But behind the successful, glamorous career was a story that many of her friends and colleagues knew nothing about—her ongoing struggle with severe depression and alcoholism. Brampton's is a candid, tremendously honest telling of how she was finally able to "address the elephant in the room," and of a culture that sends the overriding message that people who suffer from depression are somehow responsible for their own illness. She offers readers a unique perspective of depression from the inside that is at times wrenching, but ultimately inspirational, as it charts her own coming back to life. Beyond her personal story, Brampton offers practical advice to all those affected by this illness. This book will resonate with any person whose life has been haunted by depression, at the same time offering help and understanding to those whose loved ones suffer from this debilitating condition.

    Amy Asbury chose bad, hands down. Good meant wallflowers, secretaries and subservient wives. Bad meant power- and a possible escape from a life of secrets. At twelve years old she was trying to make sense of a drug-addicted father and his disturbing behavior. By fifteen she was dealing with horrendous depression, blackouts and rape. At sixteen she was in a mental institution for suicidal tendencies and violent behavior. She knew she could never be normal. The only place for a girl like her was Hollywood.This is a true story of the social ascent (and eventual decline) of a girl in the Sunset Strip music scene of the early 1990's. From crazy parties to glittered junkies and man-eating strippers, Amy has chronicled what life was like back in the days of excess and debauchery. It is not just a fascinating look into an amusing time in pop culture, but also details the mindset of a young woman trying to find confidence and self-worth in a life full of pain and chaos. The party came screeching to a halt when the Grunge movement took over and heroin became more prominent. How far off track can a person go before it's too late?

    Whether it's with love and dating, career and ambition, friends, or gossip, Naya inspires us to follow our own destiny and step over--or plod through--all the crap along the way. After her rise and fall from early childhood stardom, barely eking her way through high school, a brief stint as a Hooters waitress, going through thick and thin with her mom/manager, and resurrecting her acting career as Santana Lopez on Glee, Naya emerged from these experiences with some key life lessons:Sorry:-  All those times I scrawled "I HATE MY MOM" in my journal. So many moms and teenage daughters don't get along--we just have to realize it's nothing personal on either side.-  At-home highlights and DIY hair extensions. Some things are best left to the experts, and hair dye is one of them.-  Falling in love with the idea of a person, instead of the actual person.Not Sorry:-  That I don't always get along with everyone. Having people not like you is a risk you have to take to be real, and I'll take that over being fake any day.-  Laughing at the gossip instead of getting upset by it.-  Getting my financial disasters out of the way early--before I was married or had a family--so that the only credit score that I wrecked was my own.Even with a successful career and a family that she loves more than anything else, Naya says, "There's still a thirteen-year-old girl inside of me making detailed lists of how I can improve, who's never sure of my own self-worth." Sorry Not Sorry is for that thirteen-year-old in all of us.

    An I wanted te cry inside meself. I wasn't dead any more, I was lifted away, far away. I can do anythin. I can be somebody, I can be beautiful, I can be gentle, I can be rich, I can smell good. The world is waitin fer me. I can be what I want. Then it ended. An I was back in the room. I opened me eyes slowly an took in everythin aroun me. One day I'll be able te stop this. Nobody will keep me down. I'll work hard, an I'll be at the top, cos I don't want anyone lookin down on me.'Born a bastard to a teenage mother in the slums of 1950s Dublin, Martha has to be a fighter from the very start.As her mother moves from man to man, and more children follow, they live hand-to-mouth in squalid, freezing tenements, clothed in rags and forced to beg for food. But just when it seems things can't get any worse, her mother meets Jackser.Despite her trials, Martha is a child with an irrepressible spirit and a wit beyond her years. She tells the story of her early life without an ounce of self-pity and manages to recreate a lost era in which the shadow of the Catholic Church loomed large and if you didn't work, you didn't eat.Martha never stops believing she is worth more than the hand she has been dealt, and her remarkable voice will remain with you long after you've finished the last line.

    She spent her evenings at cocktail parties and dark bars where she proudly stayed till last call. Drinking felt like freedom, part of her birthright as a strong, enlightened twenty-first-century woman. But there was a price. She often blacked out, waking up with a blank space where four hours should have been. Mornings became detective work on her own life. What did I say last night? How did I meet that guy? She apologized for things she couldn't remember doing, as though she were cleaning up after an evil twin. Publicly, she covered her shame with self-deprecating jokes, and her career flourished, but as the blackouts accumulated, she could no longer avoid a sinking truth. The fuel she thought she needed was draining her spirit instead.A memoir of unblinking honesty and poignant, laugh-out-loud humor, Blackout is the story of a woman stumbling into a new kind of adventure—the sober life she never wanted. Shining a light into her blackouts, she discovers the person she buried, as well as the confidence, intimacy, and creativity she once believed came only from a bottle. Her tale will resonate with anyone who has been forced to reinvent or struggled in the face of necessary change. It's about giving up the thing you cherish most—but getting yourself back in return.

