Motivational speaker John Maxwell's enthusiasm and encouragement make you want to be a better friend and to give this colorful book to one.

    But when his daughter’s wedding takes an unexpected turn, life spins out of control, shattering everything he believes in. A dramatic story with memorable characters, Christmas for Joshua tackles the conflicts inherent to interfaith marriage, modern parenting, and religious intolerance, taking the reader on an entertaining and thought-provoking journey through a uniquely American Christmas experience. Praise for Avraham Azrieli’s previous novels: “The Jerusalem Inception is beautifully and superbly narrated.” Norm Goldman, Bookpleasures. “Boldly realistic plotlines and genuine, well-developed characters. Highly recommended!" Yahoo News/Politics. “Protagonist Jerusalem "Lemmy" Gerster, is the quintessential recruit.” NY Daily News. “The Jerusalem Assassin is a thoroughly compelling portrait of humanity at its best and worst. Drawn straight from the headlines of living, breathing history, the action in The Jerusalem Assassin both entertains and enlightens the reader, an impressive task that not many authors can achieve.” Josee Morgan, Apex. “The Masada Complex brims with gritty authenticity ... a genuine treat!” David Liss, author of Conspiracy of Paper, winner of Edgar. “Riveting portrayal of global intrigue!” Stella Pope Duarte, author of If I Die in Juaréz, winner of the 2009 American Book Award. About the Author: Avraham Azrieli served as an officer in the IDF Intelligence Corps before graduating from Columbia Law School in New York. His previous novels are The Masada Complex, The Jerusalem Inception and The Jerusalem Assassin. www.AzrieliBooks.com

    A prayer a day filled with positive messages and your day will be phenomenal!With this magnificent collection of 365 powerful prayers, Oliver Powell helps you complete the three steps of the creative process: Ask, Believe and Receive. You ask your Lord everyday through a positive emotional prayer, and during the whole day, your mind dwells in the belief that your prayer would be accepted. And finally you receive what you have asked for as you make it your habit to be in constant touch with your God for just less than five minutes (in case you a super-busy person). As the Bible says, “…whatever you ask for in prayer, believe that you have received it, and it will be yours” Amen!Each day includes an original prayer, straight from the author’s heart with a clear and lucid language made easy for the soul to grasp and for the heart to vibrate with your tongue as it utters the prayer. SCROLL to the top of the page and select the BUY button for instant download Download your copy today!

    By describing his own struggle to find a basis for belief in a skeptical world, Bushman poses the question of how scholars are to write about subjects in which they are personally invested. Does personal commitment make objectivity impossible? Bushman explicitly, and at points confessionally, explains his own commitments and then explores Joseph Smith and the Book of Mormon from the standpoint of belief.Joseph Smith cannot be dismissed as a colorful fraud, Bushman argues, nor seen only as a restorer of religious truth. Entangled in nineteenth-century Yankee culture--including the skeptical Enlightenment--Smith was nevertheless an original who cut his own path. And while there are multiple contexts from which to draw an understanding of Joseph Smith (including magic, seekers, the Second Great Awakening, communitarianism, restorationism, and more), Bushman suggests that Smith stood at the cusp of modernity and presented the possibility of belief in a time of growing skepticism.When examined carefully, the Book of Mormon is found to have intricate subplots and peculiar cultural twists. Bushman discusses the book's ambivalence toward republican government, explores the culture of the Lamanites (the enemies of the favored people), and traces the book's fascination with records, translation, and history. Yet Believing History also sheds light on the meaning of Joseph Smith and the Book of Mormon today. How do we situate Mormonism in American history? Is Mormonism relevant in the modern world?Believing History offers many surprises. Believers will learn that Joseph Smith is more than an icon, and non-believers will find that Mormonism cannot be summed up with a simple label. But wherever readers stand on Bushman's arguments, he provides us with a provocative and open look at a believing historian studying his own faith.

    Ashley Mae Hoiland bids us follow her down “the hallowed and well-trodden path between the heart and mind,” where glimpses of godliness are discovered in rainstorms, bus rides, temples, and mountains. As a Latter-day Saint, Hoiland explores the complexities of faith in everyday life where laughter and creativity matter as much as faith, hope, and charity.

