A legend is born in this short-story prequel to Angus Donald's masterly series The Outlaw Chronicles, perfect for devoted fans and newcomers alike.

    Theirs is an almost forgotten chapter of British history, preserved largely in folktales and ballads. It is the story of the notorious raiding families - Armstrongs, Elliots, Grahams, Johnstones, Maxwells, Scotts, Kerrs, Nixons, and others--of the outlaw bands and broken men, and the fierce battles of English and Scottish armies across the Marches. The Steel Bonnets tells their true story in its historical context - how the reivers ran their raids and operated their system of blackmail and terrorism, and how the March Wardens, enforcing the unique Border law, fought the great lawless community. A superb work of scholarship and a spellbinding narrative. George MacDonald Fraser is the celebrated author of the Flashman novels, The Candlemass Road, The Pyrates, and the Private McAuslan stories.

    'Young Henry' provides readers with a unique an compelling vision of the splendours and tragedies of the court of Henry VIII.

    1054, pious King Edward sits on the throne, spending his days hunting, sleeping and praying, leaving the security of his kingdom to his more capable brother-in-law Harold Godwinson, the powerful Earl of Wessex. Against this backdrop we meet Wulfhere, a Sussex thegn who, as the sun sets over the wild forest of Andredesweald, is returning home victoriously from a great battle in the north. Holding his lands directly from the King, his position demands loyalty to Edward himself, but Wulfhere is duty-bound to also serve Harold, a bond forged within Wulfhere's family heritage and borne of the ancient Teutonic ideology of honour and loyalty. Wulfhere is a man with the strength and courage of a bear, a warrior whose loyalty to his lord and king is unquestionable. He is also a man who holds his family dear and would do anything to protect them. So when Harold demands that he wed his daughter to the son of Helghi, his sworn enemy, Wulfhere has to find a way to save his daughter from a life of certain misery in the household of the cruel and resentful Helghi, without comprising his honour and loyalty to his lord, Harold. On the battlefield, Wulfhere fights for his life but elsewhere the enemy is closer to home, sinister and shadowy and far more dangerous than any war.

    By the end of the 1930s they had lost not only a generation of sons in the First World War, but also much of their prosperity, prestige, and political significance.Deftly orchestrating an enormous array of documents and letters, facts, and statistics, David Cannadine shows how this shift came about--and how it was reinforced in the aftermath of the Second World War. Astonishingly learned, lucidly written, and sparkling with wit, The Decline and Fall of the British Aristocracy is a landmark study that dramatically changes our understanding of British social history.

    Her childhood was loving and secure, his turbulent: the Duke's grandfather was assassinated, his father arrested, his family exiled, his parents separated by the time he was ten. For almost sixty years theirs have been among the most famous faces in the world—yet the personalities behind the image remain elusive, and the nature of their marriage is an enigma.Gyles Brandreth has met all the principal players in the story. He quotes no anonymous sources; he has known the Duke of Edinburgh for twenty-five years and has interviewed him. This is a unique and revealing portrait of a remarkable partnership.

    It is rare to find an author who takes on a subject so broad and so complex, while delivering a book that is both fast-paced and readable." Bill Yenne, author of Julius Caesar: Lessons in Leadership from the Great Conqueror; Hap Arnold: The General Who Invented the USAF; The White Rose of Stalingrad; and Sitting Bull "An evocative journey through the colourful and dangerous world of early medieval Europe" Jonathan Harris, author of Byzantium and the Crusades There is much more to the Norman story than the Battle of Hastings. These descendants of the Vikings who settled in France, England, and Italy - but were not strictly French, English, or Italian - played a large role in creating the modern world. They were the success story of the Middle Ages; a footloose band of individual adventurers who transformed the face of medieval Europe. During the course of two centuries they launched a series of extraordinary conquests, carving out kingdoms from the North Sea to the North African coast. In The Normans, author Lars Brownworth follows their story, from the first shock of a Viking raid on an Irish monastery to the exile of the last Norman Prince of Antioch. In the process he brings to vivid life the Norman tapestry’s rich cast of characters: figures like Rollo the Walker, William Iron-Arm, Tancred the Monkey King, and Robert Guiscard. It presents a fascinating glimpse of a time when a group of restless adventurers had the world at their fingertips.

