It is sure to captivate stalwart enthusiasts of O'Brian's work as well as draw in new fans everywhere. With unique access to the cast and crew, Tom McGregor traces the project, from the actors' boot camp to the filming in the Galapagos Islands and on board a replica ship (in the same studio where Titanic was filmed).With exclusive photographs and interviews with key members of the cast, including Russell Crowe and Paul Bettany (A Beautiful Mind), and director Peter Weir (Dead Poets' Society, Green Card, The Truman Show), this book records the painstaking work of the crew and stars in making the film as historically accurate as possible, from replicating the uniforms of Nelson's navy to bringing the gun deck of the Surprise incredibly to life. Exclusive behind-the-scenes insight and information on the history of the project are dazzlingly showcased in this unique companion, featuring the same high production standards and imagination as the film itself.

    The first English-language collection of works by one of the most popular anime and manga artists, The Art of Ceres collects Yu Watases color and black-and-white illustrations from Ayashi no Ceres, including paintings and designs.

    The definitive guide!

    This volume gathers highlights from designs commissioned by the Criterion Collection, featuring covers, supplemental art, and never-before-seen sketches and concept art plus a gallery of every Criterion cover since the collection’s first laserdisc in 1984. From avant-garde experiments to big-budget blockbusters, cult favorites to the towering classics of world cinema, the depth and breadth of what film can be is on display in these striking images. Whether painstakingly faithful re-creations or bold re-imaginings, the stunningly diverse designs collected here offer new ways for cinephiles and design aficionados alike to engage with the world’s greatest filmmakers.

    Set in an off-kilter, cynically spun rendering of modern-day Hollywood, the show follows washed-up horse actor BoJack Horseman (voiced by Will Arnett) as he attempts to turn his life around. BoJack Horseman: The Art Before the Horse is the official behind-the-scenes companion to this cult-hit series. Part oral history sourced from original interviews with the show’s cast and crew, part art book—including sketches, storyboards, and background art—this book will trace the series from conception to post-production. Beginning with the initial development of creator/ showrunner Raphael Bob-Waksberg and production designer Lisa Hanawalt’s inimitable aesthetic vision, The Art Before the Horse goes on to reveal all of the moving parts—direction, writing, casting, animation, and music—that come together to form this uniquely bleak, emotionally potent, very funny show.

    Five years ago, Arjun Kadam used to be a cop, a rising star in the ranks of the Mumbai Encounter Squad-an elite unit tasked by the powers-that-be to carry out extrajudicial executions of notorious gangsters. But the death of his pregnant wife at childbirth derailed his life and set him off on a spiral of depression and drug addiction, a pale shadow of his former self. When Kadam is the victim of a hit-and-run that also claims the life of a street urchin, he goes into coma for a month. Upon awakening, he finds a new sense of purpose and pursues the investigation, taking him on a journey through the deep, dark heart of Mumbai - from the glitzy tinsel of Bollywood, to the dank depths of the Mumbai Underworld, where the line between the police and the criminals has been blurred beyond recognition by his ex-colleagues on the Encounter Squad, who are now de-facto gangsters in uniform, running the very same extortion rackets they were tasked to eradicate. Obsessed with his mission, Kadam sets off a desperate gambit of deadly intrigue and deception that pits him against the very machine of violence and corruption he once helped create. “Gorgeously noir.” - Ron Marz (WITCHBLADE, ARTIFACTS, SHINKU, GREEN LANTERN) “Perfect example of noir storytelling in comics.” - GEEKADELPHIA.COM “Mohapatra's dialogue is sharp and his script is innovative, putting a clever twist on the genre. Shinde's lush and gorgeous cinematic art impresses the most, from strongly individual faces and photorealistic body language to a deep and rich range of shadows and light, water and blood. This is stylish, sophisticated, and metropolitan: a fresh entry in the noir genre with an Asian twist.” - PUBLISHERS WEEKLY “It reads like a sub-continental version of SIN CITY and has all the best elements of clas

    For the first time, the Lucasfilm Archives is granting full access to the original costumes of episodes IV, V, and VI, allowing them to be revealed in never-before-seen detail. In over 200 new costume photographs, sketches, and behind-the-scenes photos and notes, based on new interviews, fans will get a fresh perspective on the creation of the clothes and costume props that brought these much-loved characters to life. Star Wars Costumes: The Original Trilogy affords both new and longtime Star Wars fans an intimate look at the unforgettable costumes from this classic series.

