. Scotto—from a new perspective. Perrotta's warmth and ability to describe the dramatic moments in the average lives of characters of every age are perfectly presented in "Senior Season", a story that will add a layer to fans' pleasure in this author's themes and concerns. This e-book also includes an excerpt of THE LEFTOVERS.

    With her first taste of dirt, she learns the horrifying truth of her mother’s death. Disturbed by what she witnesses, the woman keeps her visions to herself. But when Earth-eater begins an unlikely relationship with a withdrawn police officer, word of her ability begins to spread, and soon desperate members of her community beg for her help, anxious to uncover the truth about their own loved ones.Surreal and haunting, spare yet complex, Earth-eater is a dark, emotionally resonant tale told from a feminist perspective that brilliantly explores the stories of those left behind—the women enduring the pain of uncertainty, whose lives have been shaped by violence and loss.

    Shortly before the story opens he has endured a ridiculously humiliating incident that put him off his instrument—as part of a string quartet, he was sent unaware by the Musicians’ Union to “open” for a reunion tour of over-the-hill Hessian metal-gods Volstagg (based on Meat Loaf), who threw the classical musicians offstage. Biding his time until he can afford to leave Philth Town (a tweaked Philadelphia), he now works in a deli run by a despotic Dutchman and lives in a boarding house (The Desmon), among whose other residents are Armless Rob (self-explanatory), Yancey Fishnet (dominatrix), Emmylou Mattressback (basically what you’d expect), and others. Including Tinsel Greetz, an ill-informed anarchist prone to disaster, and Charlie's best friend.As the story opens, Tinsel has founded a “barter system” economy for the various misfits in the Desmon and its affiliated businesses (The Grain Shack, the dive bar Maxine’s, a veterinary office) which results in the destruction of the Shack, a huge pack of dogs being left at the Desmon for Tinsel to deal with, threats of lawsuits and bodily harm, and Tinsel hiding out with his inexplicably understanding girlfriend Zelda. Charlie has been supplementing his deli paycheck via the “Willard Rounds,” the illegal method Philth Town’s Sanitation Department has evolved to deal with its out-of-control sewer rat problem: paying “slag-hands” to go down into the sewers armed with pipes and duffel bags and pays them a fee per quantity of dead rats (“Willard,” above, and “Ben,” as the rats are collectively called, are references to the movies Willard [1971, recently remade starring Crispin Glover] and Ben [1972] in which rats avenge the wrongs done to their human guardians). Tinsel is persona non grata and has lost his gig playing guitar at a bar, so Charlie initiates him into life as a slag-hand, ending in a ridiculously generous haul. To celebrate, Charlie and Tinsel get drunk and—unfortunately—trash Zelda's apartment just as a foreign investor is about to come buy some of her photographs for a French media conglomerate. Furious, Zelda throws them out whereupon they are beaten up by skinheads and end up waking up the next morning worse for wear in a hotel room in one of the poshest hotels in the city, with Louise (the “investor,” who's actually a French journalist). Charlie is instantly, stupidly in love with Louise, reduced to stammering incoherence and suddenly relating to the lyrics of “Total Eclipse of the Heart.” And strange as it might seem, it appears to be mutual.Over the next forty-eight hours, Charlie is on a hellbent journey from disaffected, self-destructive, downwardly mobile slacker to redeeming his former creativity and maturity, as Tinsel and Louise vie for his loyalties. Along the way there are hilarious scenes where the two cleaned-up slag-hands attempt to navigate the stressful environment of a nice restaurant (complete with compulsive table-crumbers and a schmaltzy table-side troubadour who receives his comeuppance when Charlie takes his violin and bears down with classical fury, getting a standing ovation); the three play a vicious game of Death Match culminating in watching a Felix Trinidad-Hector Camacho fight at Maxine’s; and a final denouement in which fallen cinematic genius Delvin Corollo is shooting a vapid costume drama outside the hotel (based on Martin Scorsese and The Age of Innocence) and Tinsel and Charlie conspire to destroy the shoot.Brewing under the surface, Charlie is being forced to confront the “hate” part of his “love-hate” relationship with his extremely trying friend. Louise has offered to take him with her when she leaves town—to cover an uprising in New Guinea, and whatever comes next. Tinsel shows no sign of abandoning his hare-brained schemes—he’s planning to rob a bank now—and Charlie has become disgusted with himself for putting up with Tinsel’s behavior, which includes not only a lack of hygiene and normalcy, but more seriously a streak of casual misogyny and xenophobia that Charlie has always assumed was a joke, but now is not so sure. In a final scene both hilarious and poignant, Charlie takes his revenge on the evil Dutchman who persecuted him at the deli and gives Tinsel the means to attempt the bank job—in other words, enough rope to hang himself.

