-- and embellishes it with his own ironic humor, brilliant insights, and piercing observations. We meet a vast array of historical figures in a staggering novel of love, war, philosophy, and adventure . . . "There isn't a page of CREATION that doesn't inform and very few pages that do not delight."-- John Leonard, The New York Times

    But one night changes all that. It is 1979 and Afghanistan is in the early days of the pro-Soviet coup. Farhad goes out drinking with a friend who is about to flee to Pakistan. A few hours later he regains consciousness in a strange house, beaten and confused. At first he thinks he is dead. Then he begins to remember what happened. As his mind sifts through its memories, fears and hallucinations, and the outlines of reality start to harden, he realises that, if he is to escape the soldiers who wish to finish the job they started, he too must leave everything he loves behind him and find a way to get to Pakistan.

    Sold as a slave into the House of Wu at the age of four, she forms a close bond with the heir of the household, but the idyllic childhood soon turns into a life of struggling against tradition and tyranny.

    To her horror, she found herself and her four-year-old daughter, Mahtob, virtual prisoners of a man rededicated to his Shiite Moslem faith, in a land where women are near-slaves and Americans despised. Their only hope for escape lay in a dangerous underground that would not take her child.

    Concerns about society, gender and imperialism dovetail irresistibly with flights of speculative wonder. And with a kitchen sink in the corner of even her wildest stories, Suzuki reminds us that while society may be limitless, relationships remain impossible

    Her pregnancy, the result of a brief casual affair with a married man, is a source of sorrow to her parents. For Takiko, however, it is a natural state of being, even a cause for reverie. Her baby, she imagines, will be hers and hers alone, a challenge but also an instrument for her long-wished-for independence. Unsuited to the typical domesticity of motherhood, Takiko sets out to raise her son Akira on her own terms, struggling as a single mother to find a job that will pay for his daycare and allow her to begin saving for her own apartment, away from her abusive and shaming parents.Woman Running in the Mountains is a profoundly atmospheric novel, attuned to place, light, and weather. A porousness of self and surroundings attends Takiko’s first year as a mother, filled with the intense bodily pleasures and pains that come from caring for a newborn, learning how to make room for Akira, how to accommodate him physically, emotionally, and psychologically. At first Takiko seeks refuge in the company of other women, in the maternity hospital, in her son’s nursery; but as he grows, her life becomes less circumscribed, expanding outwards into previously unknown neighborhoods in her city, and then beyond, into the countryside, toward a mountain that captures her imagination and feeling for a wilder freedom. First published in Japan in 1980, Woman Running in the Mountains is as urgent and necessary an account today of the experience of the female body and of a woman’s right to self-determination.

    Newly divorced, 40yearold Desa Rae finds herself alone now that her son has gone away to college. She's taken to her bed, watching life pass her by-until Roc, a 24yearold with a jawdropping body comes along. Desa Rae can't keep her eyes open or legs closed to a man who excites her like no other man has. But can she really be serious about a man who is almost the same age as her son? Avery Belmont is a diva in her own right. Smart, sassy, and successful, she has always had it going on; so much so that not only did the fullfigured beauty catch the eye of Duke, the sexiest dude on the block, but she encouraged him to leave the dope game and become legit. Now, seven years later, Avery is working hard and trying to move ahead, but it seems that Duke isn't feeling the same way. Working with Kurt, her attractive coworker, isn't helping her situation. Is the love between Avery and Duke strong enough to keep them together, or will the strength of that love make them realize it's time to let go?

    When she learns that he has died, she tries to take her own life in despair.After awakening in the hospital, Judith learns that Hana, a Muslim Arab nurse, has saved her life by donating her own blood. While the two women develop a fragile bond, each can’t help but be drawn deeper into the political machinations tearing the country apart. After witnessing the repeated attacks inflicted on the Jews, Judith makes the life-changing decision to join the Zionist fight for Jerusalem. And Hana’s star-crossed love for Dr. David Cohen, an American Jew out of his element and working only to save lives, will put her own life in danger.Then the political situation worsens. When tensions erupt, a shocking act of violence threatens Judith and Hana’s friendship—and the destinies of everyone they love.

    It is a formidable world and the people who live there are constantly subjected to extremes—both of geography and of culture.The Wandering Falcon begins with a young couple, refugees from their tribe, who have traveled to the middle of nowhere to escape the cruel punishments meted upon those who transgress the boundaries of marriage and family. Their son, Tor Baz, descended from both chiefs and outlaws, becomes “The Wandering Falcon,” a character who travels throughout the tribes, over the mountains and the plains, in the towns and tents that comprise the homes of the tribal people. The media today speak about this unimaginably remote region, a geopolitical hotbed of conspiracies, drone attacks, and conflict—now, told in the rich, dramatic tones of a master storyteller, this stunning, honor-bound culture is revealed from the inside.Jamil Ahmad has written an unforgettable portrait of a world of custom and compassion, of love and cruelty, of hardship and survival, a place fragile, unknown, and unforgiving.

