Henrys, and shared the Young Lions Award. Now he has written one of the most beautiful, wise, and compelling first novels of recent times. David Winkler begins life in Anchorage, Alaska, a quiet boy drawn to the volatility of weather and obsessed with snow. Sometimes he sees things before they happen—a man carrying a hatbox will be hit by a bus; Winkler will fall in love with a woman in a supermarket. When David dreams that his infant daughter will drown in a flood as he tries to save her, he comes undone. He travels thousands of miles, fleeing family, home, and the future itself, to deny the dream. On a Caribbean island, destitute, alone, and unsure if his child has survived or his wife can forgive him, David is sheltered by a couple with a daughter of their own. Ultimately it is she who will pull him back into the world, to search for the people he left behind. Doerr's characters are full of grief and longing, but also replete with grace. His compassion for human frailty is extraordinarily moving. In luminous prose, he writes about the power and beauty of nature and about the tiny miracles that transform our lives. About Grace is heartbreaking, radiant, and astonishingly accomplished.

    On a summer’s night in Normandy, a newborn baby is left in a basket outside the home of Albert and Jeanne Arnaud. The childless couple take the foundling in, name him Jean, and decide to raise him as their own, though his parentage remains a mystery.Though Jean’s life is never dull, he grows up knowing little of what lies beyond his local area. Until the day he sets off on his bicycle to discover the world, and encounters a Europe on the threshold of interesting times. . . .Michel Déon has published more than fifty works, including Les Poneys Sauvages (The Wild Ponies) and Un Taxi Mauve. His novels have been translated into many languages, and he is considered one of the most innovative French writers of the twenty-first century.

    Disfigured and covered in a blanket of bees, little Simonopio is for some locals the stuff of superstition, a child kissed by the devil. But he is welcomed by landowners Francisco and Beatriz Morales, who adopt him and care for him as if he were their own. As he grows up, Simonopio becomes a cause for wonder to the Morales family, because when the uncannily gifted child closes his eyes, he can see what no one else can—visions of all that’s yet to come, both beautiful and dangerous. Followed by his protective swarm of bees and living to deliver his adoptive family from threats—both human and those of nature—Simonopio’s purpose in Linares will, in time, be divined.Set against the backdrop of the Mexican Revolution and the devastating influenza of 1918, The Murmur of Bees captures both the fate of a country in flux and the destiny of one family that has put their love, faith, and future in the unbelievable.

    So when a leading cloth-manufacturer is found murdered and his business totters on the brink of collapse, everyone fears his fall will ruin hundreds of working families and cause the economy of the whole county to collapse. In near panic, the mayor and aldermen turn to an unlikely person to solve the riddle: Mr. Ashmole Foxe, a man who claims to be a mere bookseller, yet lives in grand style, dresses like a dandy and associates as easily with the demi-monde as the gentry. With few firm clues to go on and every sign the dead man himself had been hiding many secrets, Mr Foxe sets out to do as the City Fathers want. Who benefited from the death? Why had the murdered man been stockpiling cloth for months? Who is the stranger now trying to buy up all this surplus stock and what will he do with it? Follow Mr Foxe through Norwich’s teeming 18th-century streets as he seeks out the answers and tracks down a killer with more than profit on his mind.

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    It is a harrowing journey, but plain-looking Marian welcomes the challenge of their adventure, while beautiful Amanda complains at every turn. And when they need rescuing, cowboy Chad Kinkaid is the strong, sexy hero for the job. Amanda's beauty catches Chad's eye, but it is Marian's daring spirit and hidden passion that spark his desire for her — a sensual attraction that lands them in a romantic entanglement Marian is not prepare to handle. Tied to him by the fate of her aunt's ranch, Marian must face a proud cowboy who's determined to convince her — whether it means wooing her under the stars of the open range or following her back East — that she's the only woman for him...

    Gay's remarkable debut novel, The Long Home, is also the story of Amber Rose, a beautiful young woman forced to live beneath that evil who recognizes even as a child that Nathan is her first and last chance at escape. And it is the story of William Tell Oliver, a solitary old man who watches the growing evil from the dark woods and adds to his own weathered guilt by failing to do anything about it. Set in rural Tennessee in the 1940s, The Long Home will bring to mind once again the greatest Southern novelists and will haunt the reader with its sense of solitude , longing, and the deliverance that is always just out of reach.

    . . Thirteen year old Ephraim Wright suffers the depredations of war along with the white family who reared him. Raised with the family since he was two years old, he is never once required to call Jonathan Wright, his benevolent owner, "master." His speech, manners and outlook on life are more akin to his white "siblings than the other slaves in the community who chide him for being a "pet" and "talkin' like white folk." He is stranded between two worlds; that of free whites, and of enslaved blacks. His life is irreversibly changed when Confederate conscript officers take the family's oldest son at gun point and a bushwhacker gang guns down Jonathan Wright. The law forbids a slave to touch a firearm, because a “negro with a gun is a nervous thing to white folks.” But where his family is concerned, Ep is never one to care about what the slave laws say. By seeking to send men to hell, will Ephraim send himself there as well?Advance Praise for The Secret of Wattensaw BayouWhile reading the book my feelings of anger and resentment toward the institution of slavery and those who fought to protect such rights were sometimes overwhelming and required me to take a deep breath. Nevertheless, the story from a historical perspective, although it was a work of fiction, was masterly woven and I found myself with the urge to continue reading. . . The book is well written and the author provides a fascinating glimpse into the everyday existence of many Southern families during the Civil War. Commander Harold Barnes (US Navy, retired)

