In this fantastic tome, the creator of the major motion pictures, From Hell and The League of Extraordinary Gentlemen, uses masterful storytelling to present thought provoking and profound adventures of the world's greatest heroes. Featuring Superman, Batman, Green Arrow, Green Lantern, Swamp Thing, Black Canary, the Phantom Stranger, and Vigilante this book acts as an extraordinary anthology of Alan Moore's groundbreaking work.

    A leading spokesman for the English Aesthetic movement, Wilde promoted "art for art’s sake" against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power," but also that criticism itself can be raised to an art form possessing these very qualities.In the opening essay, Wilde laments the "decay of Lying as an art, a science, and a social pleasure." He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."The next essay, "Pen, Pencil, and Poison," is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright, a talented painter, art critic, antiquarian, friend of Charles Lamb, and — murderer.The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another, Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself, in some cases more so. A good critic is like a virtuoso interpreter: "When Rubinstein plays … he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely…made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience."Finally, in "The Truth of Masks," Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks, disguises, and costume in Shakespeare.For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.The introduction is by Percival Pollard New York, July, 1905.

    Wells’s War of the Worlds to Ray Bradbury’s Martian Chronicles to the fiction of “cyberpunks.” In addition to enthralling readers with breathtaking narratives and dazzling the imagination with mind-bending glimpses of possible futures, the best science fiction asks essential questions: What does it mean to be human? Are we alone in the universe, and what does it mean if we’re not?Esteemed professor Michael D.C. Drout traces the history of science fiction in this series of stimulating lectures. From Mary Shelley’s Frankenstein to today’s cutting- edge authors, Drout offers a compelling analysis of the genre, including a look at hard-boiled science fiction, the golden age of science fiction, New Wave writers, and contemporary trends in the field.14 Lectures on 7 Audiocassettes.

    But when you had once been Velveteen, child super-heroine and one of The Junior Super Patriots, West Coast Division, you were never going to be free, even if your only power was to bring toys to life. The Marketing Department would be sure of that.So it all came down to this. One young woman and an army of misfit toys vs. the assembled might of the nine members of The Junior Super Patriots, West Coast Division who had come to take her down.They never had a chance.Velveteen lives in a world of super-heroes and magic, where men can fly and where young girls can be abducted to the Autumn Land to save Halloween. Velma lives from paycheck to paycheck and copes with her broken-down car as she tries to escape from her old life.It's all the same world. It's all real. And figuring out how to be both Velveteen and Velma is the biggest challenge of her life, because being super-human means you’re still human in the end.Join us as award-winning author Seanan McGuire takes us through the first volume of Velveteen's — and Velma's — adventure.

    This is the final chapter of the epic storyline that began in the bestselling graphic novels Batman R.I.P. and Final Crisis in which the original Batman was lost in time.Collecting: Batman: The Return of Bruce Wayne 1-6

    D. James, the undisputed queen of mystery, gives us an intriguing, inspiring and idiosyncratic look at the genre she has spent her life perfecting.   Examining mystery from top to bottom, beginning with such classics as Charles Dickens's Bleak House and Wilkie Collins's The Woman in White, and then looking at such contemporary masters as Colin Dexter and Henning Mankell, P. D. James goes right to the heart of the genre. Along the way she traces the lives and writing styles of Arthur Conan Doyle, Agatha Christie, Dashiell Hammett, and many more. Here is P.D. James discussing detective fiction as social history, explaining its stylistic components, revealing her own writing process, and commenting on the recent resurgence of detective fiction in modern culture. It is a must have for the mystery connoisseur and casual fan alike.

    There is no better anthology that captures the birth of science fiction as a literary field. Published in 1973 to honor stories that had come before the institution of the Nebula Awards, The Science Fiction Hall of Fame introduced tens of thousands of young readers to the wonders of science fiction and was a favorite of libraries across the country. This volume contains novellas by: Ray Bradbury, James Blish, Algis Budrys, Theodore Cogswell, E. M. Forster, Frederik Pohl, James H. Schmitz, T. L. Sherred, Wilmar H. Shiras, Clifford D. Simak, and Jack Vance.Contents: Introduction · Ben Bova · in · Call Me Joe · Poul Anderson · nv Astounding Apr ’57 · Who Goes There? [as by Don A. Stuart] · John W. Campbell, Jr. · na Astounding Aug ’38 · Nerves · Lester del Rey · na Astounding Sep ’42 · Universe [Hugh Hoyland] · Robert A. Heinlein · na Astounding May ’41 · The Marching Morons · C. M. Kornbluth · nv Galaxy Apr ’51 · Vintage Season [as by Lawrence O’Donnell] · Henry Kuttner & C. L. Moore · na Astounding Sep ’46 · ...And Then There Were None · Eric Frank Russell · na Astounding Jun ’51 · The Ballad of Lost C’Mell · Cordwainer Smith · nv Galaxy Oct ’62 · Baby Is Three · Theodore Sturgeon · na Galaxy Oct ’52 · The Time Machine [Time Machine] · H. G. Wells · na The New Review Jan, 1895 (+4) · With Folded Hands... [Humanoids] · Jack Williamson · nv Astounding Jul ’47