But when his wife and son fell victim to the danger that accompanied him everywhere, Gabriel quit and devoted himself to the work of art restoration, an occupation that had previously been a cover for his secret assignments. Now Ari Shamron, the head of Israeli intelligence, needs Gabriel's particular kind of experience to thwart a Palestinian plot to destroy the peace negotiations in the Middle East. The architect of this plot, a Palestinian zealot named Tariq, is a lethal part of Gabriel's past, so as the two begin an intercontinental game of hide-and-seek, with life and death as the prizes, the motives are as personal as they are political.The story features a vivid and fascinating supporting cast, including the magus-like Ari Shamron, a beautiful French Jewish model who is seeking retribution for her family's death in the Holocaust, and a marvelously comic down-at-the-heels London art dealer. Set these colorful and varied characters against a brilliant background of political intrigue and vengeance at the highest levels and a manhunt that covers three continents, and the result is a smart and electrically exciting global thriller.

    What follows is one of the most clever and gripping novels you'll ever read.

    Raised in an orphanage, never knowing his parents, Quinn had a happy if unexceptional life. Until the day of “strange magnetism.” It compelled him to drive out to the middle of nowhere. It helped him find a coin worth a lot of money. And it practically saved his life when two government agents showed up in the diner in pursuit of him. Now Quinn is on the run from those agents and who knows what else, fleeing for his life.During a shoot-out at a forlorn dude ranch, he finally meets his destined companions: Bridget Rainking, a beauty as gifted in foresight as she is with firearms, and her grandpa Sparky, a romance novelist with an unusual past. Bridget knows what it’s like to be Quinn. She’s hunted, too. The only way to stay alive is to keep moving.Barreling through the Sonoran Desert, the formidable trio is impelled by that same inexplicable magnetism toward the inevitable. With every deeply disturbing mile, something sinister is in the rearview―an enemy that is more than a match for Quinn. Even as he discovers within himself resources that are every bit as scary.

    But Scot Harvath, surviving agent and ex-Navy SEAL, doesn't believe the Fatah is responsible. A shadowy coalition comprises some of the highest-ranking officials in government and business – men who operate above the law, realize the threat Scot poses to their hidden agenda, and will do anything to stop him. Framed for murder and on the run, Scot takes to the towering mountains of Switzerland with beautiful Claudia Mueller of the Swiss Federal Attorney's Office. They brave subzero temperatures and sheer heights of treacherous Mount Pilatus, and the den of notorious professional killers.

    She used to work for the U.S. government, but very few people ever knew that. An expert in her field, she was one of the darkest secrets of an agency so clandestine it doesn't even have a name. And when they decided she was a liability, they came for her without warning. Now she rarely stays in the same place or uses the same name for long. They've killed the only other person she trusted, but something she knows still poses a threat. They want her dead, and soon. When her former handler offers her a way out, she realizes it's her only chance to erase the giant target on her back. But it means taking one last job for her ex-employers. To her horror, the information she acquires only makes her situation more dangerous. Resolving to meet the threat head-on, she prepares for the toughest fight of her life but finds herself falling for a man who can only complicate her likelihood of survival. As she sees her choices being rapidly whittled down, she must apply her unique talents in ways she never dreamed of. In this tautly plotted novel, Meyer creates a fierce and fascinating new heroine with a very specialized skill set. And she shows once again why she's one of the world's bestselling authors.

    When darkness closes in, the Nowhere Man is your last, best hope.Before he was the Nowhere Man, Evan Smoak was a highly trained government operative known to a few as Orphan X. But he now lives by hiding in plain sight, keeping his head down and his eyes clear. So when a local summer intern for a tabloid news site finds herself trailing an aggressive reporter into a crime zone, things go terribly awry. The only person who can help her is a man with the background and the skills of the Nowhere Man.From New York Times bestselling author Gregg Hurwitz comes an electrifying, original story in his “nerve-shredding” internationally #1 bestsellling Orphan X series.

