Alexa, an incisive twenty-one-year-old queen, faces everyday brutality with determined nonchalance. Rejecting middle-class pretensions, she negotiates past and present traumas with a scathing critique of the world. Drawn to the ecstasy of drugged-out escapades, Alexa searches for nourishment in a gay culture bonded by clubs and conformity, willful apathy, and the specter of AIDS. Is there any hope for communal care?Sketchtasy brings 1990s gay culture startlingly back to life, as Alexa and her friends grapple with the impact of growing up at a time when desire and death are intertwined. With an intoxicating voice and unruly cadence, this is a shattering, incandescent novel that conjures the pain and pageantry of struggling to imagine a future.“Immersed in the '90s queer culture of Boston, Alexa is a mess. She's a queen in crisis, desperate for relief from the sinister traumas of her past and the ominous threats of her present. She's searching for hope, even as she becomes mired in an unforgiving cycle of addiction. Sketchtasy is a breakneck spree through a cultural moment, scratching off the patina of nostalgia to show how urgently relevant it still is. If you've heard her read, you know Sycamore's voice is one in a zillion. She's at her very best here.” —Dave Wheeler, associate editor, Shelf Awareness "Reading this was like a night of stealing other people's drinks, or a much-needed slap to the face, or a little of both. Bold, glittering, wise, fun, the novel as found poem alive in the mouth of this truth-telling queen, making her way through a wasteland of other people's lies (and a few of her own), and looking for something near paradise. Follow her and live." —Alexander Chee, author of The Queen of the Night“If Sketchtasy doesn't become a classic, we are doomed. Mattilda has such complete command of craft here that she is able to evoke experience, rather than simply describe it. Whether or not we identify with her characters, she lets us into their hearts and perceptions through sheer talent, raw honesty, and the sophisticated ability to handle word order, duration, pacing, and soul. The form of this novel is determined organically from the emotions at their core. A lesson in how to write, how to remember, how to grapple with history.” —Sarah Schulman"Sketchtasy is a vivid masterpiece that rivals the likes of Last Exit to Brooklyn by Hubert Selby Jr. It’s dangerous, hilarious, scary and transcendentally beautiful. Sycamore’s prose is so searing, you might want to read it with sunglasses." —Jake Shears, musician, actor, and author of Boys Keep Swinging“Every sentence in Sketchtasy is a living thing, fierce and funny and a little bit dangerous—a voice made of coke dust and club lights, cut with crackling insight. I was completely addicted to the story of Alexa's search for connection, set in the gritty Boston nightclub scene in the ‘90s. Nobody writes like Mattilda Bernstein Sycamore—most writers wouldn't dare try.” —Julie Buntin, author of Marlena

    A heart warming, slow burn, late in life, friends to lovers story.Georgina owns an independent coffeehouse. Her co-owner, ex lover and sometime friend with benefits, has recently died in a car accident. Grieving, and trying to keep the business going, she finds out the half share has been willed to a complete stranger.Catherine has flitted from job to job, always searching for an important missing piece in her life. Dumped by her boyfriend, jobless, single, penniless and soon to be homeless, Catherine receives a letter which could solve all her problems.Georgina has said she would never again date a straight woman. So why is Catherine continually invading her thoughts? Catherine knows she isn’t gay. So why is she feeling something more than friendship towards Georgina? Will Georgina let her past control her future? Will Catherine acknowledge a future different to her past?Set in a coffeehouse on a busy, bustling main thoroughfare into Bristol. The Perfect Blend introduces us to the owners and characters who frequent the establishment.

    Her idol, her older sister, jogs headlong into the lights of an approaching car, and dies. And Julie falls in love with a girl who both is and isn't an echo of her older sister, a long-limbed Francophone named Patrice-who is also a devotee of the Institute of Temporal Illusions, a Church of Scientology-like cult.In Julie Thatch you cannot help but see shades of Stieg Larsson's Lisbeth Salander. Jeanne's former writing teacher at the University of Texas, Alexander Parsons (author of Leaving Disneyland and In the Shadows of the Sun) writes: "The Dream of Doctor Bantam is one of those books you read every few years in which, page by page, you come to think of the characters as a part of your own dear, weird, and intransigent family. In Julie Thatch, Thornton has written a character as memorable and compelling as Holden Caufield or Oedipa Maas. She is alternately hilarious, maddening, and enchanting, a fearful and fearless smartass who enlivens every page of this fine novel."With illustrations by the author.

    Finalist for the 2008 Ferro-Grumley Awards for LGBT Fiction.Set amidst the outsider worlds of New York, Los Angeles, and Mexico City, Like Son is the not-so-simple story of a father, a son, and the love blindness shared between them.Meet Frank Cruz: a post-punk thirty-year-old who unwittingly inherits his dead father's legacy. Born a bouncing baby girl named Francisca to parents tangled in a doomed love affair, Frank grows up in both the poorest barrios and poshest hills of Southern California. At the age of eighteen, Frank leaves for the big city, but is pulled back into helping his estranged and blind father navigate an untimely death. Upon his death, Frank's father leaves his only child a mysterious crumbling photograph of a woman with a stunning gaze: Nahui Olin, a captivating member of the early 20th century Mexican avant-garde who once brought tragedy upon the Cruz family.Punctured to his core by Nahui, Frank takes her portrait and flees to New York City to start anew—this time for real. There he meets fiery and eccentric Nathalie. The two fall in love, but after seven years of happy-go-lucky life together, in September 2001 the New York skyline tumbles, and Frank finds himself smack in the middle of his predestined fate.

