This novel describes a day in the life of Bakha, sweeper and toilet-cleaner, as he searches for a meaning to the tragic existence he has been born into - and comes to an unexpected conclusion.

    Amsterdam is a city at the peak of its powers: science and art are flourishing in the Golden Age and Dutch ships bring back exotic riches from the Far East. Madam Van Nulandt passes her time taking expensive painting lessons from a local master, Rembrandt van Rigin, and when Catrin takes up a brush to finish some of her mistress's work, Rembrandt realizes the maid has genuine talent and encourages her to continue.When a figure from her past threatens her new life, Catrin flees to the smaller city of Delft. There, her gift as a painter earns her a chance to earn a living painting pottery at a local workshop. Slowly, the workshop begins to develop a new type of pottery to rival fancy blue-on-white imported Chinese porcelain—and the graceful and coveted Delft Blue designs she creates help revolutionize the industry. But when tragedy strikes, Catrin must decide whether to defend her newfound independence or return to the village that she'd fled.

    In this poignant, eye-opening and emotionally vivid novel, Mahbod Seraji lays bare the beauty and brutality of the centuries-old Persian culture, while reaffirming the human experiences we all share. In a middle-class neighborhood of Iran's sprawling capital city, 17-year-old Pasha Shahed spends the summer of 1973 on his rooftop with his best friend Ahmed, joking around one minute and asking burning questions about life the next. He also hides a secret love for his beautiful neighbor Zari, who has been betrothed since birth to another man. But the bliss of Pasha and Zari's stolen time together is shattered when Pasha unwittingly acts as a beacon for the Shah's secret police. The violent consequences awaken him to the reality of living under a powerful despot, and lead Zari to make a shocking choice...

    Mosheen's dream of becoming a diplomat has been shattered and Zunaira can no longer even appear on the streets of Kabul unveiled. Atiq is a jailer who guards those who have been condemned to death; the darkness of prison and the wretchedness of his job have seeped into his soul. Atiq's wife, Musarrat, is suffering from an illness no doctor can cure. Yet, the lives of these four people are about to become inexplicably intertwined, through death and imprisonment to passion and extraordinary self-sacrifice.The Swallows of Kabul is an astounding and elegiac novel of four people struggling to hold on to their humanity in a place where pleasure is a deadly sin and death has become routine.

    There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.

    It is the story of boza seller Mevlut, the woman to whom he wrote three years' worth of love letters, and their life in Istanbul.In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else - the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is.What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control?A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.

    Restless and unable to sleep, she wanders through her parents' house, revisiting the scenes of her childhood. In a cupboard drawer, folded and pushed away from sight, she finds a sepia photograph of her grandmother, Hanna, whom she remembers as old and forbidding, a silent stranger enveloped in a huge pleated black dress. Now, looking at the features Anna recognises as her own, she realises she is looking at a different woman from the one of her memory. Set against the majestic isolation of the Scandinavian lakes and mountains, this is more than a story of three Swedish women. It is a moving testament of a time forgotten and an epic romance in every sense of the word.

    With the confict coming to an end, Michiel comes of age and learns of the stark difference between adventure fantasy and the ugly realities of war.This children’s classic is a thrilling and powerful adventure story that has left its mark on generations of children in the Netherlands but has been unavailable in the UK since the Seventies. ‘This exciting book has long been considered a classic inHolland. And anyone who has read this moving, powerfulstory can understand why’ Stiftung Lesen

    When interrogation experts arrive, however, he witnesses the Empire's cruel and unjust treatment of prisoners of war. Jolted into sympathy for their victims, he commits a quixotic act of rebellion that brands him an enemy of the state.J. M. Coetzee's prize-winning novel is a startling allegory of the war between oppressor and oppressed. The Magistrate is not simply a man living through a crisis of conscience in an obscure place in remote times; his situation is that of all men living in unbearable complicity with regimes that ignore justice and decency.

    . . A profound portrayal of a group of people with no future.”—De Standaard der LetterenA comic novel on a very serious subject. Dimitri Verhulst, an investigative journalist, had himself locked up in the asylum-seekers center at Arendonk for several days for a Flemish magazine. He then wrote a magazine article, but the experience would not let go of him. He wrote this comic, unabashedly politically incorrect novel, which is told from the perspective of asylum-seeker Bipul Masli, a press photographer from Somalia. The action takes place in an asylum-seekers center in Belgium in the final weeks of 2001.

    The novel entwines two equally powerful narratives. A writer named Shahriar—the author’s fictional alter ego—has struggled for years against the all-powerful censor at the Ministry of Culture and Islamic Guidance. Now, on the threshold of fifty, tired of writing dark and bitter stories, he has come to realize that the “world around us has enough death and destruction and sorrow.” He sets out instead to write a bewitching love story, one set in present-day Iran. It may be his greatest challenge yet. Beautiful black-haired Sara and fiercely proud Dara fall in love in the dusty stacks of the library, where they pass secret messages to each other encoded in the pages of their favorite books. But Iran’s Campaign Against Social Corruption forbids their being alone together. Defying the state and their disapproving parents, they meet in secret amid the bustling streets, Internet cafés, and lush private gardens of Tehran. Yet writing freely of Sara and Dara’s encounters, their desires, would put Shahriar in as much peril as his lovers. Thus we read not just the scenes Shahriar has written but also the sentences and words he’s crossed out or merely imagined, knowing they can never be published. Laced with surprising humor and irony, at once provocative and deeply moving, Censoring an Iranian Love Story takes us unforgettably to the heart of one of the world’s most alluring yet least understood cultures. It is an ingenious, wholly original novel—a literary tour de force that is a triumph of art and spirit.

    His grandmother guards the family dead with fierce determination, arranging and re-arranging their photographs in a special cabinet, talking to them and arguing with them. The cabinet is an extension of heaven, with its own purgatory and hell: their place in his grandmother's favour is marked by their proximity to a statue of the Blessed Virgin. But, one image is always next to the Virgin: Marcel, who died young, far away and for whom there is no grave. How did he die? His laughing eyes, staring out from a face already obliterated by the sun, give nothing away. Only when the boy uncovers letters that hint at a hidden past, does he decide to learn who Marcel was, and why the circumstances of his death remain so painful.

    Recognising genuis, the judge decides to spare him and gives him instead a small, blank book, encouraging him to confine his thoughts to it alone. Thus begins the seamless blend of fact and fiction that is Samarkand. Vividly re-creating the history of the manuscript of the Rubaiyaat of Omar Khayyam, Amin Maalouf spans continents and centuries with breathtaking vision: the dusky exoticism of 11th-century Persia, with its poetesses and assassins; the same country's struggles nine hundred years later, seen through the eyes of an American academic obsessed with finding the original manuscript; and the fated maiden voyage of the Titanic, whose tragedy led to the Rubaiyaat's final resting place - all are brought to life with keen assurance by this gifted and award-winning writer.

    It is generally regarded as the masterpiece of Conscience, which earned him the title "the man who taught his people to read".

    In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.