    With a beautiful, terrified woman. On the 40th floor of a deserted office building. By the psyshopath they call "The Butcher."DON'T LOOK DOWNBecause you're an ex-mountain climber. Because a fall from Everest left you with a bad leg... and a paralyzing fear of heights.DON'T LOOK DOWNBecause he has slaughtered the guards and short-circuited the elevators. Because the stairways are blocked, and for you and the woman with you, there's only one escape route.DON'T LOOK DOWNBecause 600 feet of empty space are looking back at you."A real breath-taker... should hold you glued to its pages till the wee small hours." --West Coast Review of Books

    ACTIVE ... Commander Robert Bellamy of US Naval Intelligence is dispatched on a top secret mission. A weather balloon carrying sensitive military information has crashed in Switzerland. Bellamy must locate the ten witnesses to the incident so that they can be sworn to secrecy. But as he conducts his search Bellamy begins to suspect that he, too, is being hunted, by an unknown lethal force, that what he was told about the balloon was only one part of an almost unbelievable happening... From Washington to Zurich, Rome and Paris, the story unfolds to reveal Bellamy's past: why the women he loves the most cannot return his love, why his friends become his deadly enemies, and why the world must never learn the incredible secret hidden on the Swiss Alps...

    Covered by F-14 fighters, accompanied by security men, the planes carry warriors, pacifists, lovers, enemies, dignatories - and a bomb planted by a terrorist mastermind. Suddenly they're forced to crash-land at an ancient desert site. Here, with only a handful of weapons, the men and women of the peace mission must make a desperate stand against an army of crack Palestinian commandos - while the Israeli authorities desperately attempt a rescue bid. A story of compulsive excitement, rich in personal drama and political tension that must rank as one of the greatest of our times.

    Then, suddenly, she receives an invitation from First Lady Vanessa Merritt for an off-the-record conversation. Barrie's reporter's instincts are instantly aroused. During a furtive, emotionally charged meeting, Barrie sees that the President's beautiful wife is stunned by grief after the crib death of her infant son. Vanessa's motive for meeting Barrie seems to be to share her heartache with another woman. What Barrie overlooks in her excitement at hearing the confidences of the First Lady are the questions she should be asking: Why would Vanessa Merritt call her? And why would the President's wife hint to an unknown reporter that her child may have been murdered? Blind to everything but getting her exclusive, Barrie is determined to investigate the death of the President's child. But she soon realizes that getting her story will test her ethics and her patriotism. Would she expose information that could topple the presidency? She confronts this problem when she tracks down Gray Bondurant, a former presidential aide and war hero who shunned the politics of Washington in favor of life on a remote Wyoming ranch. And when they both begin to follow a trail of lies and intrigue right to the White House door, Barrie's exclusive puts at least three people on the firing line: the First Lady, Gray, and herself - as crimes and ambitions combine to endanger their lives and the future of the nation.

    Dead on the Dance Floor by Heather Graham released on Jan 25, 2005 is available now for purchase.

    As the FBI investigates, suspicion surrounding Web deepens. Now, he needs help from an unlikely ally in his desperate search for the killer of his friends, and finds himself up against a force intent on finishing the job that began in the alley.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Although one of the most notorious thieves in London, he is enough of a patriot to anonymously send the documents to MI5 so that they might locate the traitor. In Moscow, British defector Kim Philby drafts a memorandum for the Soviet General Secretary stating that, if the Labour Party wins the next general election in the United Kingdom (scheduled for sometime in the subsequent eighteen months), the "hard left" of the party will oust the moderate populist Neil Kinnock in favour of a radical new leader who will adopt a true Marxist-Leninist manifesto, including the expulsion of all American forces from the United Kingdom and the country's withdrawal from and repudiation of NATO. In conjunction with a GRU general, an academic named Krilov, and a master strategist, Philby devises "Plan Aurora" to ensure a Labour victory by exploiting the party's support for unilateral disarmament - although it is noted that the strategist, a nuclear physicist and chess Grand Master, has come up with most of the plan's strategy.

     Soon an attempt is made on Eva’s life. Determined not only to survive but to uncover the truth, Eva turns to the only person she can trust—Judd Ryder, a former intelligence agent with his own agenda and a troubled past.  Together, Judd and Eva embark on an international adventure from London to Rome, Istanbul, and Athens.  Somehow they must do what no one else has been able to do – find the library and stay alive.