    But the Discworld people are real, and here they are, warts (except, of course, in the case of Granny Weatherwax) and all, from Rincewind the incompetent wizard to Greebo, the rather too human cat. *once there were five, but that's another story

    In the decades since, the Star Wars Saga has become a phenomenon impacting cultures across the globe. Just as George Lucas drew upon the work of N. C. Wyeth and Norman Rockwell for his own visual inspiration, he has now invited more than 100 well-known and promising artists to draw upon the entire Star Wars galaxy for inspiration. Star Wars: Visions collects these magnificent artworks for the first time. Featuring pieces by renowned artists such as Amano, Allan R. Banks, Harley Brown, Gary Carter, James Christensen, Michael Coleman, Kinuko Craft, Jim Dietz, Phillipe Druillet, Donato Giancola, Ann Hanson, H. R. Giger, Daniel Greene, Ron Kleeman, Arantzazu Martinez, Syd Mead, Moebius, Paul Oxborough, Alex Ross, Anthony J. Ryder, Dolfi Stoki, William Stout, Dan Thompson, Julie Bell and Boris Vallejo, Scott Waddell, and Jamie Wyeth, Star Wars: Visions is a breakthrough tribute to the worldwide inspiration that is Star Wars.Praise for Star Wars Art: Visions:"Star Wars Art: Visions . . . acknowledges what fans have felt all along. They don't want to be mere spectators, but involved in the storytelling too." -Los Angeles Times

    In the detached, back-fence gossip style he was famous for, Warhol tells all—the ultimate inside story of a decade of cultural revolution.

    Robert E. Howard created the genre with his original stories; Frank Frazetta's definitive Conan book covers set the standard for dynamic fantasy artwork; Roy Thomas, with Barry Windsor-Smith and later John Buscema, used the character to push the boundaries of comic-book adventure; and Arnold Schwarzenegger launched an amazing film career with his iconic portrayal of the barbarian. Conan historian Paul M. Sammon looks at all the stages of the character's development, with commentary and archival material from the most integral players in that history.

    It has been celebrated for its beauty and mystery, its realistic depiction of space travel and dazzling display of visual effects, the breathtaking scope of its story, which reaches across millions of years, and the thought-provoking depth of its meditation on evolution, technology and humanity's encounters with the unknown. 2001 has been described as the most expensive avant-garde movie ever made and as a psychedelic trip, a unique expression of the spirit of the 1960s and as a timeless masterpiece. Peter Krämer's insightful study explores the complex origins of the film, the unique shape it took and the extraordinary impact it made on contemporary audiences. Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer challenges many of the widely-held assumptions about the film. He argues that 2001 was Kubrick's attempt to counter the deep pessimism of his previous film, Dr Strangelove (1964), which culminates in the explosion of a nuclear 'doomsday' device, with a more hopeful vision of humanity's future, facilitated by the intervention of mysterious extra-terrestrial artifacts. This study traces the project's development from the first letter Kubrick wrote to his future collaborator Arthur C. Clarke in March 1964 all the way to the dramatic changes Kubrick made to the film shortly before its release by MGM in April 1968. Krämer shows that, despite – or, perhaps, because of – Kubrick's daring last-minute decision to turn the film itself into a mysterious artifact, 2001 was an instant success with both critics and general audiences, and has exerted enormous influence over Hollywood's output of science fiction movies ever since. The book argues that 2001 invites us to enjoy and contemplate its sounds and images over and over again, and, if we are so inclined, to take away from it an important message of hope.

    There is no question that Robert Frank's The Americans is the most famous and influential photography book ever published. It was 1959 when the book first came out: a series of deceptively simple photographs that Frank took on a trip through America in '55 and '56, pictures of normal people, everyday scenes: lunch counters, bus depots, cars, and the stangely familiar faces of people we don't quite know but have seen somewhere. They are pictures that saw the "American way of life" as we hadn't yet quite been able to see it ourselves, photographs that condensed the entire life of a nation in classic images that still speak to us today, forty years and several generations later.

    The lavishly illustrated book brings the artist's exotic women, sinewy men, and fantasy worlds to life in over 110 full-color paintings. There are images of stunning winged women and muscled men fighting ferocious beasts, as well as strange alien worlds filled with metallic spacecraft and colorful citizens. Renowned fantasy author Nigel Suckling offers insight into Vallejo's work with fascinating and informative extended captions.

    As writer and presenter of the 13-part TV series Civilisation he was responsible for the greatest syntheses of art, music, literature and thought ever made – ‘a contribution to civilisation itself’.Drawing on previously unseen archives, James Stourton reveals the formidable intellect and the complicated private man who wielded enormous influence on all aspects of the arts and drew into his circle a diverse group, many of whom he and his wife Jane would entertain at Saltwood Castle. These included E.M. Forster, Vivien Leigh, Margot Fonteyn, the Queen Mother, Winston Churchill, John Betjeman, Graham Sutherland and Henry Moore. Hidden from view, however, was his wife’s alcoholism and his own womanising.From his time as Bernard Berenson’s protege at I Tatti in Florence to being the Keeper of Western Art at the Ashmolean aged 27 – by which time he had published The Gothic Revival, the first of his many books – to his appointment as the youngest-ever director of the National Gallery, Clark displayed precocious genius. During the war he arranged for the gallery’s entire collection to be hidden in slate mines in Wales, and organised packed concerts of German classical music at the empty gallery to keep up the spirits of Londoners. The war and the Cold War that followed convinced him of the fragility of culture and that, as a potent humanising force, art should be brought to the widest possible audience, a social and moral position that would inform the rest of his career.No voice has exercised so much power and influence over the arts in Britain as Clark’s. James Stourton has written a dazzling biography of a towering figure in the art world, a passionate art historian of the Italian Renaissance and a brilliant communicator who, through the many mediums of his work, conveyed the profound beauty and importance of art, architecture and civilisation for generations to come.