This nonfiction graphic novel explores the causes, effects, and lessons learned from a major epidemic in our past, and is the perfect tool for engaging readers of all ages, especially teens and tweens learning from home.   New Year’s Day, 1918. America has declared war on Germany and is gathering troops to fight. But there’s something coming that is deadlier than any war.   When people begin to fall ill, most Americans don’t suspect influenza. The flu is known to be dangerous to the very old, young, or frail. But the Spanish flu is exceptionally violent. Soon, thousands of people succumb. Then tens of thousands . . . hundreds of thousands and more. Graves can’t be dug quickly enough.   What made the influenza of 1918 so exceptionally deadly—and what can modern science help us understand about this tragic episode in history? With a journalist’s discerning eye for facts and an artist’s instinct for true emotion, Sibert Honor recipient Don Brown sets out to answer these questions and more in Fever Year.

    Its crew is forced to swim to a small, unknown island, where they are rescued by a passing American ship. Japan’s borders remain closed to all Western nations, so the crew sets off to America, learning English on the way.Manjiro, a fourteen-year-old boy, is curious and eager to learn everything he can about this new culture. Eventually the captain adopts Manjiro and takes him to his home in New England. The boy lives for some time in New England, and then heads to San Francisco to pan for gold. After many years, he makes it back to Japan, only to be imprisoned as an outsider. With his hard-won knowledge of the West, Manjiro is in a unique position to persuade the shogun to ease open the boundaries around Japan; he may even achieve his unlikely dream of becoming a samurai.

    Siena was six—and her dreams kept skipping and leaping, circling and spinning, from airy runs along a beach near her home in Puerto Rico, to dance classes at the School of American Ballet, to her debut performance on stage with the New York City Ballet while working with ballet legend George Balanchine. Part family history, part backstage drama, this beautifully updated graphic memoir—which features a refreshed design and a brand-new scrapbook of Siena’s mementoes—is an original, firsthand look a young dancer’s beginnings.

    . .the west. Soft Rain is confident that her family will not have to move, because they have just planted corn for the next harvest but soon thereafter, soldiers arrive to take nine-year-old, Soft Rain, and her mother to walk the Trail of Tears, leaving the rest of her family behind.    Because Soft Rain knows some of the white man's language, she soon learns that they must travel across rivers, valleys, and mountains. On the journey, she is forced to eat the white man's food and sees many of her people die. Her courage and hope are restored when she is reunited with her father, a leader on the Trail, chosen to bring her people safely to their new land.  Praise for Soft Rain:    "An eye-opening introduction to this painful period of American history."--Publisher's Weekly    "The characters themselves transform a sorrowful story of adversity into a tale of human resilience."--Kirkus Reviews    "This gentle child's-eye view will move readers enormously."--Jane Yolen

    One was the U.S. vice president, Aaron Burr, and the other was Alexander Hamilton, the secretary of the treasury. They were ready to fight to the death for honor.These Founding Fathers, once friends and colleagues, had become the bitterest of enemies. After years of escalating tension, Burr had finally challenged Hamilton to a duel. In the end, only one man survived, but their infamous rivalry lives on.

    He traveled across a vast ocean from China to America with only a suitcase and a few papers. Not papers for drawing--which he loved to do--but immigration papers to start a new life. Once in America, Tyrus seized every opportunity to make art, eventually enrolling at an art institute in Los Angeles. Working as a janitor at night, his mop twirled like a paintbrush in his hands. Eventually, he was given the opportunity of a lifetime--and using sparse brushstrokes and soft watercolors, Tyrus created the iconic backgrounds of Bambi.Julie Leung and Chris Sasaki perfectly capture the beautiful life and work of a painter who came to this country with dreams and talent--and who changed the world of animation forever.

    In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico’s Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe’s, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity.

    She often wondered if there were any books about kids just like her. With hard work, and the encouragement of her parents and a special teacher, she learned to read and at a young age discovered she had a knack for writing.Beverly Cleary's story comes to life in this narrative nonfiction picture book as she grows to follow her dreams of writing the books she longed for as a child, becoming an award-winning writer and one of the most famous children's authors of all time.Beautiful illustrations capture Cleary's sense of humor, struggles, and triumphs, and are filled with Easter eggs throughout for fans to discover.