    This is the event Stern's millions of fans have been waiting for. Yes, The King of All Media is back, letting it all hang out in his outrageous new movie. And here is the book that tracks the odyssey. In "Private Parts" Stern spills his life story, from his dysfunctional beginnings to his unlikely, turbulent rise to super stardom. In the process, he shares his views on everything from foreign policy to fatherhood and Madonna to masturbation, with lots of lesbians in between. No matter whose side you're on -- Cher's "I hate him. He's just a creep, " or Stallone's "I love him. I really love him" -- Stern's brutally frank "Don't ask, I'll tell" tome spares no group or institution. Studded throughout with Howard's favorite photos, pickings from the Hate-Mailbag and illustrations, this is the original, in-your-face manifesto complete with movie art that will once again have fans storming the bookstores...and everyone else running for cover.

    It is an ugly, shameful story of being sold with her mother into slave marriages by Chinese brokers, and although she at first tried to hide the painful details when blending into South Korean society, she realized how her survival story could inspire others. Moreover, her sister had also escaped earlier and had vanished into China for years, prompting the author to go public with her story in the hope of finding her sister.

    In Possessed, his subject is the inimitable Joan Crawford, one of the most electrifying divas of the Golden Age of American film. A more thorough, revealing, and sympathetic portrait of the often maligned movie star—most notably lambasted, perhaps, in the scandalous bestseller, Mommy Dearest—Possessed is a fascinating study of the real Joan Crawford, a remarkable actress, businesswoman, mother, and lover.

    . . and soon became the most visible and glamorous madam the city had ever seen. As Xaviera Hollander, she published a shockingly candid account of her life behind the brothel door. The Happy Hooker shot straight to the top of the bestseller lists, sold more than fifteen million copies, and made this enterprising young woman an international phenomenon.Thirty years later, these delightfully explicit tales of the '60s and '70s swingers' scene -- including countless jaw-dropping stories of lesbianism, bondage, fetishism, and more -- remain as titillating as ever, charged with the mix of shrewd observation and uninhibited appetite that made Hollander an irresistible storyteller. The Happy Hooker is a classic: the world's greatest book on the world's oldest profession.

    To his delight and amazement, its yellowing pages contain the rags to riches story of Terry, the cairn terrier who became a cultural icon playing Toto in The Wizard of Oz.I, Toto traces the Canine star’s tragic beginnings (she was abandoned because of housebreaking failures until trainer Carl Spitz took her in), her exhilarating film career (a dozen movies with start such as Shirley Temple, Spencer Tracy, and of course, Judy Garland), her days as the top-billed star with the Hollywood Motion Picture Dog Review, and her happy retirement in southern California. Most important, Toto offers the inside scoop on the making of The Wizard of Oz.Lovingly illustrated, Toto’s scrapbook features more than 100 photographs and reproductions collected over a dog’s life, including film stills, press clippings, lobby cards, movie posters, and memorabilia, plus personal snapshots from Toto’s life at home. A must-read for fans of the classic movie and its equally classic canine star.

    It wasn’t drugs, alcohol, or sex: it was film. After moving to Los Angeles, Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the famous New Beverly Cinema. Silver screen celluloid became Patton’s life schoolbook, informing his notion of acting, writing, comedy, and relationships.Set in the nascent days of LA’s alternative comedy scene, Silver Screen Fiend chronicles Oswalt’s journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way.

    By the age of twenty-three, he was on his first tour of America, facing an astonished audience in his tight silver hotpants, bare legs and a T-shirt with ROCK AND ROLL emblazoned across it in sequins. Elton John had arrived and the music world would never be the same again.His life has been full of drama, from the early rejection of his work with song-writing partner Bernie Taupin to spinning out of control as a chart-topping superstar; from half-heartedly trying to drown himself in his LA swimming pool to disco-dancing with the Queen; from friendships with John Lennon, Freddie Mercury and George Michael to setting up his AIDS Foundation. All the while, Elton was hiding a drug addiction that would grip him for over a decade.In Me Elton also writes about getting clean and changing his life, about finding love with David Furnish and becoming a father.

    She also had a dream that one day she would be a comedian on TV.She has seen both these dreams come true.At last, Tina Fey's story can be told. From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of physical beauty to her life as a mother eating things off the floor; from her one-sided college romance to her nearly fatal honeymoon—from the beginning of this paragraph to this final sentence.Tina Fey reveals all, and proves what we've all suspected: you're no one until someone calls you bossy.

    Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Now in its tenth anniversary year, The Room is an international phenomenon to rival The Rocky Horror Picture Show. Thousands of fans wait in line for hours to attend screenings complete with costumes, audience rituals, merchandising, and thousands of plastic spoons.Readers need not have seen The Room to appreciate its costar Greg Sestero’s account of how Tommy Wiseau defied every law of artistry, business, and interpersonal relationships to achieve the dream only he could love. While it does unravel mysteries for fans, The Disaster Artist is more than just an hilarious story about cinematic hubris: It is ultimately a surprisingly inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of a supremely enigmatic man who will capture your heart.

    She writes about learning the art and craft of acting, about her Academy Award-winning portrayal of Maerose Prizzi in Prizzi's Honour, about her collaborations with many of the greatest directors in Hollywood, including Woody Allen, Wes Anderson, Richard Condon, Bob Rafelson, Francis Ford Coppola and Stephen Frears. She writes movingly and beautifully about the death of her father, the legendary director John Huston and her marriage to sculptor Robert Graham.