Fate, however, seems eager to cheat him out of an honest living, when Jack begins visiting the notorious Black Lion, drinking den of the worst criminals in London.

    Wealthy, privileged, and fiercely independent New Yorker Jennie Jerome took Victorian England by storm when she landed on its shores. As Lady Randolph Churchill, she gave birth to a man who defined the twentieth century: her son Winston. But Jennie--reared in the luxury of Gilded Age Newport and the Paris of the Second Empire--lived an outrageously modern life all her own, filled with controversy, passion, tragedy, and triumph.When the nineteen-year-old beauty agrees to marry the son of a duke she has known only three days, she's instantly swept up in a whirlwind of British politics and the breathless social climbing of the Marlborough House Set, the reckless men who surround Bertie, Prince of Wales. Raised to think for herself and careless of English society rules, the new Lady Randolph Churchill quickly becomes a London sensation: adored by some, despised by others.Artistically gifted and politically shrewd, she shapes her husband's rise in Parliament and her young son's difficult passage through boyhood. But as the family's influence soars, scandals explode and tragedy befalls the Churchills. Jennie is inescapably drawn to the brilliant and seductive Count Charles Kinsky--diplomat, skilled horse-racer, deeply passionate lover. Their impossible affair only intensifies as Randolph Churchill's sanity frays, and Jennie--a woman whose every move on the public stage is judged--must walk a tightrope between duty and desire. Forced to decide where her heart truly belongs, Jennie risks everything--even her son--and disrupts lives, including her own, on both sides of the Atlantic.Breathing new life into Jennie's legacy and the gilded world over which she reigned, That Churchill Woman paints a portrait of the difficult--and sometimes impossible--balance between love, freedom, and obligation, while capturing the spirit of an unforgettable woman, one who altered the course of history.

    A many-layered historical thriller combining state secrets, intrigue, and romance. England, 1585. In Kit Marlowe's last year at Cambridge, he receives an unexpected visitor: Queen Elizabeth's spymaster, who has come with an unorthodox career opportunity. Her Majesty's spies are in need of new recruits, and Kit's flexible moral compass has drawn their attention. Kit, a scholarship student without money or prospects, accepts the offer, and after his training the game is on. Kit is dispatched to the chilly manor where Mary, Queen of Scots is under house arrest, to act as a servant in her household and keep his ear to the ground for a Catholic plot to put Mary on the throne.While observing Mary, Kit learns more than he bargained for. The ripple effects of his service to the Crown are far-reaching and leave Kit a changed man. But there are benefits as well. The salary he earns through his spywork allows him to mount his first play, and over the following years, he becomes the toast of London's raucous theatre scene. But when Kit finds himself reluctantly drawn back into the uncertain world of espionage, conspiracy, and high treason, he realizes everything he's worked so hard to attain--including the trust of the man he loves--could vanish before his very eyes.Pairing modern language with period detail, Allison Epstein brings Elizabeth's privy council, Marlowe's lovable theatre troupe, and the squalor of sixteenth-century London to vivid, teeming life as Kit wends his way behind the scenes of some of Tudor history's most memorable moments. At the center of the action is Kit himself--an irrepressible, irreverent force of nature. Thrillingly written, full of poetry and danger, A Tip for the Hangman brings an unforgettable protagonist to new life, and makes a centuries-old story feel utterly contemporary.

    Unlike the "New Woman" novels of the era which challenged the idea that the unmarried woman was superfluous, Gissing satirizes that image and portrays women as "odd" and marginal in relation to an ideal. Set in a grimy, fog-ridden London, Gissing's "odd" women range from the idealistic, financially self-sufficient Mary Barfoot to the Madden sisters who struggle to subsist in low paying jobs and little chance for joy. With narrative detachment, Gissing portrays contemporary society's blatant ambivalence towards its own period of transition. Judged by contemporary critics to be as provocative as Zola and Ibsen, Gissing produced an "intensely modern" work as the issues it raises remain the subject of contemporary debate.

    Loyal to his friends and passionately in love with the one woman who was denied him, Richard emerges as a gifted man far more sinned against than sinning. This magnificent retelling of his life is filled with all of the sights and sounds of battle, the customs and lore of the fifteenth century, the rigors of court politics, and the passions and prejudices of royalty.

    For eighteen months, John L. Rotundo and Don Ericson braved the test of war at its most bloody and most raw, specializing in ambushing the enemy and fighting jungle guerillas using their own tactics. From the undiluted high of a "contact" with the enemy to the anguished mourning of a fallen comrade, they experienced nearly every emotion known to man--most of all, the power and the pride of being the finest on America's front lines.From the Paperback edition.

    Caputo intersperses imaginative retellings of events he witnessed with true accounts of how he became a writer, and what happened when he was sent to some of the most dangerous places in the world. He begins with his childhood and budding career in Chicago. Soon after, he was deep in the Sinai Peninsula searching for the last authentic Bedouin, and reporting from the front lines of the Yom Kippur War. In an eerie parallel to journalist Daniel Pearl's tragic murder, Caputo was held hostage for a week by Islamic extremists while reporting in Beirut. Later, he was singled out by a sniper, and received a bullet in his ankle and a chunk of wall in his head. In Afghanistan in the 1980s, he joined the Mujahideen for a clandestine mission and was nearly captured by Soviet forces. His observations on that war-torn country and its ethos are starkly relevant today.