    In 1946, Harry Copeland has returned after fighting in the 82nd Airborne from North Africa all the way to the Elbe. Reluctantly assuming the direction of the family fine leather goods manufacture, he finds his life unsatisfactory and on hold – until he is “accidentally” united with Catherine Thomas Hale, the woman for whom he has been waiting all his life, although the forces behind his patience have never been revealed to him. A young actress, singer, and heiress, she has been waiting for him, even if she has known this only in flashes that do not come clear to her until the end of the narrative, and that have not prevented her engagement to a much older man who has been taking advantage of her since childhood.The meeting of Catherine and Harry, their courtship, and their intense love, play out on the stage of New York awakening at mid-century – in the deep worlds of the theater, industry, and high finance, and during the collision of aristocratic New York society with the formidable wave of second-generation, fully assimilated Jews. Though after being broken in the war Harry wants nothing but peace, family, and love, organized crime carries on its extortions as always, even in a city now full of the kind of men who stormed the Point du Hoc and the Siegfried Line. This becomes his moral and physical struggle. While Catherine’s is of a different nature, it is just as consequential, and the courage required of her is perhaps even greater.Of the widest scope – from the air over Sicily to the heat-and-color-saturated Sacramento Valley; the Bay of Biscay to the sea off Maine; the steel mills of Gary, Indiana to the beaches of Amagansett; London in the blitz; the invasion of Normandy; and a single shell gliding across an American lake in August; from the luminous houses of the wealthy to the pounding of the boards beneath a Broadway chorus line – this is yet, first, and foremost a love story, but also a hymn to New York of the period when one great age elided into the other that we call our own. Rich in language and classical allusion, it is true to the mottoes at its outset: the Dantean “Amor mi mosse, che me fa parlare,” “Love moved me, and made me speak,” and to the lines of Lucretius that describe Catherine’s extraordinary representation of the powers, beauties, and graces of womanhood – “Nothing comes forth into the shores of light, or is glad or lovely without you.”

    First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.

    But they don’t know this yet.So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.

    Newly orphaned children of immigrants, Lucy and Sam are suddenly alone in a land that refutes their existence. Fleeing the threats of their western mining town, they set off to bury their father in the only way that will set them free from their past. Along the way, they encounter giant buffalo bones, tiger paw prints, and the specters of a ravaged landscape as well as family secrets, sibling rivalry, and glimpses of a different kind of future.Both epic and intimate, blending Chinese symbolism and re-imagined history with fiercely original language and storytelling, How Much of These Hills Is Gold is a haunting adventure story, an unforgettable sibling story, and the announcement of a stunning new voice in literature. On a broad level, it explores race in an expanding country and the question of where immigrants are allowed to belong. But page by page, it's about the memories that bind and divide families, and the yearning for home.

     Asie Taylor is a half-blood Indian raised by Mormons, a gifted musician and a sharp-tongued philosopher. Sun Moon is a Tibetan nun, kidnapped and sold into prostitution in California. Each is on the run--Asie toward his heritage and the secret of his name, Sun Moon from her captors, in particular the fanatical "Destroying Angel" of Mormondon, Porter Rockwell. The fate of these two innocents takes its strangest turn when they are thrown together with a man innocent of nothing, the scar-faced Nile explorer Sir Richard Burton who in 1862 is making his leisurely way across the American West. The journey of this remarkable trio, their footsteps dogged by the relentless Rockwell, ranges from Brigham Young's Salt Lake City through the mining camps of the Comstock Lode in Nevada (where a reporter named Sam Clemens befriends them) is a dazzling tour-de-force adventure. “Win Blevins has done it again with Of Love and Demons. A wonderfully wild one which you don’t want to miss.” – Tony Hillerman “Win Blevins displays an antic imagination, not only in mingling actual and invented characters, but in melding gritty action-adventure and metaphysical musings.” Dale Wasserman, Author of Man of La Mancha “Win Blevins’ Of Love and Demons is a risqué And veritable romp through the history of the West. Highly enjoyable reading.” Clyde M. Hall, Shoshone-Bannock lecturer of Western and Native American History. From Kirkus Reviews A colorful novel set among the Mormons in 1862, featuring such real folks as Sam Clemens, Sir Richard Burton, Brigham Young, and Porter Rockwell, by the author of Stone Song (1995), an imaginary life of Crazy Horse. Half-Indian Asie Taylor, a musical prodigy who has been accepted into the Church of the Latter-day Saints, drowns when his delivery wagon is overturned in a flash flood, has an out-of-body experience, returns to life, and is amazed to see hovering over him the scarred but beautiful face of Sun Moon, a Tibetan Buddhist nun who was kidnapped in Asia and shipped to America to be sold into prostitution. There, she ended up in Idaho, where Tarim, the local tavernkeeper/whoremaster who bought her, expected to resell her for a hefty sum. When Porter Rockwell, a Mormon known as the Destroying Angel (he seeks out and kills enemies of the church) wins Sun Moon, he attempts to satisfy his lust, is frustrated by his inability to do so, and disfigures her face. Having learned some English while storekeeping, Sun Moon flees Tarim and falls in with Asie, who decides to go in search of his origins and of the meaning of his Shoshone name, Rock Child. Meantime, Rockwell is in pursuit of Sun Moon, determined to kill her--and anyone who gets in his way. Tibetan-speaking British explorer/translator Sir Richard Burton, an opium addict of none-too-sound mind, who's in Salt Lake City to persuade Brigham Young to form a separate Western Confederacy, saves Asie and Sun Moon from Rockwell and joins their quest. For a while, Brigham Young gives them sanctuary from Rockwell, though Rockwell later follows the trio to San Francisco. The climax would satisfy the Buddha himself as his teachings resoundingly bring the murderous Rockwell to heel. Historical detail serves a charming treasure. From Library Journal Blevins, whose Stone Song (Tor, 1995) fictionalized the life of the legendary Crazy Horse, has stated his aim is to write "mythic novels of the American West.