London, 1799. Dora Blake is an aspiring jewellery artist who lives with her uncle in what used to be her parents' famed shop of antiquities. When a mysterious Greek vase is delivered, Dora is intrigued by her uncle's suspicious behaviour and enlists the help of Edward Lawrence, a young antiquarian scholar. Edward sees the ancient vase as key to unlocking his academic future. Dora sees it as a chance to restore the shop to its former glory, and to escape her nefarious uncle. But what Edward discovers about the vase has Dora questioning everything she has believed about her life, her family, and the world as she knows it. As Dora uncovers the truth she starts to realise that some mysteries are buried, and some doors are locked, for a reason. Gorgeously atmospheric and deliciously page-turning, Pandora is a story of secrets and deception, love and fulfilment, fate and hope.

    1) is the story of a 15-year-old girl growing up in an alternate version of 1930s Edinburgh. There, the legacy of Napoleon's victory a century earlier at Waterloo is a standoff between a totalitarian Federation of European States and a group of independent northern countries called the New Hanseatic League. This world is preoccupied with technology (everything from electric cookers to high explosives) but also with spiritualism, a movement our world largely abandoned in the early 20th Century; Sigmund Freud is a radio talk-show crank, cars run on hydrogen and the most prominent scientists experiment with new ways of contacting the dead.

    Red-sailed ships followed in the explorers’ wake, bringing Native American goods--and a skrayling ambassador--to London. But what do these seemingly magical beings really want in Elizabeth I’s capital?Mal Catlyn, a down-at-heel swordsman, is seconded to the ambassador's bodyguard, but assassination attempts are the least of his problems. What he learns about the skraylings and their unholy powers could cost England her new ally--and Mal his soul.

    Every day she watches her novels fly off the shelves—along with dozens of unauthorized sequels, spin-offs, and adaptations. Jane may be undead, but her books have taken on a life of their own.To make matters worse, the manuscript she finished just before being turned into a vampire has been rejected by publishers—116 times. Jane longs to let the world know who she is, but when a sudden twist of fate thrusts her back into the spotlight, she must hide her real identity—and fend off a dark man from her past while juggling two modern suitors. Will the inimitable Jane Austen be able to keep her cool in this comedy of manners, or will she show everyone what a woman with a sharp wit and an even sharper set of fangs can do?

    Life was prodigiously good until the day Emma finds her husband in bed with another woman.

    Except his agency is a front for the CIA. It’s 1959 and the cold war is going strong. But Will doesn’t think he’s a warrior—he’s just a good-hearted Detroit ad guy who can’t seem to figure out Parisian girls.Zoya is a beautiful young woman wandering les boulevards, sad-eyed, coming off a bad breakup. In fact, she impaled her ex on a spike. Zoya, it turns out, has been a beautiful young woman for hundreds of years; she and her far more traditionally witchy-looking companion, Elga, have been thriving unnoticed in the bloody froth of Europe’s wars.Inspector Vidot is a hardworking Paris police detective who cherishes quiet nights at home. But when he follows a lead from a grisly murder to the abode of an ugly old woman, he finds himself turned into a flea.Oliver is a patrician, fun-loving American who has come to Paris to start a literary journal with the help of friends in D.C. who ask a few favors in return. He’s in well over his head, but it’s nothing that a cocktail can’t fix. Right?Add a few chance encounters, a chorus of some more angry witches, a strung-out jazzman or two, a weaponized LSD program, and a cache of rifles buried in the Bois de Bologne—and that’s a novel! But while Toby Barlow’s Babayaga may start as just a joyful romp through the City of Light, it quickly grows into a daring, moving exploration of love, mortality, and responsibility.

    Naples awaited her, and Ferdinand, and a throne. Instead she finds herself in Milan, in her father’s castle, surrounded by hostile servants who treat her like a ghost. Whispers cling to her like spiderwebs, whispers that carry her dead mother’s name. And though he promised to give away his power, Milan is once again contorting around Prospero’s dark arts.With only Dorothea, her sole companion and confidant to aid her, Miranda must cut through the mystery and find the truth about her father, her mother, and herself.“Love and lust, mothers and monsters, magicians and masked balls, all delivered with Shakespearean panache.” —Nicola Griffith, author of Hild“Miranda in Milan is somehow both utterly charming and perfectly sinister, and altogether delightful. A pleasure for any lover of romance, myth, and magic—whether or not they're fans of the Bard.” —Cherie Priest, author of Boneshaker and I Am Princess XAt the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.