When Frank, Shelley and their two young children move into the home of their dreams, they discover a problem with the cellar.It doesn't take them long to find out why the house was sold at a knock-down price.

    Playful, wry, and conversational, One More for the People chronicles three generations in the life of the Grover family. As these idiosyncratic characters reluctantly confront adulthood, one Grover is always there to take notes. But after she’s diagnosed with a rare and potentially fatal disease (whose 81 symptoms include dramatic changes to her appearance, not to mention the dreaded possibility of having to move back home), One More for the People becomes something unexpected: a survival guide. In the spirit of Lucy Grealy’s Autobiography of a Face, Grover transforms her own misfortune into a tale as unsettling as it is entertaining.

    From a giant human-absorbing tongue to a place where God is in the eyes of the psychopathic. This is a party at the furthest limits of human decency and cruelty. Robert Devereaux is your host but watch out, he's spiked the punch with drugs, sex, and dismemberment. Deadite Press is proud to present ten stories of the strange, the gross, and the just plain fucked up from one of the most original voices in horror - Robert Devereaux.

    As the visions manifest with greater frequency they start targeting his young daughter. They are finding their way into his world and only he can fight them. Chris must uncover the truth about his connection to this strange, sadistic realm, and plunge headfirst into the unknown if he wants to save his daughter and himself.

    This gift comes at a steep price; the ghosts are resentful and hungry, and the cameras offer them a rare chance to reach their favourite prey… humans. Jenine didn’t know any of this when she found an abandoned Polaroid camera in a lighthouse. At first she assumes the ghostly shapes in the photos are a glitch or a prank – but then the spirits begin to hunt her down, and she’s forced into a deadly race to free herself from the camera’s curse.

    It will offend most anyone, so proceed with caution or not at all.And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.

    But when a child's doll appears in the middle of the road, the vacation comes to an abrupt end and Nightingale finds himself fighting for his life. The Doll is a fast-paced supernatural story about 10,000 words long.

    Farrington has abducted priests and nuns to commit sexual atrocities with the most grievously genetically deformed people he can find. People that he's also abducted and kept in such a high state of sexual intensity, with a drug his company produces, that they are just ravenous for physical contact. The abductees, with basically no self control, commit some of the most depraved sex acts, over, and over again. Westmore and Bryant, a photographer and journalist, are given the rare opportunity to interview the reclusive Farrington and see inside his mansion and operation. Only to find the horrors within, and who have become pawns in the mysteries they find behind every door. Farmington's plan may work, and to make sure he's successful, he will do whatever it takes to have the deity of man face him.

    This novella is from Gina Ranalli, an author of bizarro fiction, including Chemical Gardens and 13 Thorns (with 0utsider artist Gus Fink). Suicide Girls in the Afterlife is weird and fun and hauntingly bittersweet. I read it in one evening and enjoyed it very much. -Brian Keene, author of The Rising and The Conqueror Worms

    Few people ever visit Scrape, and the unlucky ones who live there never seem to escape. They fill their days with fish fries, cheap beer, tobacco, firearms, and sex. But Scrape is about to be invaded by a plague of monsters unlike anything ever seen in the history of the world. First there's La Llorona -- the screaming woman in white -- and her horde of ghost children. Then come the black, hairy hands. Thousands, millions, scurrying on fingers like spiders or crabs. But the hands are nothing to El Abuelo, a wicked creature with a magical bullwhip, and even El Abuelo don't mean shit when the devil comes to town.

    The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan, European feel. Mark Samuels writes about the fundamental fears of modern life, especially the effects of isolation and the dislocation that city dwellers can experience in their inhospitable, man-made environment. H.P. Lovecraft wrote about entities beyond human comprehension that might be summoned from beyond the stars, but did he ever consider that they would feel quite at home in the sodium glare of some run-down inner-city? When one of Samuels’s characters stands alone looking up at the vast, illimitable darkness of space, the reader is forced to wonder if there is much difference between the hopeless emptiness of eternity and the bleak interstices between the concrete and steel of their daily life?

    Within this collection, each setting is more strange and wonderful than the last, brimming with new technologies and beings. And yet, for all the advances in these futuristic lands, the people still must confront deeply human problems.With tales of friendship and revenge, plus two new stories from the Carve the Mark universe. Each story begins with a hope for a better end, but always end with a better understanding of the beginning.

    Mysterious lights dot the night skies. A local farmer is found dead at the summit of a hill with no evidence as to how his body got there. Livestock is disappearing, only to be discovered later, dead and mutilated with precision-like wounds. And despite the coming of an enormous winter storm, odd men identifying themselves simply as 'federal agents' have converged on Edgar in government vehicles as if in anticipation of some greater event. Newcomer Lane Boyce, a recently divorced schoolteacher with a questionable past, believes there must be reasonable explanations for what is taking place, yet seems inexplicably tied to the events. Haunted by his own demons and drowning in loneliness and regret, Lane had hoped Edgar might be a quiet refuge and a place to begin again. Instead, there is madness here, an evil that is slowly making itself known. And as the snowstorm hits town, Lane finds himself trapped in his small house in the middle of nowhere, alone with his puppy...and something else. There, just beyond the trees, hidden in shadow, something watches, waits and whispers, ushering in a new age, a time of something else. Something other. Something close. Reality is no longer ours. It belongs to them. It belong to the LORDS OF TWILIGHT.

    Using the knowledge left by his father, the Plague Doctor, he seeks to unlock the secrets of the universe, but weakness of the flesh won’t be ignored. The sordid overtures of his nymphomaniac sister, combined with his own perverse desires, soil his subjects before revelation can be found.Now the return of Philip’s father is imminent. Judgment is at hand, and if the fate of his mother taught him anything, it’s that one mustn’t disappoint the Plague Doctor.

    You watch three seasons of Keeping Up with the Kardashians in two days. You get a pet turtle. You absent-mindedly paint what ends up looking like your high school’s football coach, but naked. You go backpacking in Australia for a few months. You try speaking with a New York accent in public, just to see if people like that version of you better. The comment still haunts you. An “indoor kind of girl.” You feel like you’re that person, but you’re not that person. In Frankie Barnet’s exquisite and funny debut collection of stories, characters stumble through their daily existence, frequently feeling confused, rejected, bored, disillusioned or misunderstood. Metatron is proud to present these five stunningly imaginative tales, which signal the arrival of a gifted writer. Frankie Barnet is a Montreal- based writer. Her work has appeared in publications such as Joyland, Lemonhound and Papirmasse, and she is the author of the 2012 chapbook Something Disgusting Happening. She is a graduate of the Creative Writing program at Concordia University.“An Indoor Kind Of Girl veers from fading friendships to scheming call centres with an occasional sense of absurdity and also a kind of hyper-real real. Barnet’s narrators have a sharp eye for all that goes around them and they judge their own actions and others’ with a combination of ruthless honesty and vulnerability.”– MELISSA BULL, AUTHOR OF RUE “As I read, everything hit me at once; the quick prose and real characters, the humour of it, and this sort of sadness, loneliness.”– SOLILOQUIES ANTHOLOGY “A very powerful writer”– THE LINK