In the "triumphant and moving" (Variety) Broadway musical of the same name, Morissette's iconic numbers-including smash hits like "Ironic," "You Oughta Know," and "Hand in My Pocket,"-are paired with new songs by the beloved musician and a powerful original story by Academy Award-winning writer Diablo Cody (Juno). Hailed as "urgent, wildly entertaining, and wickedly funny" (The Boston Globe) and "joyful and redemptive, rousing and real" (The New York Times), the Jagged Little Pill musical is a poignant and emotionally revelatory experience that is speaking to audiences across generations. Now, for the first time, this book will take you behind the scenes with stunning photography, original in-depth interviews with the cast, crew, Alanis Morisette, and Diablo Cody, and an introduction from Morissette herself on the album's genesis and journey from release to acclaimed musical-including details and anecdotes on her collaboration on the show. Including the full annotated libretto and a retrospective look at Alanis's artistic influences and the significance of the album within the cultural context of the 90s as well as its long-term impact on the music world as we know it, this beautifully rendered book is a must-have keepsake for anyone who has been touched by this production or Morissette's music.

    

    Or so they think.

    They were a little shy. But once they got going, you couldn't stop them. Women secretly love to talk about their vaginas. They get very excited, mainly because no one's ever asked them before.

    The two begin to interlock as the characters make their exits from Nothing On only to find themselves making entrances into the even worse nightmare going on backstage. In the end, at the disastrous final performance, the two plots can be kept separate no longer, and coalesce into a single collective nervous breakdown.

    This short play by Caryl Churchill was an entry in the 1997 London International Festival of Theatre.

    Then, Aphrodite, taking pity on this man whose love could not reach beyond the barrier of stone, brought the statue to life and gave her to Pygmalion as his bride. Centuries later, George Bernard Shaw captured the magic of this legend in his celebrated play, Pygmalion. Pygmalion became Henry Higgins, a professor of phonetics, his statue an untutored flower girl from the streets of London, and the barrier between them is class.. Shaw expected Eliza to end up with Freddy and run a flower shop.In My Fair Lady, Alan Jay Lerner takes the legend one step further—the barrier is swept away and Higgins and Eliza are reunited as the curtain falls on one of the loveliest musical plays of our time—winning seven Tonys® for its original Broadway production, and seven Oscars® for its film adaptation.--back cover

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.

     In remote Pakistan, Nick Bright awaits his fate. A successful financial trader, Nick is kidnapped by an Islamic militant group, but with no one negotiating his release, he agrees to an unusual plan. He will earn his own ransom by helping his captors manipulate and master the world commodities and currency markets. "[A] tense, provocative thriller about the unholy nexus of international terrorism and big bucks...."-Seattle Times "Ahktar again turns hypersensitive subjects into thought-provoking and thoughtful drama"-Newsday "The prime theme is pulsing and alive: when human lives become just one more commodity to be traded, blood eventually flows in the streets"-Financial Times "Whip-smart and twisty"-Time Out New York "The Invisible Hand offers genuine insight into the future of the West" (Village Voice).

    Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards? The 1981 Tony Award winner for Best Play. An L.A. Theatre Works full cast performance featuring: Steven Brand as Baron van Swieten James Callis as Mozart Michael Emerson as Salieri Darren Richardson as Venticello 2 Alan Shearman as Count Orsini-Rosenberg Mark Jude Sullivan as Venticello 1 Simon Templeman as Joseph II Brian Tichnell as Count Johann Kilian Von Strack Jocelyn Towne as Constanze Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in September of 2016.

    Written with the full co-operation of Sondheim himself, it examines each of Sondheim's masterpieces - including West Side Story, Gypsy, A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George and Into the Woods - as well as the other Sondheim productions on Broadway, Off-Broadway, in repertory, as revivals, as opera, on film, and on television. this account is based on hundreds of hours of interviews with Sondheim and his associates.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    The game setting? A subdivision with identical houses. The goal? Smash through an army of zombies to escape the neighborhood for good. But as the line blurs between virtual and reality, both parents and players realize that fear has a life of its own. "Playing like a nifty episode of 'The Twilight Zone', the story builds to an affectingly grues

    "One of the great works of the American musical theatre. It is darling, touching, beautiful, warm, funny and inspiring. It is a work of art." -John Chapman, Daily News