But what if they want only to be loved--without an enormous price tag attached? When one daughter pursues a desirable marriage, she secures for herself a comfortable and glamorous life. But among the duties of privilege, will she also find the happily-ever-after she seeks? Her sister rejects the trappings of wealth, choosing instead to build a new life on the still-untamed frontier. Will she find happiness in independence or discover that she's left her heart behind in New York's glittering society? Set in the opulent world of the Gilded Age, each woman discovers that being an heiress just might cost her everything--including the chance for true love.

    The paper was an unexpected inheritance from a close colleague, and Lois must keep it for at least a year, bringing a host of challenges, lessons, and blessings into her life.When Lois pulls into Green on New Year’s Day, she expects a charming little town full of smiling people. She quickly realizes her mistake. After settling into a loaned house out on Route 2, she finds herself battling town prejudices and inner doubts and making friends with the most surprising people: troubled teenager Katy, good-looking catfish farmer Chris, wise and feisty Aunt Helen, and a female African-American physician named Kevin.Whether fighting a greedy, deceitful politician or rescuing a dog she fears, Lois notices the headlines in her life have definitely improved. She learns how to provide small-town news in a big-hearted way and realizes that life is full of newsworthy moments. When she encounters racial prejudice and financial corruption, Lois also discovers more about the goodness of real people and the importance of being part of a community.While secretly preparing the paper for a sale, Lois begins to realize that God might indeed have a plan for her life and that perhaps the allure of city life and career ambition are not what she wants after all.

    Lucy cares for abandoned animals. The solitude allows her to avoid the people and places that remind her of the past. Not that any of the townsfolk care. In 1959, no one is interested in a woman doctor. Nor are they welcoming Calvin and Justin Bell, a newly arrived African American father and son.When Pete Solomon, a neglected twelve-year-old boy, and Justin bring a wounded wolf-dog hybrid to Dr. Lucy, the outcasts soon find refuge in one another. Lucy never thought she’d make connections again, never mind fall in love. Pete never imagined he’d find friends as loyal as Justin and the dog. But these four people aren’t allowed to be friends, much less a family, when the whole town turns violently against them.With heavy hearts, Dr. Lucy and Pete say goodbye to Calvin and Justin. But through the years they keep hope alive…waiting for the world to catch up with them.

    Esther, a beautiful young Jewish woman, becomes the wife of the Persian king, Ahasuerus, but when the king is tricked into persecuting the Jews by his minister she feels she must reveal the truth about her identity and save her people.

    And when Samuel's unscrupulous brother takes over the family business, Molly must head out on her own, leaving her old life behind. It's a dangerous journey, but somehow she must find a way to make a living, keep her family together, and fend off some over-eager suitors.

    In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. She has no interest in collaborating with the authors of the Gospel—her keepers, who provide her with food and shelter and visit her regularly. She does not agree that her son is the Son of God; nor that his death was “worth it;” nor that the “group of misfits he gathered around him, men who could not look a woman in the eye,” were holy disciples. Mary judges herself ruthlessly (she did not stay at the foot of the Cross until her son died—she fled, to save herself), and is equally harsh on her judgment of others. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes, in Toibin’s searing evocation, a tragic heroine with the relentless eloquence of Electra or Medea or Antigone. This tour de force of imagination and language is a portrait so vivid and convincing that our image of Mary will be forever transformed.