Years later the horrifying details are still unclear, smothered in layers of deliberate forgetting. Phil doesn’t even remember the names: Ted and Terry? Tom and Tony? It’s only when he descends into a crisis of his own that he comes to realize that perhaps, as he drunkenly tells a crisis line counsellor, “I went down into a ravine, and never really came back out.” The Ravine is Phil’s book — we read it as he types it, in the basement apartment he’s called home since his wife kicked him out for having an affair with a make-up girl. As he writes, and then corrects what he’s written, we hear how he went from promising young playwright to successful, self-hating TV producer. We listen in on his disastrous late-night phone calls, and watch his brother (once a brilliant classical pianist) weep to himself as he plays Ravel and Waltzing Matilda in a desolate bar. The Ravine tells us all about the influence of The Twilight Zone on Phil’s work and his life — how it helped him meet his wife Veronica and then lose her, and how it led to the bizarre death of his friend, TV star Edward Milligan. Sometimes, when Phil’s drunk, a friend will look at what he’s written so far and call him on it — like when Jay tells Phil that he’s remembered it all wrong: that he was just as good as Phil at tying knots back when they were in the cubs. Phil’s “ravine” is his attempt to make sense of things, to try to understand how everything went so wrong just as it seemed to be going so right. But The Ravine is also a Paul Quarrington novel, meaning that it’s hilarious and ingenious, quietly working its magic until the reader is at once heartbroken and hopeful. A darkly funny story about loss and redemption, The Ravine is also about how stories are made — how they can pull us out of disasters that seem too much for anyone to bear — and about how, sometimes, what we need to forgive ourselves for is not what we think it is at all.

    Zayn has been shuttled from city to city when he was growing up. She is comfortable watching her life from the sidelines. He wants to feel rooted to a place he can call ‘home’. They meet each other quite by chance. And both seize the chance to be someone they both need in their lives: For Zayn, it’s a 'Partner-In-Crime'. For Akriti, someone who just knows how to be there for her… When their worlds collide, It is not what either of them expected it to be. Zayn has a steady girlfriend. And Akriti has a crush on him. What happens when these two become friends? The biggest adventure of their lives? Or the road to heartbreak? What happens when two completely different people collide? Do they become friends? Or, is their friendship doomed from the start? 'When Our Worlds Collide' is the story of two twenty-three-year olds, Who are finally growing up and finding their feet in the world. A tale of friendship and love, crushes and betrayals, messes and second chances, Marriage and divorce… and the elusive happily ever after!

    It confronts difficult material in a frank and unflinching manner, yet remains grounded in an abiding authorial intelligence. Pedal marks the debut of a hugely promising writer.”–Steven W. Beattie, Quill & Quire“Julia, the protagonist of this intense first novel, is a psychology grad student who risks everything to pursue scientific research in truly forbidden territory: sexual attraction between adults and children. She persists in her quest in spite of skeptical friends, fragile relatives, a squeamish thesis advisor, an enigmatic bike-tour companion, severe social taboos, and her own painful memories of a birth father she calls Dirtbag–not to prove any point but to find out what lies beyond the conventional wisdom. This is an unsettling novel–smart, fierce, confident, funny, and full of surprises–with an unforgettable young woman at the heart of the storm.”–Mary Schendlinger, Senior Editor, Geist“[…] a taut, unsettling, and provoking debut novel […] [Chelsea Rooney] ought to be commended for perceptively addressing such a difficult and inflammatory (and decidedly uncommercial) topic with a subtlety that’s buoyed by ample empathy.”–Brett Josef Grubisic, Vancouver Sun“Pedal is a brave and captivating book, written with an unflinching eye and a deep understanding of the torment that is the human condition. Chelsea Rooney is a major talent.”–Steven Galloway, author of The Confabulist and The Cellist of SarajevoJulia Hoop, a twenty-five-year-old counselling psych student, is working on her thesis, exploring an idea which makes her graduate supervisor squirm. She is conducting interview after interview with a group of women she affectionately calls the Molestas—women whose experience of childhood sexual abuse did not cause physical trauma. Julia is the expert, she claims, because she has the experience; her own father, Dirtbag, disappeared when she was eight leaving behind nothing but a legacy of addiction and violence.When both her boyfriend and her graduate advisor break up with her on the same day, Julia leaves her city of Vancouver on a bicycle for a cross-Canada trip in search of her father, or so she tells people. Her unexpected travel partner is Smirks, a handsome athlete who also has a complicated history. Their travel days are marked by peaks of ecstatic physical exertion, and their nights by frustrated drinking and drugs. After an unsettling incident in rural Saskatchewan involving a trio of aggressive children, Julie wakes up in the morning to discover Smirks has disappeared. Everything, once again, falls apart.Sometimes shocking in its candour, yet charmed with enigmatic characters, Pedal explores how we are shaped by accidents of timing—trauma and sex, brain chemistry and the landscape of our country—and challenges beliefs we hold dear about the nature of pedophilia, the essence of innocence and the idea that the past is something one runs from.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    But, still single at thirty-six, she fears ending up as a wizened crone in a dilapidated country cottage, a cat her only companion.Just as she is beginning to believe she will never marry, she meets George Maclean, home on leave from his position as the governor of Cape Coast Castle on the Gold Coast of West Africa. George and Letty marry quietly and set sail for Cape Coast. Eight weeks later she is dead — not from malaria or dysentery or any of the multitude of dangers in her new home, but by her own hand. Or so it would seem.Local Customs examines, in poetic detail, a way of life that has faded into history. It was a time when religious and cultural assimilation in the British colonies gave rise to a new, strange social order. Letty speaks from beyond the grave to let the reader see the world through her eyes and explore the mystery of her death. Was she disturbed enough to kill herself, or was someone — or something — else involved?

