She doesn’t talk about high finance or managing money; instead, she goes far deeper to explore debt as an ancient and central motif in religion, literature, and the structure of human societies. By looking at how debt has informed our thinking from preliterate times to the present day, from the stories we tell of revenge and sin to the way we order social relationships, Atwood argues that the idea of what we owe may well be built into the human imagination as one of its most dynamic metaphors. Her final lecture addresses the notion of a debt to nature and the need to find new ways of interacting with the natural world before it is too late.

    Love him or hate him, Pierre Trudeau has marked us all. The man whose motto was "reason over passion"managed to arouse in Canadians the fiercest of passions of every hue, ones that even today cloud our view of him and of his place in history. Acclaimed novelist Nino Ricci takes as his starting point the crucial role Trudeau played in the formation of his own sense of identity to look at how Trudeau expanded us as a people, not in spite of his contradictions but because of them.

    A brilliant story chronicling the unsung heroes of North American history.

    It gauges Canadian effectiveness against the skilled enemy whom they confronted in battlefields from 1939 to 1943, from the sweltering heat of Sicily to the frigid North Atlantic, and from the urban warfare of Ortona to the dark skies over Germany. The Necessary War examines the equally important factors of morale, discipline, and fortitude of the Canadian citizen-soldiers.The war was an engine of transformation for Canada. With a population of fewer than twelve million, Canada embraced its role as an arsenal of democracy, exporting war supplies, feeding its allies, and raising a million-strong armed forces that served and fought in nearly every theatre of war. The nation was mobilized like never before in the fight to preserve the liberal democratic order. The six-year-long exertion caused disruption, provoked nationwide industrialization, ushered in changes to gender roles, exacerbated the tension between English and French, and forged a new sense of Canadian identity. Canadians were willing to bear almost any burden and to pay the ultimate price in the pursuit of victory.As with his award-winning two-volume series on WWI, Tim Cook uses original sources, letters from soldiers, rare documents, and maps of battlefields to illustrate the contributions and sacrifices made by what is often called the greatest generation. Magisterial in its scope, The Necessary War illuminates Canada’s past as never before. From the Western Front to the home front, Canadians served many roles in a war that had to be fought and won.

    Readers already know Gray as an award-winning biographer, a writer who has brilliantly captured significant individuals and dramatic moments in our history. Now, in The Promise of Canada, she weaves together masterful portraits of nine influential Canadians, creating a unique history of the country over the past 150 years.What do these people—from George-Étienne Cartier and Emily Carr to Tommy Douglas, Margaret Atwood, and Elijah Harper—have in common? Each, according to Charlotte Gray, has left an indelible mark on our country. Deliberately avoiding a “top down” approach to our history, Gray has chosen people whose ideas have caught her imagination, ideas that over time have become part of our collective conversation. She also highlights many other Canadians, past and present, who have added to the ongoing debate over how we see ourselves, arguing that Canada has constantly reimagined itself in every generation since 1867.Beautifully illustrated with evocative black and white images and colourful artistic visions of our country, The Promise of Canada is a fresh take on our history that offers fascinating insights into how we have matured and yet how—150 years after Confederation and beyond—we are still a people in progress. Charlotte Gray makes history come alive as she opens doors into our past, our present and our future, inspiring and challenging readers to envision the Canada they want to live in.