    It is an ache for the homecoming. The Greeks called it nostalgia.  Post-modern man, homeless almost by definition, cannot understand nostalgia. If he is a progressive, dreaming of a utopia to come, he dismisses it contemptuously, eager to bury a past he despises. If he is a reactionary, he sentimentalizes it, dreaming of a lost golden age. In this profound reflection, Anthony Esolen explores the true meaning of nostalgia and its place in the human heart. Drawing on the great works of Western literature from the Odyssey to Flannery O'Connor, he traces the development of this fundamental longing from the pagan's desire for his earthly home, which most famously inspired Odysseys' heroic return to Ithaca, to its transformation under Christianity. The doctrine of the fall of man forestalls sentimental traditionalism by insisting that there has been no Eden since Eden. And the revelation of heaven as our true and final home, directing man's longing to the next world, paradoxically strengthens and ennobles the pilgrim's devotion to his home in this world. In our own day, Christian nostalgia stands in frank opposition to the secular usurpation of this longing. Looking for a city that does not exist, the progressive treats original sin, which afflicts everyone, as mere political error, which afflicts only his opponents. To him, history is a long tale of misery with nothing to teach us. Despising his fathers, he lives in a world without piety. Only the future, which no one can know, is real to him. It is an idol that justifies all manner of evil and folly. Nostalgia rightly understood is not an invitation to repeat the sins of the past or to repudiate what experience and reflection have taught us, but to hear the call of sanity and sweetness again. Perhaps we will shake our heads as if awaking from a bad and feverish dream and, coming to ourselves, resolve, like the Prodigal, to "arise and go to my father's house."

    "I have this compulsion to live no matter what..".

    Wily, witty and weird, often haunting, sometimes heartbreaking, [Frey's] poems…dive deep, for all their individual brevity.

    Whether focused on a lesson, a teacher, or the girls themselves as they collectively school -- or refuse to -- the poems explore ways girls are trained in the broadest sense of the word.Gossips, the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In Early Lessons, the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below, punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained, back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.

    Just when it seems things couldn't get any worse, he is visited by Sidney Lipton, a.k.a. A Messenger from God (and compulsive film buff) with a mission: test Joe's faith and report back to "the Boss." The jokes and Tests of Faith fly fast and furious as Neil Simon spins a contemporary morality tale like no other in this hilarious comedy.

    It’s a book with the flow of poetry but the ebb of short stories – rightfully called “Shoetry”. This creation takes you to the roots of humanity - stripping back the veneers of life, society and interaction to see people and their ways in an entirely new light.

    The impact of Alberto's labor has resulted in numerous articles of praise from the most influential mass media of Sweden, Scandinavia and Europe, such as Aftonbladet, QX, SVT and LT. 'eighteen' has also been a selected reading in European universities for raising awareness upon issues such as bullying and abuse, while the amenity of the work also encourages the youth to read more. The book is divided into three parts. Each part deals with a different stage, represented as the different cycles of the metamorphosis of a butterfly, and illustrated by the author.'the ending' as the larva, deals with abuse, homophobia, loss, bullying and suicide.'the transition' as the cocoon, explores self-discovery, healing, grieving, forgiveness, life and death. 'the beginning' as the butterfly, is a celebration of one self and of the existing beauty in this world. It exudes love and power. Joy and hope after the misery. Alberto Ramos was just fifteen when he moved from his hometown Málaga Spain, to Stockholm Sweden, and left his family and friends behind to join his bestfriend on their long-awaited international high school experience. Little did he know what he thought would be the beginning was nothing but endings. 'eighteen' is the journey since the ending until the beginning.

    Plato would have loved them."—Ann LauterbachIn a world where we find "everything helping itself / to everything else," Anna Moschovakis incorporates Craigslist ads, technobabble, twentieth-century ethics texts, scientific research, autobiographical detail, and historical anecdote to present an engaging lyric analysis of the way we live now. "It's your life," she tells the reader, "and we have come to celebrate it."

    With The Parent's Tao Te Ching, William Martin beautifully re-interpreted Lao Tzu's Tao Te Ching -- one of the world's oldest and most widely read books of wisdom -- expressly for parents. Now, he distills and freshly re-interprets the essence of each of the Tao's 81 chapters to speak directly and clearly to couples. William Martin's indelible, spirited, and sage advice, rendered in free verse, captures the ancient spirit of Lao Tzu's original text, yet speaks directly to modern lovers--and to the full sweep of their experiences and emotions. A deeply felt alternative to advice books that urge readers to manipulate their partners rather than to love them, The Couple's Tao Te Ching is for everyone who has embarked upon a loving relationship, which, as William Martin says, "can be the most rewarding and enlightening adventure possible."

    By her mother, who grew up far away in a different land. By her suburban town, which makes her feel too much like an outsider to fit in and not enough like an outsider to feel like that she belongs somewhere else. At least she has her childhood friend Haitham, with whom she can let her guard down and be herself. Until she doesn't.As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen, the name her parents didn't give her at birth: Yasmeen. But that other name, that other girl, might just be more real than Nima knows. And more hungry. And the life Nima has, the one she keeps wishing were someone else's. . .she might have to fight for it with a fierceness she never knew she had.