    In the summer of 1939, Renia and her sister Elizabeth (née Ariana) were visiting their grandparents in Przemysl, right before the Germans invaded Poland.Like Anne Frank, Renia recorded her days in her beloved diary. She also filled it with beautiful original poetry. Her diary records how she grew up, fell in love, and was rounded up by the invading Nazis and forced to move to the ghetto in Przemsyl with all the other Jews. By luck, Renia's boyfriend Zygmund was able to find a tenement for Renia to hide in with his parents and took her out of the ghetto. This is all described in the Diary, as well as the tragedies that befell her family and her ultimate fate in 1942, as written in by Zygmund on the Diary's final page.Renia's Diary is a significant historical and psychological document. The raw, yet beautiful account depicts Renia's angst over the horrors going on around her. It has been translated from the original Polish, with notes included by her surviving sister, Elizabeth Bellak.

    She is aware of, and resents, the gaze of an unusual young man, a stranger, who seems to judge her, and find her wanting. The encounter will change her life.The strange young man is Daniel Deronda, brought up with his own origins shrouded in mystery, searching for a compelling outlet for his singular talents and remarkable capacity for empathy. Deronda's destiny will change the lives of many.

    Between the death of Queen Victoria and the end of the Second World War, the nation was shaken by war and peace. The two wars were the worst we had ever known and the episodes of peace among the most turbulent and surprising. As the political forum moved from Edwardian smoking rooms to an increasingly democratic Westminster, the people of Britain experimented with extreme ideas as they struggled to answer the question "How should we live?" Socialism? Fascism? Feminism? Meanwhile, fads such as eugenics, vegetarianism, and nudism were gripping the nation, while the popularity of the music hall soared. It was also a time that witnessed the birth of the media as we know it today and the beginnings of the welfare state. Beyond trenches, flappers, and Spitfires, this is a story of strange cults and economic madness, of revolutionaries and heroic inventors, sexual experiments and raucous stage heroines. From organic food to drugs, nightclubs and celebrities to package holidays, crooked bankers to sleazy politicians, the echoes of today's Britain ring from almost every page.

    In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods’ priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief.Hild is the king’s youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world—of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next—that can seem uncanny, even supernatural, to those around her. She establishes herself as the king’s seer. And she is indispensable—until she should ever lead the king astray. The stakes are life and death: for Hild, her family, her loved ones, and the increasing numbers who seek the protection of the strange girl who can read the world and see the future.Hild is a young woman at the heart of the violence, subtlety, and mysticism of the early medieval age—all of it brilliantly and accurately evoked by Nicola Griffith’s luminous prose. Recalling such feats of historical fiction as Hilary Mantel’s Wolf Hall and Sigrid Undset’s Kristin Lavransdatter, Hild brings a beautiful, brutal world—and one of its most fascinating, pivotal figures, the girl who would become St. Hilda of Whitby—to vivid, absorbing life.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

    As part of a neo-Nazi gang in her town, she's finally found a sense of belonging. But when she's critically injured in an accident, everything changes.Somehow, in her mind, she has become Chana, a Jewish girl fighting for her own life in the ghettos and concentration camps of World War II.Han Nolan offers powerful insight into one young woman's survival through the Holocaust and another's journey out of hatred and self-loathing.Reader's guide and an interview with the author included.

    The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things—obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.”So begins Susan Faludi’s extraordinary inquiry into the meaning of identity in the modern world and in her own haunted family saga. When the feminist writer learned that her 76-year-old father—long estranged and living in Hungary—had undergone sex reassignment surgery, that investigation would turn personal and urgent. How was this new parent who identified as “a complete woman now” connected to the silent, explosive, and ultimately violent father she had known, the photographer who’d built his career on the alteration of images?Faludi chases that mystery into the recesses of her suburban childhood and her father’s many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. When the author travels to Hungary to reunite with her father, she drops into a labyrinth of dark histories and dangerous politics in a country hell-bent on repressing its past and constructing a fanciful—and virulent—nationhood. The search for identity that has transfixed our century was proving as treacherous for nations as for individuals.Faludi’s struggle to come to grips with her father’s metamorphosis self takes her across borders—historical, political, religious, sexual--to bring her face to face with the question of the age: Is identity something you “choose,” or is it the very thing you can’t escape?

    The adolescent Elie and his family, among hundreds of thousands of Jews from all parts of Eastern Europe, are cruelly deported from their hometown to the horrors of Auschwitz and Buchenwald. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), Elisha - the sole survivor of his family, whose immolation he witnessed at Auschwitz - has survived the Second World War and settled in Palestine. Apprenticed to a Jewish terrorist gang, he is commanded to execute a British officer who has been taken hostage. During the lonely hours before dawn, he meditates on the act of murder he is waiting to commit.In The Accident, (1962), Wiesel's second novel, Elisha, now a journalist living in New York, is the victim of a nearly fatal automobile accident. This fiction questions the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions." Wiesel's trilogy offers meditations on mankind's attraction to violence and on the temptation of self-destruction.