    Macdonald follows his life from his birth in Scotland in 1815 to his emigration with his family to Kingston, Ontario, to his days as a young, rising lawyer, to his tragedy-ridden first marriage, to the birth of his political ambitions, to his commitment to the all-but-impossible challenge of achieving Confederation, to his presiding, with his second wife Agnes, over the first Canada Day of the new Dominion in 1867. Colourful, intensely human and with a full measure of human frailties, Macdonald was beyond question Canada’s most important prime minister. This volume describes how Macdonald developed Canada’s first true national political party, encompassing French and English and occupying the centre of the political spectrum. To perpetuate this party, Macdonald made systematic use of patronage to recruit talent and to bond supporters, a system of politics that continues to this day. Gwyn judges that Macdonald, if operating on a small stage, possessed political skills–of manipulation and deception as well as an extraordinary grasp of human nature–of the same calibre as the greats of his time, such as Disraeli and Lincoln. Confederation is the centerpiece here, and Gywn’s commentary on Macdonald’s pivotal role is original and provocative. But his most striking analysis is that the greatest accomplishment of nineteenth-century Canadians was not Confederation, but rather to decide not to become Americans. Macdonald saw Confederation as a means to an end, its purpose being to serve as a loud and clear demonstration of the existence of a national will to survive. The two threats Macdonald had to contend with were those of annexation by the United States, perhaps by force, perhaps by osmosis, and equally that Britain just might let that annexation happen to avoid a conflict with the continent’s new and unbeatable power. Gwyn describes Macdonald as “Canada’s first anti-American.” And in pages brimming with anecdote, insight, detail and originality, he has created an indelible portrait of “the irreplaceable man,”–the man who made us.“Macdonald hadn’t so much created a nation as manipulated and seduced and connived and bullied it into existence against the wishes of most of its own citizens. Now that Confederation was done, Macdonald would have to do it all over again: having conjured up a child-nation he would have to nurture it through adolescence towards adulthood. How he did this is, however, another story.”“He never made the least attempt to hide his “vice,” unlike, say, his contemporary, William Gladstone, with his sallies across London to save prostitutes, or Mackenzie King with his crystal-ball gazing. Not only was Macdonald entirely unashamed of his behaviour, he often actually drew attention to it, as in his famous response to a heckler who accused him of being drunk at a public meeting: “Yes, but the people would prefer John A. drunk to George Brown sober.” There was no hypocrisy in Macdonald’s make-up, nor any fear. —from John A. Macdonald

    He is best known as the “Father of Medicare.” Born in 1904, Douglas was a championship boxer and a Baptist minister who later exchanged his pulpit for a political platform. A powerful orator and tireless activist, he sat first as a federal MP and then served for 17 years as premier of Saskatchewan, where he introduced the universal health-insurance system that would eventually be adopted across Canada. As leader of the national NDP, he was a staunch advocate of programs such as the Canada Pension Plan and was often the conscience of Parliament on matters of civil liberties. In the process, he made democratic socialism a part of mainstream Canadian political life. Giller Prize–winning author Vincent Lam, an emergency physician who works on the front lines of the health-care system, brings a novelist's eye to the life of one of Canada's greats.

    When he got there, he was home for the rest of his life.From the true nature of fishing to the harsh realities of raising a family in the woods, from the role of fear in the bush to the small nuances of family relationships, A Life in the Bush is painted on a canvas both vast and richly detailed. A story that captures the tough physical demands, the rich life of the senses, and the unselfconscious freedom that comes from living apart from town and city.In this beautifully crafted memoir of his father, Roy MacGregor paints an intimate portrait of an unusual man and spins a spellbinding tale of a boy’s complex relationship with his father. He also evokes, perhaps for the first time in Canadian literature, the bush the way bush people see it, an insider's view of life in the totemic Canadian wilderness.

    They tell them in their own words, and the impact is astonishing. As page after page of unforgettable stories rolls by, it is easy to see why this book sold 300,000 copies and why a successful stage play that ran for years was based on them.The stories, and the 52 accompanying photographs, tell of an extraordinary time. One tells how a greedy Maritime landlord ho tried to raise a widow's rent was tarred and gravelled; another how rape by the boss was part of a waitress's job. Other stories show Saskatchewan families watching their farms turn into deserts and walking away from them; or freight-trains black with hoboes clinging to them, criss-crossing the country in search of work; or a man stealing a wreath for his own wife's funeral.Throughout this portrait of the era before Canada had a social safety net, there are amazing stories of what Time magazine called "human tragedy and moral triumph during the hardest of times." In the end, this is an inspiring, uplifting book about bravery, one you will not forget.

    Along the way he's followed by Manitous, spirits of the forest who comment on his plight, cajoling, taunting, and ultimately offering him a type of comfort on his difficult journey back to the place he was so brutally removed from.Written by Scotiabank Giller Prize-winning author Joseph Boyden and beautifully illustrated by acclaimed artist Kent Monkman, Wenjack is a powerful and poignant look into the world of a residential school runaway trying to find his way home.

