His marriage to the poet Sylvia Plath marked his whole life, and he never entirely recovered from her suicide in 1963. Many people have held his adultery responsible for Plath's death; in this insightful book, Elaine Feinstein explores an altogether more complex situation, and throws a sad new light on his relationship with his lover Assia Wevill, who also killed herself along with their young daughter.Drawing on extensive archival material and interviews with childhood friends, fellow undergraduates, poets, and critics, Feinstein gives a portrait of a large-spirited, magnetic personality intrigued by the forms of magical experience that preoccupied Shakespeare and Yeats, but who was nevertheless a down-to-earth Yorkshire man, whose poetic vision encompassed not only his love of the natural world but also all the evidence of human brutality in the past century.

    "A superb biography of an exceptional novelist" (New Yorker). Named a Notable Book of the Year by the New York Times. Index; photographs.

    du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became.Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman.Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.

    Selina Hastings, who was granted unrestricted access to his personal papers by Waugh's family, has uncovered a wealth of new material in her eight years of research for this volume. Letters, diaries, and family photographs shed new light on Waugh's childhood, his affairs at Oxford, his ill-fated first marriage and subsequent romantic adventures, his World War II military service, and his enduring but thorny friendships with such notable figures as Diana Cooper, Ann Fleming, and Nancy Mitford. Perceptive, fascinating, by turns hilarious and tragic, Hastings's portrait gives us Waugh's glittering social life at Oxford, where he was a friend of Harold Acton, Cyril Connolly, Anthony Powell, and Alastair Graham, the inspiration for Sebastian Flyte in Brideshead Revisited. Waugh then followed a diverse career as schoolmaster, world traveler, war co

    Subscribing to Virginia Woolf's own belief in the fluidity and elusiveness of identity, Lee comes at her subject from a multitude of perspectives, producing a richly layered portrait of the writer and the woman that leaves all of her complexities and contradictions intact.  Such issues as sexual abuse, mental illness, and suicide are brought into balance with the immensity of her literary achievement, her heroic commitment to her work, her generosity and wit,  and her sanity and strength. It is not often that biography offers the satisfactions of great fiction--but this is clearly what Hermione Lee has achieved. Accessible, intelligent, and deeply pleasurable to read, her Virginia Woolf will undoubtedly take its place as the standard biography for years to come.

    Eliot, gives a voice to the woman who, for seventeen years, had shared a unique literary partnership with Eliot but who was scapegoated for the failure of the marriage and all but obliterated from historical record. In so doing, Painted Shadow opens the way to a new understanding of Eliot’s poetry.Vivienne longed to tell her whole story; she wrote in her diary: “You who in later years will read these very words of mine will be able to trace a true history of this epoch.” She believed (as did Virginia Woolf) that she was Eliot’s muse, the woman through whom he transmuted life into art. Yet Vivienne knew the secrets of his separate and secret life — which contributed to her own deepening hysteria, drug addiction, and final abandonment: the tragedy of a marriage that paired a repressed yet sensual man with an extroverted woman who longed for a full sexual relationship with her husband.Out of this emotional turbulence came one of the most important English poems of the twentieth century: The Waste Land, which Carole Seymour-Jones convincingly shows cannot be fully understood without reference to the relationship of the poet and his first wife. Drawing on papers both privately owned and in university library archives and, most importantly, on Vivienne Eliot’s own journals left to the Bodleian Library, Oxford, Carole Seymour-Jones uses many hitherto unpublished sources and opens the way to a new understanding of Eliot’s poetry.

    alluring cultural world and someone whose life assumed an unbearably dramatic shape.

