I was, you see, a person with no history. Lacking this, I developed a curiosity about other's people's stories. . . ."Clara Perez is a reporter on a small South seas island. An orphan raised by nuns, she is a young woman with origins shrouded in mystery. Full of idealistic ambition, she grows tired of the trivial assignments she's given at the daily paper, yearning to write articles of substance. So when the tiny street of Calle de Leon bursts into flames after a student demonstration--and a soldier kills an unarmed man--Clara seizes the chance to cover the explosive story.Yet after Clara rushes to the burning street to investigate the tragedy, she discovers another, more personal one involving some remarkable truths about her unknown past--ghosts, she realizes, which have been silently pursuing her all her life. And as family secrets begin to unfold, Clara's missing history slowly spreads itself out on the tumultuous backdrop of a country wracked by revolution. . . .An evocative and multilayered tale, at once political and personal, Eating Fire and Drinking Water is an extraordinary work, a powerful and pulsing novel of politics and commitment, loyalty and love, and the poignant search for truth.From the Trade Paperback edition.

    ‘A day will come when you won’t missthe country na nagluwal sa ‘yo.’– ‘Antiemetic for Homesickness’The poems in Romalyn Ante’s luminous debut build a bridge between two worlds: journeying from the country ‘na nagluwal sa ‘yo’ – that gave birth to you – to a new life in the United Kingdom.Steeped in the richness of Filipino folklore, and studded with Tagalog, these poems speak of the ache of assimilation and the complexities of belonging, telling the stories of generations of migrants who find exile through employment – through the voices of the mothers who leave and the children who are left behind.With dazzling formal dexterity and emotional resonance, this expansive debut offers a unique perspective on family, colonialism, homeland and heritage: from the countries we carry with us, to the places we call home.

    It would take a young warrior to survive it.Cinelle Barnes was barely three years old when her family moved into Mansion Royale, a stately ten-bedroom home in the Philippines. Filled with her mother’s opulent social aspirations and the gloriously excessive evidence of her father’s self-made success, it was a girl’s storybook playland. But when a monsoon hits, her father leaves, and her mother’s terrible lover takes the reins, Cinelle’s fantastical childhood turns toward tyranny she could never have imagined. Formerly a home worthy of magazines and lavish parties, Mansion Royale becomes a dangerous shell of the splendid palace it had once been.In this remarkable ode to survival, Cinelle creates something magical out of her truth—underscored by her complicated relationship with her mother. Through a tangle of tragedy and betrayal emerges a revelatory journey of perseverance and strength, of grit and beauty, and of coming to terms with the price of family—and what it takes to grow up.

    You’re my future partner 2. I’m famous and my writings have been immortalized 3. You’ve violated my privacy and these are not meant for you Let’s hope it’s not the last one. Before this year, I had my life all planned out. This book contains the story of the year that changed my life (well, my life so far). It’s the year I learned how to be invincible. That wasn’t really specific, but I guess you have to read on to see what I’m talking about. Love, Camille

    At that time, new York was already the finance capital of the world. But during that period, around 650,000 serious crimes and murders were committed yearly in that city. No one could solve the problem.Then 2 police consultants experimented on making improvement in new York City's subway train system, used by almost 7% of New Yorkers, but where conditions then were horrible. The waiting platforms were poorly lit and damp, while the walls were covered with all kinds of graffiti. The trains themselves were filthy, the floors littered with trash, and were often late.First, they removed all the graffiti, and painted clean the platforms and the trains/ Then they posted plain-clothes policeman in all stations to arrest those who did not pay train tokens. In a few years, criminality in New York City declined sharply by 65%. Two little things-removal of graffiti and presence of policemen. By they changed the culture and the face of New York.Gladwell says "do not underestimate the power of little things." they can spur a revolution.If "little things"can change a city, they can change a country."Life is made up of little things. Greatness follows if we learn to be great in little things," says Charles Simmons.Because of his book, Gladwell has been cited as one of the World's 100 Influential people by TIME Magazine this year. And his book is changing the mindsets of people around the world.