    Oh, he may win again but he won’t get a majority. Oh, his trick bag is emptying fast, the ads are backfiring, the people are onto him, and soon his own party will turn on him. And let me tell you, it couldn’t happen to a nicer guy . . .Despite a constant barrage of outrage and disbelief from his detractors, Stephen Harper is on his way to becoming one of Canada’s most significant prime ministers. He has already been in power longer than Lester B. Pearson and John Diefenbaker. By 2015, and the end of this majority term, he’ll have caught up to Brian Mulroney. No matter the ups and downs, the triumphs and the self-inflicted wounds, Harper has been moving to build the Canada he wants—the Canada a significant proportion of Canadian voters want or they wouldn’t have elected him three times. As Wells writes, “He could not win elections without widespread support in the land. . . . Which suggests that Harper has what every successful federal leader has needed to survive over a long stretch of time: a superior understanding of Canada.”In The Longer I’m Prime Minister, Paul Wells explores just what Harper’s understanding of Canada is, and who he speaks for in the national conversation. He explains Harper not only to Harper supporters but also to readers who can’t believe he is still Canada’s prime minister. In this authoritative, engaging and sometimes deeply critical account of the man, Paul Wells also brings us an illuminating portrait of Canadian democracy: “glorious, a little dented, and free.”

    Johnston's frank, informed, and novel thoughts about Canada.Touching on a wide range of topics ranging from learning, the law, kindness and courage, to the monarchy, Aboriginal education, justice, bilingualism, mental health and hockey, David Johnston has always used the letter writing form to tackle the passions, challenges, and goals of his incredibly accomplished and varied life. From his earliest years at Harvard, he has written several letters each day, starting with those to his large family, and broadening out to an ever-widening circle of friends that includes ministers and monarchs, educators and entrepreneurs, and many extraordinary Canadians who have deepened his perspective and touched his heart. The letters included in this beautiful volume are all about Canada -- a project to help him understand and share his views on this great country, past, present and future.      Presented in three parts -- What Shapes Me, What Consumes Me, and What Comforts Me -- His Excellency reaches out to everyone from his grandchildren, Kevin Vickers, Clara Hughes, Chris Hadfield, the Aga Khan, Tina Fontaine, Mike Lazaridis, the teachers of our country, a grade five class in Winnipeg, an unknown Inuit boy he met at Rideau Hall, and many others. The perfect gift for graduates, this unique and lovely book should find its home in every Canadian's library.

    It comes down broad and ale-coloured and joins the Saint Lawrence, the two streams embrace the pan of Montreal Island, the Ottawa merges and loses itself, and the main-stream moves northeastward a thousand miles to sea.”With these words Hugh MacLennan begins his powerful saga of Athanase Tallard, the son of an aristo-cratic French-Canadian tradition, of Kathleen, his beautiful Irish wife, and of their son Paul, who struggles to establish a balance in himself and in the country he calls home.First published in 1945, and set mostly in the time of the First World War, Two Solitudes is a classic novel of individuals working out the latest stage in their embroiled history.

    Giant waves up to three storeys high hit the coast at a hundred kilometres per hour, flooding dozens of communities and washing entire houses out to sea. The most destructive earthquake-related event in Newfoundland’s history, the disaster killed twenty-eight people and left hundreds more homeless or destitute. It took days for the outside world to find out about the death and damage caused by the tsunami, which forever changed the lives of the inhabitants of the fishing outports along the Burin Peninsula.Scotiabank Giller Prize–winning writer Linden MacIntyre was born near St. Lawrence, Newfoundland, one of the villages virtually destroyed by the tsunami. By the time of his birth, the cod-fishing industry lay in ruins and the village had become a mining town. MacIntyre’s father, lured from Cape Breton to Newfoundland by a steady salary, worked in St. Lawrence in an underground mine that was later found to be radioactive. Hundreds of miners would die; hundreds more would struggle through shortened lives profoundly compromised by lung diseases ranging from silicosis and bronchitis to cancer. As MacIntyre says, though the tsunami killed twenty-eight people in 1929, it would claim hundreds if not thousands more in the decades to follow. And by the time the village returned to its roots and set up as a cod fishery once again, the stocks in the Grand Banks had plummeted and St. Lawrence found itself once again on the brink of disaster.Written in MacIntyre’s trademark style, The Wake is a major new work by one of this country’s top writers.

    Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives. Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock." The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson