This journal shares fruitful reflections on life and career prompted by the author's visit to her personal place of retreat near her country home.

    When Carrie Fisher discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved--plaintive love poems, unbridled musings with youthful naiveté, and a vulnerability that she barely recognized. Before her passing, her fame as an author, actress, and pop-culture icon was indisputable, but in 1977, Carrie Fisher was just a teenager with an all-consuming crush on her costar, Harrison Ford.With these excerpts from her handwritten notebooks, The Princess Diarist is Fisher's intimate and revealing recollection of what happened on one of the most famous film sets of all time--and what developed behind the scenes. Fisher also ponders the joys and insanity of celebrity, and the absurdity of a life spawned by Hollywood royalty, only to be surpassed by her own outer-space royalty. Laugh-out-loud hilarious and endlessly quotable, The Princess Diarist brims with the candor and introspection of a diary while offering shrewd insight into one of Hollywood's most beloved stars.

    Yet, until the late eighteenth century when Sir William "Oriental" Jones broke the Brahmins' prohibition on learning the sacred language of Sanskrit, the Buddha's teachings were treasures unappreciated in the West. Uncovering clues about Buddhism's origins from inscriptions on pillars and rocks, Jones pioneered an enthusiastic band whose search for the Indian subcontinent's secret religion is chronicled in this book of high adventure and monumental historical detection. Acclaimed narrative historian Charles Allen brings to life extraordinary eighteenth- and nineteenth-century characters and travels to lost holy places across the Eastern world as he tells the story of how Westerners found the Buddha. Allen has recorded the Western birth of a religion whose influence in America has increased tenfold in the just the past forty years.

    She visited forty states with the candidate, made more than 3,800 live television reports, listened to endless loops of Elton John’s "Tiny Dancer"—a Trump rally playlist staple.From day 1 to day 500, Tur documented Trump’s inconsistencies, fact-checked his falsities, and called him out on his lies. In return, Trump repeatedly singled out Tur. He tried to charm her, intimidate her, and shame her. At one point, he got a crowd so riled up against her, Secret Service agents had to walk her to her car.None of it worked. Facts are stubborn. So was Tur. She was part of the first women-led politics team in the history of network news. The Boys on the Bus became the Girls on the Plane--but the circus remained. Through all the long nights, wild scoops, naked chauvinism, dodgy staffers, and fevered debates, no one had a better view than Tur.Unbelievable is her darkly comic, fascinatingly bizarre, and often scary story of how America sent a former reality show host to the White House. It’s also the story of what it was like for Tur to be there as it happened, inside a no-rules world where reporters were spat on, demeaned, and discredited. Tur was a foreign correspondent who came home to her most foreign story of all.FROM THE RECIPIENT OF THE  2017 Walter Cronkite Award for Excellence in Journalism

    Huong Huynh was born to a Vietnamese mother and a U.S. soldier in the midst of war. She dedicated her life to healing and transforming the suffering of other people, first as a medical doctor and then as a nun. Ordained by Zen Master Thich Nhat Hanh, who gave her the name Dang Nghiem, she eventually began to experience true healing practices. With humor, insight, and an irrepressible sense of joy, Sister Dang Nghiem’s remarkable story offers clarity and guidance for anyone who has dealt with suffering and loss.

    A loving home, shared with squabbling siblings, overseen by devoted parents. Yet in other ways it was the precise opposite: a revolving door of TV camera crews and documentary makers, a world of extreme discipline, of siblings vanishing in the night.Megan Phelps-Roper was raised in the Westboro Baptist Church - the fire-and-brimstone religious sect at once aggressively homophobic and anti-Semitic, rejoiceful for AIDS and natural disasters, and notorious for its picketing the funerals of American soldiers. From her first public protest, aged five, to her instrumental role in spreading the church's invective via social media, her formative years brought their difficulties. But being reviled was not one of them. She was preaching God's truth. She was, in her words, 'all in'.In November 2012, at the age of twenty-six, she left the church, her family, and her life behind. Unfollow is a story about the rarest thing of all: a person changing their mind. It is a fascinating insight into a closed world of extreme belief, a biography of a complex family, and a hope-inspiring memoir of a young woman finding the courage to find compassion for others, as well as herself.

    In this funny, devastating, haunting memoir and with a raw and often painful honesty, she looks back at life with a painter mother, seven times married, whose outlaw spirit could tip over into psychosis, and a hard-drinking, fist-swinging father who liked nothing better than to spin tales with his cronies at the Liars' Club.

    Sidibe tells the engrossing, inspiring story of her first job as a phone sex “talker.” And she shares her unconventional (of course!) rise to fame as a movie star, alongside “a superstar cast of rich people who lived in mansions and had their own private islands and amazing careers while I lived in my mom's apartment.” Sidibe’s memoir hits hard with self-knowing dispatches on friendship, depression, celebrity, haters, fashion, race, and weight (“If I could just get the world to see me the way I see myself,” she writes, “would my body still be a thing you walked away thinking about?”). Irreverent, hilarious, and nontraditional, This Is Just My Face takes its place and fills a void on the shelf of writers from Mindy Kaling to David Sedaris to Lena Dunham.