    Eleven unique short stories that stretch from a rural Canadian Mennonite town to a hipster gay bar in Brooklyn, featuring young trans women stumbling through loss, sex, harassment, and love.These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

    Featuring stories by Merc Rustad, Jeanne Thornton, Brit Mandelo, and others, this anthology offers time-honored tropes of the genre--from genetic manipulation to zombies, portal fantasy to haunts--but told from a perspective that breaks the rigidity of gender and sexuality.

    Amy Wagner names him—and she would know best. Amy knows all kinds of things that Dean doesn’t understand—things about sex, music, and the darker side of life. All Dean knows is his safe suburban home with his parents, books, and imaginary games. Until now, he’s been able to hide his true identity, even from himself. To the rest of the world, he is a teenage girl—an awkward, boyish teenage girl, but a girl nonetheless. Meeting Amy changes everything. Soon that protected world around him begins to fall apart, and he is left with no other option but to face himself and the truth. I Know Very Well How I Got My Name chronicles Dean’s clumsy progression through the American public school system. It is the 90’s and early 2000’s, in suburban Syracuse, New York—a world in which LGBTQ bullying is not yet a hot topic in schools, and there is little tolerance for outsiders of any kind. A prequel to the award-winning novel Refuse, Elliott DeLine’s second book is about the prevailing myths surrounding bullying and abuse, and the hardships of being young and transgender without a community, support, or a roadmap.

    Taylor is so simultaneously perfect, yet useless, that she is paralyzed. Her mother Arlene is lonely and pill-popping, while Arlene’s brother Charlie faces the unexpected—even unwanted—prospect of being healthy with HIV. Fractured lives in various forms of exile eventually join to re-forge a definition of family from the ashes.T Cooper received an MFA in fiction writing from Columbia University. For some time, T doubled as T-Rok, a member of the heart-throbby Backdoor Boys performance troupe. T’s work—both fiction and non-fiction—has appeared in a variety of magazines, journals and anthologies. This is a first novel.

    It is the best and worst day of his life. Determined to impress Tara, Peyton sets out to win her love by mastering the drums and basketball. He takes on Tara’s small-minded mother, the bully at school, and the prejudices within his conservative hometown. In the end, Peyton must accept and stand up for who he is or lose the woman he loves.“A classic love story! Wood gets all the details of a trans individual coming-of-age into this novel. From the feelings about clothes, to the relationships with parents to the negotiations of life at school, this story rings true. Wood takes care with her setting and makes life, as painful and joyful as it can be, realistic. This novel is a great examination of what it means to come to terms with who you are and what it means to be true to yourself.” – Alex Myers, author of Revolutionary

    Choral music and the prospect of divinity thrill him. Desperate to keep his voice from changing, he tries unsuccessfully to castrate himself, and then convinces a clinic to treat him as a transsexual. Berry begins a series of hormone pills, which keep his voice from deepening but also cause him to grow breasts. When his parents and friends discover the truth about him, Berry faces a world of unexpected gender issues that push him into a universe far more complex than anything he has experienced.Abounding with bewitching religious symbolism, self-mutilation, bizarre suburban torture, drugs, class-based violence, and hidden meanings, Choir Boy is a wildly inventive and charming story about an outcast who refuses to grow up gracefully.

    Clark is harassed daily at school for his effeminate behavior and appearance. He has no friends and a brother that is as likely to be on the teasing as to prevent it. When Clark is offered a job babysitting for the Pirella family, it seems like a godsend. The money is good. He bonds with the girls almost instantly. The father, Tony, works in computer security. Tony and Clark strike up a friendship based on a mutual love of computers and hacking. As Tony becomes aware of Clark's transsexuality and his growing feminine alter ego, Clarissa, things become incredibly complicated. Will Tony be Clarissa's salvation, or her undoing?

    When she finds out her girlfriend has lied to her, the world she thought she'd carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.

    It was not until he was a grown man, and a promising writer with two books to his name, that Jonathan finally reconnected with his beloved parent—only to find, to his shock and dismay, that the woman he’d known as “Sid” had morphed into an elegant, courtly man named Sydney. In the decade following this discovery, Jonathan made regular pilgrimages from Toronto to visit Sydney, who now lived quietly in a well-appointed retreat in his native Trinidad. And on each visit, Jonathan struggled to overcome his confusion and anger at the choices Sydney had made, trying with increasing desperation to rediscover the parent he’d once adored inside this familiar stranger. As the novel opens, Jonathan has been summoned urgently to Trinidad where Sydney, now aged and dying, seems at last to offer him the gift he longs for: a winding story that moves forward sideways as it slowly peels away the layers of Sydney’s life. But soon it becomes clear that when and where the story will end is up to Jonathan, and it is he who must decide what to do with Sydney’s haunting legacy of love, loss, and acceptance.

    His parents reject him. His girlfriend rejects him. Feeling trapped and miserable, Ron decides to leave Harvard and travel west to work on a Wyoming ranch to prove to his parents, his ex, and himself that he can live unequivocally as a man. As he embarks on this journey of independence, Ron must deal with the constant fear and anxiety of being discovered as a trans man as he enters a world more dangerous than he ever imagined.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.