    A formidable debut, it is a profound and unforgettable depiction of today’s doctors, patients, and hospitals.Provocative, heartbreaking, and darkly humorous, Bloodletting & Miraculous Cures introduces readers to a masterful new voice in fiction. A practicing ER physician, Vincent Lam delivers a precise and intimate portrait of the medical profession in his fiction debut. These twelve interwoven stories follow a group of young doctors as they move from the challenges of medical school to the intense world of emergency rooms, evacuation missions, and terrifying new viruses. Winner of the prestigious Giller Prize, Bloodletting & Miraculous Cures marks the arrival of a deeply humane and preternaturally gifted writer. Fitz, Ming, Chen, and Sri are the four ambitious protagonists of Bloodletting & Miraculous Cures. They fall in love as they study for their exams, face moral dilemmas as they split open cadavers, confront police who rough up their patients, and treat schizophrenics with pathologies similar to their own. In one harrowing story set amidst the 2003 SARS crisis, which the author witnessed firsthand, two of these doctors suddenly become the patients. Bloodletting & Miraculous Cures invites us into a world where the ordinary becomes the critical in a matter of seconds. A formidable debut, it is a profound and unforgettable depiction of today’s doctors, patients, and hospitals.

    It soon becomes a journey of exploration. For Grady, whose forebears were slaves who came to Canada in the 1880s, this is a journey through fear, racism, and violence into his own family roots. For Simonds, who grew up a lonely Canadian in the American School of Campinas, Brazil, it is a journey into the heart of the ex-pat promised land, the nation of the American Dream. As Grady and Simonds travel back through American history, they encounter the splendours of the Mojave Desert, the Grand Canyon, the Mississippi River, and the bayous of Louisiana and the Outer Banks, and they experience the impact of geography on culture and of culture on the landscape. Although they are observing America from the outside, they also strangely feel at home. The Americans they meet illuminate a country dissolving in the grip of the Bush administration's final years and inspire them to reassess their-and our-assumptions about that powerful and complex country. Also available in paperback.

     Seated in the cockpit of his Hurricane, Sergeant George Yeoman — young, eager, and innocent in the ways of war — is on his way to join his first operational squadron. Meanwhile, the German Panzers advance unchecked through the Ardennes, and as the allied bombers plead to strike at them, the Luftwaffe is already set to launch a decisive blow. Disaster beckons and Yeoman and No. 505 Squadron soon find themselves courting death in a series of increasingly desperate sorties as the allied army begins its retreat towards Dunkirk. There are only a handful of them against the might of Hitler’s war machine, and with each sortie the ranks of the Squadron grow ever more depleted. The odds stacked against them are hopeless… A vivid tale of a fighter squadron at war, Hurricane Squadron is told with painstaking accuracy, charting a young man’s rise to maturity in the face of combat and sudden death. Praise for Robert Jackson 'Takes you to the heart of the action.' - Tom Kasey, best-selling author of Cold Kill Robert Jackson (b. 1941) is a prolific author of military and aviation history, having become a fulltime writer in 1969. As an active serviceman in the Royal Air Force Volunteer Reserve he flew a wide range of aircraft, ranging from jets to gliders. Hurricane Squadron is the first book in the Sergeant George Yeoman series.

     “I climbed into this book and lived its plot. I read it at every spare moment.” Margaret “Beautifully written and engaging.” Ratana 1895, SCOTLAND Emma Greig is almost fourteen when her father announces she will be sent to be a maid at Bonnybrae Farm. She has never left her village so she is terrified of the change, especially when she realises she must learn to milk cows. PERFECT FOR FANS OF NADINE DORRIES, GLENDA YOUNG, DILLY COURT OR SHEILA NEWBERRY. Emma goes to work for the Sinclair family. Maggie Sinclair, the oldest of the Sinclair children, is kind and gentle. Her brothers, Jim and William, are friendly and tease Emma, but their mother offers no welcome. Mrs Sinclair is a proud woman with a secret in her past which has left her bitter and without compassion. She is angry when friendship blossoms between a mere maid and her own family. As the bond between Emma and her son strengthens, she dismisses Emma without notice or a reference. And William is banished from the farm he loves and sent away to Yorkshire to make his own way in the world. WILL THIS DESTROY THEIR LIVES AND BURGEONING ROMANCE? DISCOVER A ROMANTIC AND HEART-WARMING TALE ALSO BY GWEN KIRKWOOD SINCLAIR FAMILY SAGA SERIES Book 1: Moorland Mist Book 2: Moorend Farm

