It was not until he was a grown man, and a promising writer with two books to his name, that Jonathan finally reconnected with his beloved parent—only to find, to his shock and dismay, that the woman he’d known as “Sid” had morphed into an elegant, courtly man named Sydney. In the decade following this discovery, Jonathan made regular pilgrimages from Toronto to visit Sydney, who now lived quietly in a well-appointed retreat in his native Trinidad. And on each visit, Jonathan struggled to overcome his confusion and anger at the choices Sydney had made, trying with increasing desperation to rediscover the parent he’d once adored inside this familiar stranger. As the novel opens, Jonathan has been summoned urgently to Trinidad where Sydney, now aged and dying, seems at last to offer him the gift he longs for: a winding story that moves forward sideways as it slowly peels away the layers of Sydney’s life. But soon it becomes clear that when and where the story will end is up to Jonathan, and it is he who must decide what to do with Sydney’s haunting legacy of love, loss, and acceptance.

    In stories as darkly comic as they are unflinching, people isolated by geography, emotion, or circumstance cut imperfect paths to peace—they have no other choice. A Russian mail-order bride in Finland is rendered silent by her dislocation and loss of language, the mother of a severely disabled boy writes him postcards he'll never read on a cruise ship held hostage by pirates, and an Iowa actuary wanders among the reincarnations of those she's known in her 127 lives. Horrocks' women find no simple escapes, and their acts of faith and acts of imagination in making do are as shrewd as they are surprising.

    Ignored and lonely, Tara finds herself regressing back to childhood memories that have scarred her for life. When she was eight, her parents had left her behind with her aging grandparents and a schizophrenic uncle in Mangalore, while taking her baby brother with them to make a new life for the family in Dubai.Tara’s memories of abandonment and isolation mirror her present life of loneliness and escalating abuse at the hands of her husband. She accepts the help of kind-hearted American strangers to fight Sanjay, only to be pressured by her patriarchal family to make peace with her circumstances. Then, in a moment of truth, she discovers the importance of self-worth—a revelation that gives her the courage to break free, gently rebuild her life, and even risk being shunned by her community when she marries her childhood love, Cyrus Saldanha.Life with Cyrus is beautiful, until old fears come knocking. Ultimately, Tara must face these fears to save her relationship with Cyrus—and to confront the victim-shaming society she was raised within.Intimate and deeply moving, Purple Lotus is the story of one woman’s ascension from the dark depths of desolation toward the light of freedom.

    In “Dunsmuir,” a newly sober husband buys a hearse to help his wife spread her sister’s ashes, while “The Lesser Horsemen” illustrates what happens when God instructs the Four Horsemen of the Apocalypse to go on a team-building cruise as a way of boosting their frayed morale. In “Brad Benske and the Hand of Light,” an estranged husband seeks his wife’s whereabouts through a fortuneteller after she absconds with a cult, and the returning soldier in “Homecoming” navigates the strange and ghostly confines of his hometown, as well as the boundaries of his own grief. With grace, imagination, and a brazen gallows humor, Folk Songs for Trauma Surgeons merges the fantastic and the everyday, and includes new work as well as award-winning favorites.

    Childhood best friends agree to marry in order to keep their sexuality a secret. A young woman with an anxiety disorder discovers the numbing pleasures of an illicit love affair. A radicalized student's preparations for his sister's wedding involve beating up the groom. An actress is forced to grow up fast on the set of her first major tv show, where the real intrigue takes place off-screen. Every story bears witness to the all-too-universal desire to be loved, and what happens when this longing gets pushed to its limits. Are You Enjoying? is a free-spirited, confident, indelible introduction to a galvanizing new talent.

    Joining award-winning Jamaican authors such as Marlon James, Leone Ross, and Thomas Glave are two "special guest" writers with no Jamaican lineage: Nigerian-born Chris Abani and British writer Ian Thomson. The menacing tone that runs through some of these stories is counterbalanced by the clever humor in others, such as Kei Miller's �White Gyal with a Camera,” who softens even the hardest of August Town’s gangsters; and Mr. Brown, the private investigator in Kwame Dawes’s story, who explains why his girth works to his advantage: "In Jamaica a woman like a big man. She can see he is prosperous, and that he can be in charge." Together, the outstanding tales in Kingston Noir comprise the best volume of short fiction ever to arise from the literary wellspring that is Jamaica.

    In “The Weave,” Ieesha and her boyfriend carry out a heist at the salon from which she has just been fired—coming away with thousands of dollars of merchandise in the form of hair extensions. “Night Hawks,” the titular story, draws on Johnson’s friendship with the late playwright August Wilson to construct a narrative about two writers who meet at night to talk. In “Kamadhatu,” a lonely Japanese abbot has his quiet world upended by a visit from a black American Buddhist whose presence pushes him toward the awakening he has long found elusive. “Occupying Arthur Whitfield,” about a cab driver who decides to rob the home of a wealthy passenger, reminds readers to be grateful for what they have. And “The Night Belongs to Phoenix Jones” combines the real-life story of a “superhero” in the city of Seattle with an invented narrative about an aging English professor who decides to join him. Spanning genres from science fiction to realism, these stories convey messages of tolerance, hope, and gratitude. With precise, elegant, and moving language, Johnson creates memorable characters and real, human struggles that have the power to enlighten and change us as we read.

