That was on his first day at the front.Thrown into an open field to face German tanks and artillery fire, with only rifles and machine guns to defend themselves with, almost 2,000 men of his regiment were wiped out in only six days at the Eastern Front. At this rate, Ivan struggled to comprehend how he would survive the hundreds of battles that lay before him, with death seeming to be the only certainty.In his raw and trenchant memoir, Ivan recounts the terror and despair faced by a Red Army soldier on the Eastern Front.He has no sympathy for Stalin and his incompetent commanders, who sought awards and recognition at the expense of their soldiers’ lives. He simply wanted to serve his country.It is rare to find first-hand accounts of the Great Patriotic War from Red Army soldiers, as many did not survive to tell the tale. For the first time, Ivan reveals his gripping recollections of battles, times, places, and people encountered throughout World War II, from when he was drafted in 1941 until their victory in 1945.These recollections he dared not put on paper until 1992.

    Little did he know, as he kissed her good-bye, that he would spend the next three months in Iran’s most notorious prison, enduring brutal interrogation sessions at the hands of a man he knew only by his smell: Rosewater.For the Bahari family, wars, coups, and revolutions are not distant concepts but intimate realities they have suffered for generations: Maziar’s father was imprisoned by the shah in the 1950s, and his sister by Ayatollah Khomeini in the 1980s. Alone in his cell at Evin Prison, fearing the worst, Maziar draws strength from his memories of the courage of his father and sister in the face of torture, and hears their voices speaking to him across the years. He dreams of being with Paola in London, and imagines all that she and his rambunctious, resilient eighty-four-year-old mother must be doing to campaign for his release. During the worst of his encounters with Rosewater, he silently repeats the names of his loved ones, calling on their strength and love to protect him and praying he will be released in time for the birth of his first child. A riveting, heart-wrenching memoir, Rosewater offers insight into the past seventy years of regime change in Iran, as well as the future of a country where the democratic impulses of the youth continually clash with a government that becomes more totalitarian with each passing day. An intimate and fascinating account of contemporary Iran, it is also the moving and wonderfully written story of one family’s extraordinary courage in the face of repression.Now a major motion picture directed by Jon Stewart - Previously published as Then They Came for Me.

    Mass protests followed, and although the order has since been blocked, amended and challenged by judges, it still stands as one of the most discriminatory laws to be passed in the US in modern times. Banthology brings together specially commissioned stories from the original seven ‘banned nations’. Covering a range of approaches – from satire, to allegory, to literary realism – it explores the emotional and personal impact of all restrictions on movement, and offers a platform to voices the White House would rather remained silent. Part of our 'Banned Nations Showcase'.

    . .They never knew what hit them . . .IRRESISTIBLE?Starving artist Ellie Sutherland is taking drastic measures to correct her nonexistent love life -- including offering herself as a guinea pig in a sex study! And something's definitely working . . . because suddenly, Ellie has men falling all over her, including lawyer Mark Blackwell. But once the study is over, will he still find her irresistible?KIDS IS A 4-LETTER WORDJo Montgomery is an interior decorator, not a baby-sitter. Still, when she discovers her new client's baby-sitter tied to the stake, what can she do but untie the poor woman and watch her run for the hills? And after ten minutes with the little darlings, she's ready to do the same -- until she meets the kids' gorgeous father . . .WIFE IS A 4-LETTER WORDAlan Parish thinks things can't get any worse, when he finds himself dumped on his wedding day. But when Pamela Kaminski decides to join him on his honeymoon, Alan's really in a fix. Because Pam is beautiful, desirable . . . and his former fiancée's maid of honor. And the more time Alan spends with her, the less honorable his intentions become . . .

    ""Not knowing what the rest of the world is thinking and writing is both dangerous and boring.""--Alane Mason, founding editor, Words Without BordersDuring the Cold War, writers behind the Iron Curtain--Solzhenitsyn, Kundera, Milosz--were translated and published in the United States, providing an invaluable window on the Soviet regime's effects on daily life and humanizing the individuals living under its conditions.Yet U.S. Treasury Department regulations made it almost impossible for Americans to gain access to writings from "evil" countries such as Iran and Cuba until recently. Penalties for translating such works or for "enhancing their value" by editing them included stiff fines and potential jail time for the publisher. With relaxation in 2005 of the Treasury regulations (in response to pressure from the literary and scientific publishing communities that culminated in a lawsuit), it is now possible, for the first time in many years, to read in English works from these disfavored nations. The New Press and Words Without Borders are proud to be among the first to offer American readers contemporary literature of "enemy nations." Literature from the Axis of Evil includes thirty-five works of fiction from seven countries, most of which have never before been translated into English.