    Her work stands out for its bawdiness and linguistic zest, its hospitality to the fantastic and the absurd, and its extraordinary inventiveness and range. Her life was as modern and as unconventional as anything in her fiction.Born Angela Olive Stalker in Eastbourne in 1940, her story spans the latter half of the twentieth century. After escaping an oppressive childhood and a difficult early marriage, the success of her first novels enable the freedoms of travel – journeying across America in a Greyhound bus, and then on to Tokyo, where she lived for three transformative years – before settling in London to write her last, great novels, amid the joys of late motherhood and prestigious teaching posts abroad. By the time of her tragic and untimely death at the age of fifty-one, she was firmly established as an iconoclastic writer whose fearlessly original work had reinvigorated the literary landscape and inspired a new generation.This is the story of how Angela Carter invented herself – as a new kind of woman and a new kind of writer – and how she came to write such seductive works as The Bloody Chamber, Nights at the Circus and Wise Children. Edmund Gordon has followed in Carter’s footsteps to uncover a life rich in incident and adventure. With unrestricted access to her manuscripts, letters and journals, and informed by dozens of interviews with her friends and family, this major biography offers a definitive portrait of one of our most dazzling writers.

    Photographs.

    The author, who draws on thousands of letters Sayers wrote, reveals her to be a complex woman. Sayers was a very private person who even hid the existence of an illegitimate child from her closest friends. She was also someone to whom faith was central and wrote many theological books as well as the famous detective novels. Her radio play on the life of Christ, "The Man Born to be King", caused a furore when it was first broadcast and went on to win acclaim. She was linked with the Inklings - the group of writers which included C.S. Lewis, Charles Williams, J.R.R. Tolkien and others.

    Written with unprecedented access to essential sources—including Cheever’s massive journal, only a fraction of which has ever been published—Bailey’s Cheever is a stunning example of the biographer’s art and a brilliant tribute to an essential author.

    This autobiography traces Janet Frame's childhood in a poor but intellectually intense family, life as a student, years of incarceration in mental hospitals and eventual entry into the saving world of writers.

    Now, at last, Norman turns his formidable talent to the Beatle for whom being a Beatle was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, Norman presents the comprehensive and most revealing portrait of John Lennon ever published.This masterly biography takes a fresh and penetrating look at every aspect of Lennon's much-chronicled life, including the songs that have turned him, posthumously, into a near-secular saint. In three years of research, Norman has turned up an extraordinary amount of new information about even the best-known episodes of Lennon folklore—his upbringing by his strict Aunt Mimi; his allegedly wasted school and student days; the evolution of his peerless creative partnership with Paul McCartney; his Beatle-busting love affair with a Japanese performance artist; his forays into painting and literature; his experiments with Transcendental Meditation, primal scream therapy, and drugs. The book's numerous key informants and interviewees include Sir Paul McCartney, Sir George Martin, Sean Lennon—whose moving reminiscence reveals his father as never seen before—and Yoko Ono, who speaks with sometimes shocking candor about the inner workings of her marriage to John.“[A] haunting, mammoth, terrific piece of work.” -New York Times Honest and unflinching, as John himself would wish, Norman gives us the whole man in all his endless contradictions—tough and cynical, hilariously funny but also naive, vulnerable and insecure—and reveals how the mother who gave him away as a toddler haunted his mind and his music for the rest of his days.

    The letters are addressed mainly to her mother, with whom she had an extremely close and confiding relationship, but there are also some to her brother Warren and her benefactress Mrs Prouty. Plath's energy, enthusiasm and her passionate tackling of life burst onto these pages, providing us with a vivid and intimate portrait of a woman who has come to be regarded as one of the greatest of twentieth-century poets. In addition to her capacity for domestic and writerly happiness, however, these letters also hint at Plath's potential for deep despair, which reached its crisis when she holed up in a London flat for the terrible winter of 1963.

    Featuring many photographs, this book also candidly recounts a gifted and celebrated writer's descent into the life of alcohol and drugs that would ultimately consume his bulldog spirit and staggering talent--but not before he'd hobnob with the likes of Grace Paley and Lee Radziwill, feud outrageously with Gore Vidal and Jacqueline Susann, and stage at New York's Plaza Hotel the sensational Black and White Ball.