He tells her that his words were stolen from him when he was taken to live at a residential school as a boy. The little girl then sets out to help her grandpa find his language again.

    How this striking plant received its name is told in an old Indian legend.Many years ago, when the People traveled the Plains, a young Indian boy had a Dream-Vision in which it was revealed that one day he would create a painting that was as pure as the colors of the evening sky at sunset. The boy grew up to become the painter of the tribe, but although he found a pure white buckskin for a canvas and made paints from the brightest flowers and the reddest berries, he could not capture the sunset.How the young Indian artist finally fulfills his Dream-Vision is lovingly told and illustrated by Tomie dePaola, in words and pictures that capture the spirit and beauty of this dramatic legend.

    Grizzly bears lumbered down to the creeks to fish for silver salmon and steelhead trout. From vast marshlands geese, ducks, and other birds rose in thick clouds "with a sound like that of a hurricane." This land of "inexpressible fertility," as one early explorer described it, supported one of the densest Indian populations in all of North America.One of the most ground-breaking and highly-acclaimed titles that Heyday has published, _The Ohlone Way _ describes the culture of the Indian people who inhabited Bay Areas prior to the arrival of Europeans.

    But as this groundbreaking book demonstrates, what Muir was really seeing when he admired the grand vistas of Yosemite and the gold and purple flowers carpeting the Central Valley were the fertile gardens of the Sierra Miwok and Valley Yokuts Indians, modified and made productive by centuries of harvesting, tilling, sowing, pruning, and burning. Marvelously detailed and beautifully written, Tending the Wild is an unparalleled examination of Native American knowledge and uses of California's natural resources that reshapes our understanding of native cultures and shows how we might begin to use their knowledge in our own conservation efforts.M. Kat Anderson presents a wealth of information on native land management practices gleaned in part from interviews and correspondence with Native Americans who recall what their grandparents told them about how and when areas were burned, which plants were eaten and which were used for basketry, and how plants were tended. The complex picture that emerges from this and other historical source material dispels the hunter-gatherer stereotype long perpetuated in anthropological and historical literature. We come to see California's indigenous people as active agents of environmental change and stewardship. Tending the Wild persuasively argues that this traditional ecological knowledge is essential if we are to successfully meet the challenge of living sustainably.

    This retelling of a Navajo folktale explains how First Woman tried to write the laws of the land using stars in the sky, only to be thwarted by the trickster Coyote.

    "Splendidly illustrated.... [A] moving, multileveled hero tale." - Kirkus Reviews

    She tries to remember who she is and where she came from, despite the efforts of the nuns who are in charge at the school and who tell her that she is not to use her own name but instead use the number they have assigned to her. When she goes home for summer holidays, Irene's parents decide never to send her and her brothers away again. But where will they hide? And what will happen when her parents disobey the law? Based on the life of co-author Jenny Kay Dupuis’ grandmother, I Am Not a Number is a hugely necessary book that brings a terrible part of Canada’s history to light in a way that children can learn from and relate to.

    This book portrays the quiet pride of a Navajo code talker as he explains to his grandson how the Navajo language, faith and ingenuity helped win World War II.

    Timpanogos beckons the urban populace of utah. And yet no 'Indian' legend graced the mount until Mormon settlers conjured it - once they had displaced the native Indians from their actual landmark, Utah lake. This study looks at this curious shift.

    Based on the true story of Margaret Pokiak-Fenton, and complemented by evocative illustrations, Not My Girl makes the original, award-winning memoir, A Stranger at Home, accessible to younger children. It is also a sequel to the picture book When I Was Eight. A poignant story of a determined young girl’s struggle to belong, it will both move and inspire readers everywhere.

    His work was mostly written in tragic, sometimes humorous form, as in this title, often centering on the harsh lives of villagers in the Lori region. Tumanyan's inspiration for his writing came considerably from his parents. He was born in the village of Dsegh in the Province of Lori, Armenia. With his father was an offspring of an Armenian princely family of Tumanian (branch of the Mamikonians) and the village's priest and his mother an avid storyteller with a particular interest in fables, Tumanyan had incorporated many of the themes from his mother's stories and his father's preachings into his writings. Tumanyan is usually regarded in Armenian circles as "All-Armenian poet." He earned this title when the Catholicos of Armenia had ordered that Armenian refugees from the west not enter certain areas of his church and house, since he is considered to be "The Catholicos of all Armenians." Tumanyan in response decried that decision claiming that the refugees could seek relief in the Catholicos' quarters under order of "The Poet of all Armenians."

    Forbes’s Columbus and Other Cannibals was one of the founding texts of the anti-civilization movement when it was first published in 1978. His history of terrorism, genocide, and ecocide told from a Native American point of view has inspired America’s most influential activists for decades. With a new introduction by the author and a foreword by Derrick Jensen, this radical critique of the modern "civilized" lifestyle is more vital now than ever before.

    And when he tells her that today is the day that she’ll learn how to be Mi’kmaq, the butterflies grow even bigger. Though her father reassures her that Mi’kmaq is who she is from her eyes to her toes, Swift Fox doesn’t understand what that means. Her family welcomes her with smiles and hugs, but when it’s time to smudge and everyone else knows how, Swift Fox feels even more like she doesn’t belong. Then she meets her cousin Sully and realizes that she’s not the only one who’s unsure—and she may even be the one to teach him something about what being Mi’kmaq means.

    In Nibi's Water Song, Nibi is an Indigenous girl on the search for clean water to drink. Though she is faced with repeated obstacles, Nibi's joyful and determined energy become a catalyst for change and action as her community and, in widening circles, the country and government, rally around her to make clean drinking water available for all. There is a strong underlying message that even when a problem seems too large to face, every bit that everyone does helps. And inaction is not an option.Sunshine Tenasco, an Anishinabeg activist for clean water, has an amazing optimistic spirit that shines through her writing. The hopeful tone and lyrical read-aloud quality of this gentle allegorical tale open the door to conversations and action aimed at young children, whether they are on a reserve that does not have clean water or they are living with access to clean water. Chief Lady Bird's stunning, original artwork carries through the themes of strength, hope, and resilience in an incredible collaboration of talent.