    Squeezed into a coat closet with his classmates and teacher, first grader Zach Taylor can hear gunshots ringing through the halls of his school. A gunman has entered the building, taking nineteen lives and irrevocably changing the very fabric of this close-knit community. While Zach's mother pursues a quest for justice against the shooter's parents, holding them responsible for their son's actions, Zach retreats into his super-secret hideout and loses himself in a world of books and art. Armed with his newfound understanding, and with the optimism and stubbornness only a child could have, Zach sets out on a captivating journey towards healing and forgiveness, determined to help the adults in his life rediscover the universal truths of love and compassion needed to pull them through their darkest hours.

    In a Vienna window, he glimpses the face of a lost erotic dream, and from there travels to the Twentieth Century's darkest corner to confront its shocked and secret conscience. One of Steve Erickson's most acclaimed novels, Tours of the Black Clock crosses the intersections of passion and power and gazes into a clock with no face, where memory is the gravity of time and all the numbers fall like rain.

    "The subterraneans" come alive at night, travel along dark alleyways, and live in a world filled with paint, poetry, music, smoke, and sex. Simmering in the center of it all is the brief affair between Leo Percepied, a writer, and Mardou Fox, a black woman ten years younger. Just at the moment when she is coolly leaving him, Leo realizes his passion for passion, his inability to function without it, and the puzzling futility of seeking redemption and fulfillment through writing.

    A master hunter, his ability to poach game in-season or out is the only thing that stands between him and the soup kitchen line. Until Moon trespasses on the wrong land, hears a rustle in the brush, and fires a single fateful shot. Following the bloody trail, he comes upon a shocking scene: an illegal, deep woods campground filled with drugs, bundles of cash and the body of a dead young woman, killed by Moon's stray bullet. Faced with an ultimate dilemma, Moon has to make a choice: does he take the money and ignore his responsibility for the girl's death? Or confess? But before he has a chance to decide, Moon finds himself on the run, pursued by those who think the money is theirs. Men who don't care about right and wrong and who want only one thing from John Moon: his body, face down in a ditch. Matthew F. Jones' A Single Shot is a rare, visionary thriller reminiscent of the work of Tom Franklin, Ron Rash, Daniel Woodrell, and Cormac McCarthy.

    A well-digger and policeman in a bleak New Hampshire town, he is a former high-school star gone to beer fat, a loner with a mean streak. It is a mark of Russell Banks' artistry and understanding that Wade comes to loom in one's mind as a blue-collar American Everyman afflicted by the dark secret of the macho tradition. Told by his articulate, equally scarred younger brother, Wade's story becomes as spellbinding and inexorable as a fuse burning its way to the dynamite.

    She loves her family and is content with her life in California. That is, until her parents decide to move to Utah, the land of Mormons. New surroundings and culture shock do nothing to help Kit's social life. It is only with the help of Janet, a new friend, that Kit begins to adjust to life in Utah, as well as to the Mormon culture. Janet's older brother, Adam, is more than happy to befriend Kit, but when their feelings begin to go beyond friendship, Kit is torn. Does she really want to devote her heart to a boy who is going to leave her for two years to serve a mission for his faith? Can she support him when she doesn't even believe in his religion? As Kit looks deeper, she realizes that it isn't Adam's faith she needs to come to terms with - it's her own.

    Now, 30 years later, Puzo enriches us all with his ultimate vision of the subject: the story of the greatest crime family in Italian history, the Borgias.In The Family, this singular novelist transports his readers back to 15th century Rome, and reveals to us the extravagance and intrigue of the Vatican as surely as he once revealed the secrets of the Mafia. At the story's center is Rodrigo Borgia, Pope Alexander VI, a man whose lustful appetites were matched only by his consuming love of family. Surrounding him are his extraordinary children: simple, unloved Jofre; irascible, heartless Juan; beautiful, strong-willed Lucrezia; and passionate warrior Cesare, Machiavelli's friend and inspiration. Their stories constitute a symphony of human emotion and behavior, from pride to romance to jealousy to betrayal and murderous rage.A labor of love two decades in the making, The Family marks the final triumph of one of the greatest storytellers of our time.