    It’s just a two-hour drive…Pondering math problems is Esther Ainsworth’s obsession. If only life’s puzzles required logic. Her stepfather’s solution? Avoidance. He’s exiled the family to Truth or Consequences, New Mexico, to erase a big secret from Esther’s past. So much for the truth. Now for the consequences: an empty swimming pool, a water-sucking cactus outside her window, a goldfish rescued from a church festival, and Esther’s thirst for something real.Step one: forget about her first love. Step two: make allies. Esther finds them in Jesús from the local coffee bar; a girl named Color who finds beauty in an abandoned video store; Beth, the church choir outcast; and Moss, a boy with alluring possibilities. Step three: confess her secret to those she hopes she can trust. Esther’s new friends do more than just listen. They’re taking Esther one step further.Together, they hit the road to face Esther’s past head-on. It’s a journey that will lead her to embrace her own truth—in all its glory, pain, and awesomeness.

    Qualify for the Culling. Find a woman. Win the presidency.It was a carefully cultivated plan that dictated all his life’s decisions . . . until two women upend everything.Twenty-one years after his parents won the presidency, a Culling is called. James has waited his entire life for this moment, a chance to carry on his parents’ legacy. Meanwhile, whispers in Denver of an “Heir’s Curse” make a Reed winning the presidency seem impossible. A presidential heir has never won a Culling before, but there has also never been a Culling where three heirs could qualify. James and his siblings are determined to break the so-called curse and prove them all wrong.But when forced to choose between the easy love that could secure the presidency and a difficult one, what will James do?*This is book 1 of 4 in the spinoff for The Culling series.

    Set against the turbulent history of East Asia in the twentieth century and by turns erotic and tragic, Magdalena vividly depicts three generations of strong Filipino women. Aimee Liu, author of Cloud Moutain Cecilia Manguerra Brainard s novel Magdalena takes its title from a protagonist descended from several generations of equally compelling female characters. . . Brainard uses a nonlinear narrative and multiple points of view to describe the history of the Philippines that roughly corresponds to its contact with the United States from the Spanish American War to the war in Vietnam. The novel brings into focus not only the romantic and social conflicts of different generations of women but also economic and racial divisions in the Philippines . . . Interspersed throughout the novel are archival photographs of places and people, photographs that remind the reader that while the characters are fictional, the backdrop is historical reality. Kathleen Flanagan, Longwood University, World Literature Today With her second novel, Magdalena, Cecilia Brainard adds new portraits to the gallery in Philippine literature. She has always had a strong sense of place. Here, she provides an inner landscape as well. Together, these provide the coordinates for the family secrets that bind the characters as securely as bloodlines. Linda Ty-Casper, author of The Stranded Whale In this novel, Brainard blends a series of multiple perspectives to create a polyphony of voices that enacts Philippine society before and during the Second World War. The narrative is a nuanced vision of the workings of culture, social class, obligation and the Filipino personality. Rocio G. Davis, author of Transcultural Reinventions: Asian American and Asian Canadian Short Story Cycles I have been looking for a good story about the war. N.V.M. Gonzalez, author of The Bread of Salt and Other Stories (upon reading Winning Hearts and Minds, one chapter of Magdalena.) About Brainard s first novel When the Rainbow Goddess Wept The strengthening of the national spirit; the loss of innocence in two generations these themes are explored by the author, who was born in the Philippines, with persuasive conviction and stark realism. (Publishers Weekly) A fast-paced, sensitively written first novel about the psychological damage war wreaks, seen through the eyes of an intelligent, resilient young girl ... Brainard s appealing characters are larger-than-life people who change before our eyes, yet remain utterly convincing. (Kirkus Review) "

    Teenagers are celebrating the first taste of freedom as they line their pockets with newly printed driver’s licenses and long-awaited paychecks. Days off are spent at the town’s only lake, nights under the yellow lights of the drive-in restaurant.But Billy Tupper’s life is a far cry from that of other teenagers. One mistake too many lands him in front of a judge who sentences him to a summer working for Old Lady Baxter, the victim of his latest carelessness…and the rumored child killer of Munroe, Kansas. As Billy sweats his way through endless months of mowing her lawn, weeding her garden, and painting her house, he also searches for the evidence to prove she’s guilty, but what he finds, and what he learns about himself, will change his life forever.I Know an Old Lady is a touching coming-of-age story of loss and redemption, of understanding and compassion, and of a family torn apart and slowly put back together.I Know an Old Lady is Billy Tupper’s story.