    He moved to India to become a Buddhist monk: shaving his head, learning Tibetan, and donning long traditional robes. In the Himalayas, living in a hut a stone's throw from the Dalai Lama's compound, Grozni became entrenched in a sometimes comical, sometimes reverent, always intriguing community comprised of feisty nuns, bossy monks, violent chess players, demanding teachers, and a spectacular friend called Tsar, a fallen monk from Bosnia. Grozni went to India in search of knowledge, but learns that the people who can teach him the most are not wearing uniforms and following special diets, but rather those who, like him, struggle with doubts and cannot accept an established system of faith. Instead, he journeys with his colorful cast of friends to a new understanding of himself and his place in the world. Like Anne Lamott or Elizabeth Gilbert, Nikolai Grozni offers the insights of a religious pilgrim from the inside, in his case, from a male, Buddhist perspective. Thoughtful, funny, and elegantly written, Turtle Feet details the reality of a world much mythologized in the West and tells a wonderfully bittersweet story of a spiritual journey.

    A full-blooded Sioux, he was many things in the white man's world -- rodeo clown, painter, prisioner. But, above all, he was a holy man of the Lakota tribe. Seeker of Vision The story he tells is one of harsh youth and reckless manhood, shotgun marriage and divorce, history and folklore as rich today as ever -- and of his fierce struggle to keep pride alive, though living as a stranger in his own ancestral land.

    Shor tracks down the surviving members of this visionary expedition and entwines their remarkable stories of faith and adventure with his own quest to discover the reality of this land known as Beyul. What emerges is a breathtaking story alive with possibility, bringing the reader as close to the Hidden Land as a book possibly can. As the astounding account unfolds, the reader is sure to repeat the question constantly raised by the author in his interviews: And then what happened?A Step Away From Paradise tells the story of Lama Tulshuk Lingpa’s life and his unlikely expedition to a land beyond cares while reflecting on what this means for the rest of us. It draws on both research and extensive interviews with the surviving members of this extraordinary expedition. The book is richly illustrated with portraits of those who went with Tulshuk Lingpa and the places he traveled to. The book also delves into the tradition within Tibetan Buddhism of Shambhala and the hidden valleys, which mirror legends around the world of utopias and lands of milk and honey, thus showing that the quest for the hidden land is a universal urge of humanity.WRITER AND PHOTOGRAPHER Thomas K. Shor was born in Boston, USA, and studied comparative religion and literature in Vermont. With an ear for unusual stories, the fortune to attract them and an eye for detail, he has travelled the planet’s mountainous realms—from the Mayan Highlands of southern Mexico in the midst of insurrection to the mountains of Greece and, more recently to the Indian Himalayas—to collect, illustrate and write stories, with a uniquely personal character often having the flavor of fable.Shor has lectured widely on his writings and has had solo exhibits of his photographs in Europe and in India. He is the author of Windblown Clouds and can often be found in the most obscure locales, immersed in a compelling story touching upon fundamental human themes.The author’s website is www.ThomasShor.com

    Doubtfire—as a brilliant new chronicler of the experience that is growing up young and female.   Mara Wilson has always felt a little young and a little out of place: as the only child on a film set full of adults, the first daughter in a house full of boys, the sole clinically depressed member of the cheerleading squad, a valley girl in New York and a neurotic in California, and one of the few former child actors who has never been in jail or rehab. Tackling everything from how she first learned about sex on the set of Melrose Place, to losing her mother at a young age, to getting her first kiss (or was it kisses?) on a celebrity canoe trip, to not being “cute” enough to make it in Hollywood, these essays tell the story of one young woman’s journey from accidental fame to relative (but happy) obscurity. But they also illuminate a universal struggle: learning to accept yourself, and figuring out who you are and where you belong. Exquisitely crafted, revelatory, and full of the crack comic timing that has made Mara Wilson a sought-after live storyteller and Twitter star, Where Am I Now? introduces a witty, perceptive, and refreshingly candid new literary voice.

    . . . Lively and engaging, Lopez's book raises important questions about how Eastern religions are often co-opted, assimilated and misunderstood by Western culture."—Publishers Weekly"Proceeding with care and precision, Lopez reveals the extent to which scholars have behaved like intellectual colonialists. . . . Someone had to burst the bubble of pop Tibetology, and few could have done it as resoundingly as Lopez."—Booklist"Fascinating. . . [A] provocative exploration. Lopez conveys the full dizziness of the Western encounter with Tibet and Tibetan Buddhism."—Fred Pheil, Tricycle: The Buddhist Review"A timely and courageous exploration. . . . [Lopez's] book will sharpen the terms of the debate over what the Tibetans and their observers can or should be doing about the place and the idea of Tibet. And that alone is what will give us all back our Shambhala."—Jonathan Spence, Lingua Franca Book Review"Lopez's most important theme is that we should be wary of the idea . . . that Tibet has what the West lacks, that if we were only to look there we would find the answers to our problems. Lopez's book shows that, on the contrary, when the West has looked at Tibet, all that it has seen is a distorted reflection of itself."—Ben Jackson, Times Higher Education Supplement

    With warmth and a wonderful sense of humor, Ajahn Sumedho draws on the experiences of ordinary life to convey Buddhist insights that for 2,500 years have continued to remain vital and pertinent to our lives.

    Original. 10,000 first printing.