    These are the stories told to warn children, entertain adults and beguile all. Contents:BluebeardThe Living BookThe Jacaranda WifeRed SkeinThe Chrysanthemum BrideFrozenThe Hummingbird HeartWordsThe Little Match GirlThe Juniper TreeSkinThe Bone MotherThe Dead Ones Don’t Hurt YouLight As Mist, Heavy As HopeDresses, ThreeThe Girl With No HandsCover design by Lisa L. Hannett

    Island dwellers for centuries, the Landing family has gathered to bury one of its own. Staring at the closed coffin of Lana Ramcharan, her mother and sister confront the cruelest kind of loss. Jean, who was Lana's sister and closest confidante, has always been attuned to the spirit world, and now, in the face of this latest catastrophe, the voices that have always guided her urge flight from this troubled place.As Jean makes her way across the island toward the plane waiting to take her to America and safety, she is overcome by memories, not only of Lana but also of her forebears -- African, Creole, Scottish, Indian, and Chinese. Ancestral voices tell of the hardships and wonders, of the beauty and atrocity, that are indelible parts of the Jamaican experience.

    To find the daughter taken from her, Plum Valentine must find the child's father who walked out of a hospital with the day-old baby girl without explanation. Seventeen years later, weary of her unfruitful search, Plum sees an article in a community newspaper with a photo of the man for whom she has spent half her life searching. He has become an Episcopal priest. Her plan: confront him and walk away with the daughter he took from her. From Brooklyn to the island of Jamaica, Tea by the Sea traces Plum's circuitous route to find her daughter and how Plum's and the priest's love came apart"--

    It exposes the silences in families and the parts of ourselves we rarely reveal. A daughter asks her mother to shut up, only to shut her up for good; an exhausted wife walks away from the husband who doesn’t understand her; on holiday, lovers no longer understand each other away from home. The underlying themes of loneliness, secrets, family and displacement and also the desire to belong to someone, to some place; a yearning for love, intertwine these stories. The collection includes The Jam Maker, which has just been awarded the Harper’s Bazaar Short Story Prize 2020.

    A young, probably gay, boy named Gordo puts on a wrestler's mask and throws fists with a boy in the neighborhood, fighting his own tears as he tries to grow into the idea of manhood so imposed on him by his father. As he comes of age, Gordo learns about sex, watches his father's drunken fights, and discovers even his own documented Mexican-American parents are wary of illegal migrants. Fat Cookie, high schooler and resident artist, uses tiny library pencils to draw huge murals of graffiti flowers along the camp's blank walls, the words "CHICANO POWER" boldly lettered across, until she runs away from home one day with her mother's boyfriend, Manny, and steals her mother's Panasonic radio for a final dance competition among the camp kids before she disappears. And then there are Los Tigres, the perfect pair of twins so dark they look like indios, Pepito and Manuel, who show up at Gyrich Farms every season without fail. Los Tigres, champion drinkers, end up assaulting each other in a drunken brawl, until one of them is rushed to the emergency room still slumped in an upholstered chair tied to the back of a pick-up truck. These scenes from Steinbeck Country seen so intimately from within are full of humor, family drama, and a sweet frankness about serious matters - who belongs to America and how are they treated? How does one learn decency, when laborers, grown adults, must fear for their lives and livelihoods as they try to do everything to bring home a paycheck? Written with balance and poise, Cortez braids together elegant and inviting stories about life on a California camp, in essence redefining what all-American means.

    The stories are selected both for their appeal to young people and for the quality of the writing.

    Focusing on the magical folktales of West Africa, Babalola also reimagines Greek myths, ancient legends from the Middle East, and stories from long-erased places.With an eye towards decolonizing tropes inherent in our favorite tales of love, Babalola has created captivating stories that traverse across perspectives, continents, and genres.

    The best Zara store is in BCN (Barcelona, Spain). The best airport to buy whiskey at is ARN (Stockholm, Sweden). When stopping at CDG (Charles de Gaulle Airport, Paris), you must have a long layover because of those damn funiculars; and never forget that the international terminal in ORD (Chicago) has no food after ten in the evening. Airplanes, airports, and hotel lobby bars make Asmi feel just as much at home as her apartment in Laguna Beach does. A marketing director in a biotech company, Asmi rose through the corporate ranks and never really took the time to think about couple-hood. She has good friends, a terrific sister who lives close by, and a married on-again, off-again lover in Paris she sees while she travels around the world for work.But as Asmi reaches the big 4-0 and contemplates making some life choices; her boss announces he is retiring, and she is suddenly thrown into a corporate Hunger Games against her nemesis Scott Beauregard III to win a promotion.Worried that her inability to commit to a real relationship with a man is a personality flaw and afraid that she’s unqualified for the job she desperately wants, Asmi must learn to lean in to have the career and life she wants and deserves, without worrying about what society expects from her.