    Published in 1954 in Tabriz, it is about Shahriyar's childhood and his memories of his village Khoshgenab near Tabriz. Heydar Baba is the name of a mountain overlooking the village.In Heydar Babaya Salam Shahriar narrates a nostalgia from his childhood in a village in Iranian Azerbaijan.

    As Inspector Chen Cao of the Shanghai Special Cases Bureau struggles to trace the hidden threads of her past, he finds himself challenging the very political forces that have guided his life since birth. Chen must tiptoe around his superiors if he wants to get to the bottom of this crime, and risk his career—perhaps even his life—to see justice done.

    The novel entwines two equally powerful narratives. A writer named Shahriar—the author’s fictional alter ego—has struggled for years against the all-powerful censor at the Ministry of Culture and Islamic Guidance. Now, on the threshold of fifty, tired of writing dark and bitter stories, he has come to realize that the “world around us has enough death and destruction and sorrow.” He sets out instead to write a bewitching love story, one set in present-day Iran. It may be his greatest challenge yet. Beautiful black-haired Sara and fiercely proud Dara fall in love in the dusty stacks of the library, where they pass secret messages to each other encoded in the pages of their favorite books. But Iran’s Campaign Against Social Corruption forbids their being alone together. Defying the state and their disapproving parents, they meet in secret amid the bustling streets, Internet cafés, and lush private gardens of Tehran. Yet writing freely of Sara and Dara’s encounters, their desires, would put Shahriar in as much peril as his lovers. Thus we read not just the scenes Shahriar has written but also the sentences and words he’s crossed out or merely imagined, knowing they can never be published. Laced with surprising humor and irony, at once provocative and deeply moving, Censoring an Iranian Love Story takes us unforgettably to the heart of one of the world’s most alluring yet least understood cultures. It is an ingenious, wholly original novel—a literary tour de force that is a triumph of art and spirit.

     MOOSED OPPORTUNITIES—JAN ELDER Rev. Samantha Evans loves Moose Creek, Maine, the land of moose and men, particularly her fiancé Eric Palmer. Forest ranger, Eric, strives to plan their wedding, but Samantha’s busy schedule, his interfering ex-wife, missing college students, and a pregnant moose, all conspire against him. Will their lives continue to be a series of Moosed Opportunities? ZARA’S FOLLY—CLARE REVELL British equestrian, Zara Michaels, heads south to convince TJ Greggson to sell his property to her developer father. Any way she can. TJ co-owns the stables, catering to disabled children—his life’s purpose. His brother wants to sell. TJ doesn’t. Can TJ help untangle Zara from her past follies, or will their secrets destroy them both? A POCKETFUL OF WISHES—MARY MANNERS As childhood neighbors, Jenna Palmer and Carter Stevens discover first love. When a cross-country job transfer separates them, they promise to one day find each other. Years go by and they lose touch until an accident causes their paths to once again cross. Can their promise stand the test of time, or will time crush their promise…and their love? SWEET DELIGHTS—CECELIA DOWDY Patty-Lynn is stunned when she runs into her wealthy ex-boyfriend, Sam. She’s still haunted by their painful breakup seven years ago. Recently widowed, Sam now wants to fix their broken relationship. Seeing Patty-Lynn, happy in her bakery, gives him hope. Can her prize-winning pie recipe sweeten his new business venture and heal their broken hearts? IMPERFECTLY PROVERBS 31—AUTUMN MACARTHUR The last thing geeky Samantha Rose planned for was the homemaking blog only her sister was ever supposed to see going viral. After a disastrous picnic, Daniel Novak, the cynical reporter dispatched to interview her, insists he must reveal the truth. But that could ruin everything, including their budding love. A COURTSHIP FOR CLOVER—MARION UECKERMANN Clover Blume’s chance of getting to know the groomsman escorting her to her sister’s wedding is threatened when he’s delayed. Jonathan Spalding’s money hasn’t managed to buy him one thing: a woman to love. Is the auburn-haired beauty partnering with him at his best friend’s wedding finding a way into his heart? What will it cost Jonathan to realize it profits him nothing to gain the world, yet lose his soul? And the girl.

    Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel.

    On the day of his father's death, Ahmad listens closely as the seemingly immortal elder tells him the tale of a centuries-old family curse . . . and the boy's own fated role in the story.Ahmad grows up to suspect that something must be interfering with his family, as he struggles to hold them together through decades of famine, loss, and political turmoil in Iran. As the world transforms around him, each turn of Ahmad's life is a surprise: from street brawler, to father of two unusually gifted daughters; from radical poet, to politician with a target on his back. These lives, and the many unforgettable stories alongside his, converge and catch fire at the center of the Revolution.Exploring the brutality of history while conjuring the astonishment of magical realism, The Immortals of Tehran is a novel about the incantatory power of words and the revolutionary sparks of love, family, and poetry--set against the indifferent, relentless march of time.