    But when he loses his entire family to a spell-made storm he joins an elite group of Wizard hunters, organized beneath the new non-magic wielding king. Now eighteen, he spends his days capturing Wizards. But the nights are his, reserved to feed the starving villagers of Eriroc under cover of dark. There’s always more people in need than he can help, and one of these days he’s going to hang for theft from the royal kitchens. Although Tybolt and his fierce partner, Auriella, have imprisoned many Wizards, the one partially responsible for the storm that killed Tybolt’s family is still out there: Alistair. When an old informant claims to have information regarding their elusive prey, everything changes. In a cruel twist, Tybolt realizes he isn't who he thought he was at all. How can he save himself, the people, and those he loves while keeping his secrets safe? Can he hide his true nature and allow the corrupt king to remain on the throne?Or will he have to unveil himself and risk possible execution to save them all?

    At school, she confronts racism as one of the few kids with a brown face. At home, the confusion is worse: her grandfather’s nightly visits to her room leave her hurt and terrified, and she learns to build a protective wall of silence that maps onto the larger silence practiced by her Catholic Filipino family. Talusan learns as a teenager that her family’s legal status in the country has always hung by a thread—for a time, they were “illegal.” Family, she’s told, must be put first. The abuse and trauma Talusan suffers as a child affects all her relationships, her mental health, and her relationship with her own body. Later, she learns that her family history is threaded with violence and abuse. And she discovers another devastating family thread: cancer. In her thirties, Talusan must decide whether to undergo preventive surgeries to remove her breasts and ovaries. Despite all this, she finds love, and success as a teacher. On a fellowship, Talusan and her husband return to the Philippines, where she revisits her family’s ancestral home and tries to reclaim a lost piece of herself. Not every family legacy is destructive. From her parents, Talusan has learned to tell stories in order to continue. The generosity of spirit and literary acuity of this debut memoir are a testament to her determination and resilience. In excavating and documenting such abuse and trauma, Talusan gives voice to unspeakable experience, and shines a light of hope into the darkness.

    That is, until ex-jock Len DiMartile decides on a whim to run against her. Suddenly her vast qualifications mean squat because inexperienced Len—who is tall, handsome, and male—just seems more like a leader.When Eliza’s frustration spills out in a viral essay, she finds herself inspiring a feminist movement she never meant to start, caught between those who believe she’s a gender equality champion and others who think she’s simply crying misogyny.Amid this growing tension, the school asks Eliza and Len to work side by side to demonstrate civility. But as they get to know one another, Eliza feels increasingly trapped by a horrifying realization—she just might be falling for the face of the patriarchy himself.

    Raised by a single mother, it’s always been Izumi—or Izzy, because “It’s easier this way”—and her mom against the world. But then Izzy discovers a clue to her previously unknown father’s identity… and he’s none other than the Crown Prince of Japan. Which means outspoken, irreverent Izzy is literally a princess.In a whirlwind, Izzy travels to Japan to meet the father she never knew and discover the country she always dreamed of. But being a princess isn’t all ball gowns and tiaras. There are conniving cousins, a hungry press, a scowling but handsome bodyguard who just might be her soulmate, and thousands of years of tradition and customs to learn practically overnight.Izzy soon finds herself caught between worlds, and between versions of herself—back home, she was never “American” enough, and in Japan, she must prove she’s “Japanese” enough. Will Izumi crumble under the weight of the crown, or will she live out her fairytale, happily ever after?

    This is it.Set in a small town in Maine to which a young doctor, Louis Creed, and his family have moved from Chicago, Pet Sematary begins with a visit to a graveyard where generations of children have buried their beloved pets. But behind the "pet sematary," there is another burial ground, one that lures people to it with seductive promises . . . and ungodly temptations.As the story unfolds, so does a nightmare of the supernatural, one so relentless you won't want . . . at moments . . . to continue reading . . . but will be unable to stop.You do it because it gets hold of you, says the nice old man with the secret. You make up reasons . . . they seem like good reasons . . . but mostly you do it because once you've been up there, it's your place, and you belong to it . . .up in the Pet Sematary--and beyond.

    Choi comes a funny and emotional story about two estranged sisters switching places and committing insurance fraud to save one of their lives.Jayne Baek is barely getting by. She shuffles through fashion school, saddled with a deadbeat boyfriend, clout-chasing friends, and a wretched eating disorder that she’s not fully ready to confront. But that’s New York City, right? At least she isn’t in Texas anymore, and is finally living in a city that feels right for her.On the other hand, her sister June is dazzlingly rich with a high-flying finance job and a massive apartment. Unlike Jayne, June has never struggled a day in her life. Until she’s diagnosed with uterine cancer.Suddenly, these estranged sisters who have nothing in common are living together. Because sisterly obligations are kind of important when one of you is dying.