    Shortly before Simon's birth, his parents decided to leave their home in search of greater freedoms on the other side of the Berlin Wall. But East German authorities did not allow the Schwartzes to leave for almost three years. In the meantime, Simon's parents struggled with the costs of their decision: the loss of work, the attention of the East German secret police, and the fragmentation of their family.

    After a ship voyage fraught with danger from Nazi torpedoes, teenage Lily reunites with her parents in New York and helps her family earn a living by painting designs on wooden boxes. One day she sees an ad in the paper: a comics publisher is looking for artists. Lily has never drawn comics before, but teaches herself how they work. She is hired to draw the character Senorita Rio, a beautiful spy fighting the Nazis.

    Meet figureheads, leaders, and pioneers such as Martin Luther King Jr., Nelson Mandela, and Rosa Parks, as well as cultural trailblazers and sporting heroes, including Stevie Wonder, Oprah Winfrey, and Serena Williams.  Discover how their childhood dreams and experiences influenced their adult achievements. This book will help the next generation to chase their own dream . . . whatever it may be.

    The book also includes reproductions of featured artworks, a comprehensive timeline of events, and extra feature spreads on places connected with art.An essential reference book for all children who love art and stories, this book is the perfect blend of both. Discover artists and their art around the world, in exciting and imaginative tales about artists and the way they created their work.• Fresh, new take on presenting the history of art – using a well-thought-out timeline, carefully selected artists and artworks, beautiful illustrations, and engaging storytelling, this book will delight all curious minds• Perfect for home, classroom or school library – an interesting supplement to learning about art and history for parents and teachers• Be inspired – the stories explore art from different parts of the world, and they draw on events from history that inspired many great works of art• A beautiful gift – this is a beautiful book; hardcover with exquisite illustrations and photographs throughoutLet your child discover the wonder of art and history with Vincent's Starry Night and Other Stories. Michael Bird is a writer, art historian and radio broadcaster. His books include 100 Ideas that Changed Art. He has also published many essays and articles, and lectures widely. He currently holds a Goodison Fellowship at the British Library, where he is researching the oral history of modern British art.Kate Evans is a freelance illustrator with clients including HarperCollins, The Guardian, Macmillan Books, National Geographic, Transport for London and V&A Magazine. She has had exhibitions in Bristol, Bath, London and Stockholm. Kate lives and works in Bristol.

    Daniel Boone was a farmer who couldn't stay put. Something was always pulling him westward into new and mysterious lands, and when this pull got so strong that he could no longer ignore it, and his wife and children could not persuade him to stay, he just went, with his toes pointing into the West and his eyes glued to the hills. The rugged sweep which has always distinguished Mr. Daugherty's illustrations and painting distinguishes his epic prose here as well, and makes for perfect portrayal of the vigorous character of Daniel Boone. It is interesting to recall that among the first book illustrations which Mr. Daugherty ever did were his interpretations of this same character for Stewart Edward White's "Daniel Boone".

    . .One night, her mother takes her to the ballet, and everything is changed. Anna finds a beauty inside herself that she cannot contain.So begins the journey of a girl who will one day grow up to be the most famous prima ballerina of all time, inspiring legions of dancers after her: the brave, the generous, the transcendently gifted Anna Pavlova.

    Stratton was born in 1838, he was a large baby, perfect in every way. But then he stopped growing. At age four, though a happy and mischievous child, he was just over two feet tall and weighed only fifteen pounds—the exact same size he had been as a seven-month-old baby. It was then that the notorious showman P.T. Barnum dubbed him Tom Thumb and put him on display, touring him around the world as a curiosity.      A natural performer, Charley became enormously popular and wealthy, more so than any other performer before him. In this spirited biography—the first on its subject—George Sullivan recounts the fascinating adventures of Tom Thumb, and raises challenging questions about what constitutes exploitation—both in the 19th century and today.