    The translators, noted Persian literature scholars Ahmad Karimi-Hakkak and Michael Beard, contribute an illuminating introduction to Kiarostami's poetic enterprise, examining its relationship to his unique cinematic corpus and to the traditions of classic and contemporary Persian poetry. Of interest to enthusiasts of cinema and literature alike, Walking with the Wind—the second volume in Harvard Film Archive's series "Voices and Visions in Film"—sheds light on a contemporary master who transforms simple fragments of reality into evocative narrative landscapes.

    Growing up in a small rice-farming village in 1980s Iran, eleven-year-old Saba Hafezi and her twin sister, Mahtab, are captivated by America. They keep lists of English words and collect illegal Life magazines, television shows, and rock music. So when her mother and sister disappear, leaving Saba and her father alone in Iran, Saba is certain that they have moved to America without her. But her parents have taught her that “all fate is written in the blood,” and that twins will live the same life, even if separated by land and sea. As she grows up in the warmth and community of her local village, falls in and out of love, and struggles with the limited possibilities in post-revolutionary Iran, Saba envisions that there is another way for her story to unfold. Somewhere, it must be that her sister is living the Western version of this life. And where Saba’s world has all the grit and brutality of real life under the new Islamic regime, her sister’s experience gives her a freedom and control that Saba can only dream of.

    In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.

    As the story unfolds, the history and culture of their homeland takes on a life of its own.

    More and more writers are turning to this peculiarly rich and flexible form; it defines Claudia Rankine's Citizen, one of the most talked-about books of recent years, and many others, such as Sarah Howe's Loop of Jade and Vahni Capildeo's Measures of Expatriation, make extensive use of it. Yet this fertile mode which in its time has drawn the likes of Charles Baudelaire, Oscar Wilde, T. S. Eliot, Gertrude Stein and Seamus Heaney remains, for many contemporary readers, something of a mystery.The history of the prose poem is a long and fascinating one. Here, Jeremy Noel-Tod reconstructs it for us by selecting the essential pieces of writing - by turns luminous, brooding, lamentatory and comic - which have defined and developed the form at each stage, from its beginnings in nineteenth-century France, through the twentieth-century traditions of Britain and America and beyond the English language, to the great wealth of material written internationally since 2000. Comprehensively told, it yields one of the most original and genre-changing anthologies to be published for some years, and offers readers the chance to discover a diverse range of new poets and new kinds of poem, while also meeting famous names in an unfamiliar guise.

    The Iranian best-selling author of eleven books, including Women Without Men, Shahrnush Parsipur now lives in exile in the United States.

    Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

    His young wife, Rakhel, trapped in an oppressive marriage at a time when a woman's worth is measured by her fertility, is made desperate by her failure to conceive, and grows jealous and vindictive.Rakhel's despair is compounded by the pregnancy of her sister-in-law, Khorsheed, and by her husband's growing desire for Kokab, his cousin's wife. Frustrated by his own wife's inability to bear him an heir, Asher makes a fateful choice that will shatter the household and drive Rakhel to dark extremes to save herself and preserve her status within the family.Witnessed through the memories of the family's sole surviving daughter, Mahboubeh, now an elderly woman living in Los Angeles, The Girl from the Garden unfolds the complex, tragic history of the Malacouti family in a long-lost Iran of generations past. Haunting, suspenseful, and inspired by events in the author's own family, it is an evocative and poignant exploration of sacrifice, betrayal, and the indelible legacy of the families that forge us.

    The content of the poetry is wide-ranging, including war songs, political protests and poems about human love, African nature and the surprises that life offers.

    The unwanted daughter of a concubine, she refused to have her feet bound, ran away to join an opera troupe and eventually met Mao Zedong in the mountains of Yenan.