    Now, in Conquest, she tells the equally remarkable, but largely forgotten, story of the dramatic years when England ruled France at the point of a sword.Henry V’s second invasion of France in 1417 launched a campaign that would put the crown of France on an English head. Buoyed by victory, his conquest looked unstoppable. By the time of his premature death in 1422, almost all of northern France was in his hands. The Valois heir to the throne had been disinherited and it was Henry’s infant son who became the first English king of France.Only the miraculous appearance of a visionary peasant girl – Joan of Arc – would halt the English advance. Yet despite her victories, her influence was short-lived: Henry VI had his coronation in Paris six months after her death and his kingdom endured for another twenty years. When he came of age he was not the leader his father had been. It was the dauphin, whom Joan had crowned Charles VII, who would finally drive the English out of France.Conquest brings to life these stirring times – the epic battles and sieges, plots and betrayals – through a kaleidoscope of characters from John Talbot, the ‘English Achilles’, and John, duke of Bedford, regent of France, to brutal mercenaries, opportunistic freebooters, resourceful spies and tragic lovers torn apart by the conflict.Supremely evocative and readable, Conquest is narrative history at its most colourful and compelling – the true story of those who fought for an English kingdom of France.

    Its causes spanned many centuries; its consequences were as extraordinary as the battle itself.On September 9, 1513, the vicious rivalry between the young Henry VIII of England and his charismatic brother-in-law, James IV of Scotland, ended in violence at Flodden Field in the north of England. It was the inevitable climax to years of mounting personal and political tension through which James bravely asserted Scotland's independence and Henry demanded its obedience.In Fatal Rivalry, George Goodwin, the best-selling author of Fatal Colours, captures the vibrant Renaissance splendor of the royal courts of England and Scotland, with their unprecedented wealth, innovation, and artistic expression. He shows how the wily Henry VII, far from the miser king of tradition, spent vast sums to secure his throne and elevate the monarchy to a new standard of magnificence among the courts of Europe. He demonstrates how James IV competed with the elder Henry, even claiming that Arthurian legend supported a separate Scottish identity. Such rivalry served as a substitute for war--until Henry VIII's belligerence forced the real thing.As England and Scotland scheme toward their biggest-ever battle, Goodwin deploys a fascinating and treacherous cast of characters: maneuvering ministers, cynical foreign allies, conspiring cardinals, and contrasting queens in Katherine of Aragon and Margaret Tudor.Finally, at Flodden on September 9, 1513, King James seems poised for the crushing victory that will confirm him as Scotland's greatest king and--if an old military foe proves unable to stop him--put all of Britain in his grasp.Five hundred years after this decisive battle, Fatal Rivalry combines original sources and modern scholarship to re-create the royal drama, the military might, and the world in transition that created this bitter conflict.

    

    The majority of the fourteen queens considered here, from Catherine de Valois and Elizabeth Woodville to Elizabeth of York, Jane Seymour and Catherine Parr, were consorts, the wives of kings. Although less frequently examined than ruling queens, queen consorts played a crucial and central role within the Royal Court. Their first duty was to bear children and their chastity within marriage had to be above reproach. Any suspicion of sexual misconduct would cast doubt on the legitimacy of their offspring. Three of these women Margaret of Anjou, Anne Boleyn and Catherine Howard were accused of such conduct, and two were tried and executed. A queen also had to contribute to her husband's royal image. This could be through works of piety or through humble intercession. It could also be through her fecundity because the fathering of many children was a sign of virility and of divine blessing. A queen might also make a tangible contribution to her husband's power with her marriage as the symbol of an international diplomatic agreement. A ruling queen was very different, especially if she was married, insofar as she had to fill the roles of both king and queen. No woman could be both martial and virile, and at the same time submissive and supportive. Mary I solved this problem in a constitutional sense but never at the personal level. Elizabeth I sacrificed motherhood by not marrying. She chose to be mysterious and unattainable "la belle dame sans merci." In later life she used her virginity to symbolize the integrity of her realm and her subjects remained fascinated by her unorthodoxy. How did they behave (in and out of the bedchamber)? How powerful were they as patrons of learning and the arts? What religious views did they espouse and why? How successful and influential were they? From convenient accessory to sovereign lady the role of queen was critical, colorful, and often dramatic. "The Tudor Queens of England" is the first book of its kind to intimately examine these questions and more.

