Now the familiar tale takes on new life, fresh meaning, and an unexpected setting.Steeped in Celtic mythology and the political intrigue of medieval Britain, Stephen R. Lawhead's latest work conjures up an ancient past and holds a mirror to contemporary realities. Prepare yourself for an epic tale that dares to shatter everything you thought you knew about Robin Hood.

    And the dreadful Guy of Gisborne, the Sheriff’s right hand, wishes to step into Robin’s shoes as Lord of Locksley and Marian’s fiancé.Who is there to stop them?Marian never meant to tread in Robin’s footsteps—never intended to stand as a beacon of hope to those awaiting his triumphant return. But with a sweep of his green cloak and the flash of her sword, Marian makes the choice to become her own hero: Robin Hood.

    No rules.England, 1191. King Richard is half a world away, fighting for God and his own ambition. Back home, his country languishes, bankrupt and on the verge of anarchy. People with power are running unchecked. People without are growing angry. And in Nottingham, one of the largest shires in England, the sheriff seems intent on doing nothing about it.As the leaves turn gold in the Sherwood Forest, the lives of six people--Arable, a servant girl with a secret, Robin and William, soldiers running from their pasts, Marion, a noblewoman working for change, Guy of Gisbourne, Nottingham's beleaguered guard captain, and Elena Gamwell, a brash, ambitious thief--become intertwined.And a strange story begins to spread . . .

    While vividly conveying the passions and struggles that shaped particularly the character of Dublin, Rutherfurd portrays the major events in Irish history: the tribal culture of pagan Ireland; the mission of Saint Patrick; the coming of the Vikings; the making of treasures like the Book of Kells; and the tricks of Henry II, which gave England its first foothold in medieval Ireland. Through the interlocking stories of a memorable cast of characters–druids and chieftains, monks and smugglers, noblewomen and farmwives, laborers and orphans, rebels and cowards–Rutherfurd captures the essence of a place and its people in a thrilling story steeped in the tragedy and glory that are Ireland.

    Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

    ENGLAND 1321 AD After viciously assaulting a corrupt but powerful clergyman Robin Hood flees the only home he has ever known in Wakefield, Yorkshire. Becoming a member of a notorious band of outlaws, Hood and his new companions – including John Little and Will Scaflock – hide out in the great forests of Barnsdale, fighting for their very existence as the law hunts them down like animals. When they are betrayed, and their harsh lives become even more unbearable, the band of friends seeks bloody vengeance. Meanwhile, the country is in turmoil, as many of the powerful lords strive to undermine King Edward II’s rule until, inevitably, rebellion becomes a reality and the increasingly deadly yeoman outlaw from Wakefield finds his fate bound up with that of a Hospitaller Knight… "Wolf’s Head" brings the brutality, injustice and intensity of life in medieval England vividly to life, and marks the beginning of a thrilling new historical fiction series in the style of Bernard Cornwell and Simon Scarrow.

    But it's time now to think on it anew. There's a journey we must go on, and no more delay..."The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years.Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in nearly a decade is about lost memories, love, revenge, and war.Included on TIME Magazine's "THE 100 BEST FANTASY BOOKS OF ALL TIME"

    But when she is seventeen, Lord Hugh, whom she hasn’t seen in years, dies under mysterious circumstances. Marian is left alone again—a widow who has never been a bride. But now, like all unmarried young ladies of fortune, she is made the ward of King Richard the Lionheart. Since Richard is away on Crusade, Marian’s fate lies in the hands of his mother, the formidable Queen Eleanor of Aquitaine. The bridegroom Eleanor selects will get Marian’s lands and, in return, pledge his loyalty—and silver—to the king. Marian herself is irrelevant and she knows it. Determined not to be sold into another sham marriage, she seeks out the one man who can help uncover the queen’s intentions: Robin Hood, the notorious Saxon outlaw of Sherwood Forest.Marian is surprised to discover that the famed “prince of thieves” is not only helpful but handsome, likeable, and sympathetic to her plight. Robin’s men intercept a letter from Queen Eleanor, from which Marian learns, to her horror, that she is to marry her late husband’s brother. His family has a history of mysterious deaths, and Marian knows she is in danger. Once married, she can be easily disposed of—a fate she may have escaped once already. On the eve of her wedding, Robin Hood spirits Marian back to the forest. The Queen believes her to be dead, and Marian begins a new life with Robin Hood’s outlaws, who pledge to help her regain her fortune and expose the treachery of her enemies.

    A tough, bloodthirsty warrior, Robin is more feared than any man in the country. And he becomes a mentor for Alan; with his fellow outlaws, Robin teaches Alan how to fight - and how to win.But Robin is a ruthless man - and although he is Alan's protector, if Alan displeases him, he could also just as easily become his murderer ...

    He certainly has no love for Alfred, whom he considers a pious weakling and no match for Viking savagery, yet when Alfred unexpectedly defeats the Danes and the Danes themselves turn on Uhtred, he is finally forced to choose sides. By now he is a young man, in love, trained to fight and ready to take his place in the dreaded shield wall. Above all, though, he wishes to recover his father’s land, the enchanting fort of Bebbanburg by the wild northern sea.This thrilling adventure—based on existing records of Bernard Cornwell’s ancestors—depicts a time when law and order were ripped violently apart by a pagan assault on Christian England, an assault that came very close to destroying England.

    If left unchecked, it will engulf the world, and so Richard the Lionheart must depart England on a holy mission. In his absence, the safety of the realm is entrusted to his brother, Prince John.When the king departs, black sorcery begins to grip the land, threatening noble and peasant alike. Horrific creatures stalk the forests, yet the violence they commit pales when compared to the atrocities of men. A handful of rebels fight back, but are doomed to fail unless they can find a hero to lead them.

    Scarlet's biggest secret of all is one only Robin and his men know...that she is posing as a thief; that the slip of a boy who is fast with sharp knives is really a girl.The terrible events in her past that led Scarlet to hide her real identity are in danger of being exposed when the thief taker Lord Gisbourne arrives in town to rid Nottingham of the Hood and his men once and for all. As Gisbourne closes in and puts innocent lives at risk, Scarlet must decide how much the people of Nottingham mean to her, especially John Little, a flirtatious fellow outlaw, and Robin, whose quick smiles have the rare power to unsettle her. There is real honor among these thieves and so much more - making this a fight worth dying for.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Still struggling to define herself in a society that believes women are fit for little more than governing a household and bearing children, she balks at her father's plans for her future, but the consequences of her rebellion prove deadly. Hunted by both her father and the Sheriff, Robin is forced to hide her identity and seek refuge as an outlaw in Sherwood Forest.Disguised as a lad for protection, Robin maintains a careful isolation from the world around her...until she chances upon a young boy being beaten to death by the Sheriff's soldiers. Her rescue of the youth marks the beginning of her leadership in Sherwood forest and of the unfortunates who seek refuge therein. Robin's endeavors to provide a life of honor and purpose for her people while aiding the land's downtrodden win her high esteem, but enrage the Sheriff of Nottingham, who plots a deadly fate for her and her band.As the Sheriff's traps close in around her and assassins seek to bring her down, Robin must risk losing love, leadership, and life if she is to save her people and fulfill her destiny as one of history's greatest heroes.Alive with adventure and danger, sword fights and heists, hatred and love, Robin: Lady of Legend is the never-before-told tale of the girl who became Robin Hood.

    To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes-a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi)-who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse."I wanted to make not a war movie, but an adventure movie, with a huge, romantic sense of adventure, a sense of grandeur, and operatic battles..." - Guillermo Del Toro