    Grahame in this work. Merriman is plunged headlong into the world of espionage and when Grahame is seriously wounded it falls to Merriman to carry on the investigation.Young James Merriman must keep all his wits about him to foil these plans especially when his adversary is revealed to be an exceptional French agent Henri Moreau who hopes that by helping the Irish to throw off the English yoke, France will be able to use Irish ports from which to attack England.

    The town where roses are difficult is Shelby, in the Alberta foothills, and the time is the 1950s. Matt Stanley, the editor of the local paper, relishes the range of people he meets, from Willie MacCrimmon, the local shoemaker and demon curler, to the oldest resident, Daddy Sherry, all the way to the disreputable Rory Napoleon and his wife, Mame, who once conceived at the top of a ferris wheel “because there was nothing else to do.” But when a sociologist arrives to study the town, Matt takes her under his wing, which produces unexpected results. From scenes of high comedy (as when Santa comes to Shelby, or when Rory Napoleon’s goats invade the town) to gentle sadness, this 1990 novel shows W.O Mitchell at his traditional best.

    For readers of Alice Munro, Elizabeth Hay, and Marina Endicott. In a drought-ridden Saskatchewan of the 1930s, self-possessed, enigmatic Elena Huhtala finds her self living alone, a young Finnish woman in a community of Swedes in the small village of Trevna. Her mother has been dead for many years, and her father, burdened by the hardships of drought, has disappeared, and the eighteen-year-old is an object of pity and charity in her community. But when a stranger shows up at a country dance, Elena needs only one look and one dance before jumping into his Lincoln Roadster, leaving the town and its shocked inhabitants behind. What follows is a trip through the prairie towns, their dusty streets, shabby hotel rooms, surrounded by dry fields that stretch out vastly, waiting for rain. Elena's journey uncovers the individual stories of an unforgettable group of people, all of whom are in one way or another affected by her seductive yet innocent presence. At the centre is Ruth, a girl whose life becomes changed in unexpected ways. She and the girl Elena, distanced and apart, form a strange bond that will come to haunt the decades for them both. Written in luminous prose, threaded through with a sardonic wit and deep wisdoms, A Beauty is at one time lyrical and tough, moving and mysterious, a captivating tale of a woman who, without intending to, touches many lives, and sometimes alters them forever.

    Full of energy and literary ambition, he visits Battersea Library in search of New Writing: instead, however, he discovers Evelyn, a magnetic and independent-minded woman from a narrow, terraced street not far from his own.This is a love story, albeit an unconventional one, about two people who shape each other as they, their marriage and their country change. From London before the sexual revolution to the lewd frescos of Pompeii, from the acrid devastation of Churchill’s North African campaign to the cloying bounty of new-built suburbs, Dear Evelyn is a novel of contrasts, whose portrait of a seventy-year marriage unfolds in tender, spare, and excruciating episodes.

    Based on one of the most remarkable events in polar history, Afterlands tells the haunting story of this small society of castaways -- a white and a black American, five Germans, a Dane, a Swede, an Englishman, and two Inuit families -- and the harrowing six months they spend marooned in the Arctic, struggling to survive both the harsh elements and one another. As the group splinters into factions along ethnic and national lines, rivalries -- complicated by sexual desire, unrequited love, extreme hunger, and suspicion -- begin to turn violent. Steven Heighton's provocative novel fills in the blanks of the Polaris's documented history and explores the shattering emotional and psychological consequences faced by those who survive.

    Maggie’s English-speaking father has ambitions for his daughter that don’t include marriage to the poor French boy on the next farm over. But Maggie’s heart is captured by Gabriel Phénix. When she becomes pregnant at fifteen, her parents force her to give baby Elodie up for adoption and get her life ‘back on track’.Elodie is raised in Quebec’s impoverished orphanage system. It’s a precarious enough existence that takes a tragic turn when Elodie, along with thousands of other orphans in Quebec, is declared mentally ill as the result of a new law that provides more funding to psychiatric hospitals than to orphanages. Bright and determined, Elodie withstands abysmal treatment at the nuns’ hands, finally earning her freedom at seventeen, when she is thrust into an alien, often unnerving world.Maggie, married to a businessman eager to start a family, cannot forget the daughter she was forced to abandon, and a chance reconnection with Gabriel spurs a wrenching choice. As time passes, the stories of Maggie and Elodie intertwine but never touch, until Maggie realizes she must take what she wants from life and go in search of her long-lost daughter, finally reclaiming the truth that has been denied them both.