    John's personality, so distorted by chronicles such as Roger of Wendover and Matthew Paris, is investigated through his acts: but he is seen also against the background of his predecessors on the throne, of the society in which he lived and of the problems that were posed for a rule by that society.John was the fourth son of Henry II and Eleanor of Aquitaine to survive to manhood. In his younger days he was irresponsible, selfish and disloyal, but from 1194 he began to emerge as much more like his father than any of the brothers whose prowess he had formerly sought to rival. Only Henry II himself is comparable to the later John in his powers of organization and the ability, invaluable in a ruler, to bend his energies to points of administrative detail.The account of John's reign is fascinating, revealing and extremely readable. Dr. Warren's analysis of the contemporary situation explains the true significance of the struggle for the Magna Carta. he is unsparing in his criticism of John's failing but gives due recognition to his remarkable activities.

    In Meonbridge, a Hampshire manor, the Black Death has wiped out half its population, among them Alice atte Wode’s husband and Eleanor Titherige’s entire family. Even the manor’s lord and his wife, Margaret de Bohun, have not escaped the horror.Now the plague is over, it's a struggle to return to normal life, with so much to do and so few left to do it. Tensions mount between the de Bohuns and their tenants, as the workers realise their scarceness means they can demand higher wages, dictate their own lives.When the tensions deepen into violence and disorder, and the men – lord and villagers alike – seem unable to find any resolution, the women – Alice, Eleanor and Margaret – must step forward to end the conflict that is tearing Meonbridge apart.“A thoroughly researched book, with care given to ensuring that the characters have 14th century attitudes and knowledge…gives a strong sense of the reality of the past.” Catherine Meyrick, author of Forsaking All OtherIf you enjoy well-researched, immersive historical fiction, set in a turbulent and challenging time, with strong but credible female characters, you’ll love Fortune’s Wheel, the first of the MEONBRIDGE CHRONICLES. Discover for yourself the compelling story of Meonbridge’s survival.

    A happy girl of modest means, Kate hardly expected to become a maker of kings. But when her sister impulsively marries King Edward IV in secret, Katherine's life is no longer hers to control...

    Nicknamed "El Draque" by the Spaniards who placed a bounty on his head, the notorious red-haired, hot-tempered Drake pillaged galleons laden with New World gold and silver, stealing a vast fortune for his queen–and himself. For Elizabeth, Drake made the impossible real, serving as a crucial and brilliantly adaptable instrument of her ambitions to transform England from a third-rate island kingdom into a global imperial power.In 1580, sailing on Elizabeth's covert orders, Drake became the first captain to circumnavigate the earth successfully. (Ferdinand Magellan had died in his attempt.) Part exploring expedition, part raiding mission, Drake's audacious around-the-world journey in the Golden Hind reached Patagonia, the Pacific Coast of present-day California and Oregon, the Spice Islands, Java, and Africa. Almost a decade later, Elizabeth called upon Drake again. As the devil-may-care vice admiral of the English fleet, Drake dramatically defeated the once-invincible Spanish Armada, spurring the British Empire’s ascent and permanently wounding its greatest rival. The relationship between Drake and Elizabeth is the missing link in our understanding of the rise of the British Empire, and its importance has not been fully described or appreciated. Framed around Drake’s key voyages as a window into this crucial moment in British history, In Search of a Kingdom is a rousing adventure narrative entwining epic historical themes with intimate passions.