J.B. Priestley famously described the 'three Englands' he saw in the 1930s: Old England, nineteenth-century industrial England and the new, post-war England. Thirties Britain was a land of contrasts, at once a nation rendered hopeless by the global Depression, unemployment and international tensions, yet also a place of complacent suburban home-owners with a Baby Austin in every garage. Now Juliet Gardiner, acclaimed author of the award-winning Wartime, provides a fresh perspective on that restless, uncertain, ambitious decade, bringing the complex experience of thirties Britain alive through newspapers, magazines, memoirs, letters and diaries. Gardiner captures the essence of a people part-mesmerised by 'modernism' in architecture, art and the proliferation of 'dream palaces', by the cult of fitness and fresh air, the obsession with speed, the growth and regimentation of leisure, the democratisation of the countryside, the celebration of elegance, glamour and sensation. Yet, at the same time, this was a nation imbued with a pervasive awareness of loss -- of Britain's influence in the world, of accepted political, social and cultural signposts, and finally of peace itself.

    They were Jesuit priests, Englishmen, and their aim was to achieve by force of argument what the Armada had failed to do by force of arms: return England to the Catholic Church.Eighteen years later their mission had been shattered by the actions of the Gunpowder Plotters -- a small group of terrorists who famously tried to destroy the Houses of Parliament -- for the Jesuits were accused of having designed "that most horrid and hellish conspiracy." In an unusual turn of events, the future of every Catholic they had hoped to save would soon come to depend on the silence of one Oxford carpenter, a man being tortured in the Tower of London for building priest holes, those bunkers in which the Catholic clergy hid from English authorities.Using contemporary documents, Alice Hogge's brilliant new book pieces together a deadly game of cat-and-mouse between priests and government spies, as Queen Elizabeth and her ministers fought to defend the state, and English Catholics fought to defend their souls. It follows the priests -- God's Secret Agents -- from their schooling on the Continent, through their perilous return journeys and their lonely lives in hiding, to the scaffold, where a gruesome death awaited them. To their government they were traitors; to their fellow Catholics they were glorious martyrs. It was a distinction that the Gunpowder Plot would put to the test. Ultimately God's Secret Agents is the story of men who would die for their cause undone by men who would kill for it.

    The original 51st had gotten separated from the main British army before Dunkirk in 1940 and had been captured at St. Vale'ry, the surrender being taken by Irwin Rome in person. The reconstituted 51st had fought Rome in the desert and knew that 10,000 Scotsmen were now entering their fourth year in German prison camps.The original edition of So Few Got Through appeared just after the war and chronicles the campaigns of the 1st Gordon Highlanders from Normandy to V-E Day. Martin Lindsay was the Gordons' commander and his book has long been considered the best account of a British battalion in the war.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    No human being who stood on her decks that fateful night was alive to commemorate the event on its 100th anniversary. Their stories are with us, however, and the lessons remain. From the moment the world learned the Titanic had sunk, we wanted to know, who had survived? Those answers didn’t come until the evening of Thursday, April 18, 1912―when the Cunard liner Carpathia finally reached New York with the 706 survivors who had been recovered from Titanic’s lifeboats. Harold Bride, “Titanic’s surviving wireless operator,” relayed the story of the ship’s band. “The way the band kept playing was a noble thing. I heard it first while still we were working wireless when there was a ragtime tune for us. The last I saw of the band, when I was floating out in the sea with my lifebelt on, it was still on deck playing ‘Autumn.’ How they ever did it I cannot imagine.” There were stories of heroism―such as that of Edith Evans, who was waiting to board collapsible Lifeboat D, the last boat to leave Titanic, when she turned to Caroline Brown and said, “You go first. You have children waiting at home.” The sacrifice cost Evans her life, but as Mrs. Brown said later, “It was a heroic sacrifice, and as long as I live I shall hold her memory dear as my preserver, who preferred to die so that I might live.” There was mystery. There was bravery. There was suspense. There was cowardice. Most men who survived found themselves trying to explain how they survived when women and children had died. But mostly, there was loss. On her return to New York after picking up Titanic’s survivors, Carpathia had become known as a ship of widows. Rene Harris, who lost her husband, Broadway producer Henry Harris, in the disaster, later spoke of her loss when she said, “It was not a night to remember. It was a night to forget.” Drawing on a wealth of previously unpublished letters, memoirs, and diaries as well as interviews with survivors and family members, veteran author and writer Alan Rockwell brings to life the colorful voices and the harrowing experiences of many of those who lived to tell their story. More than 100 years after the RMS Titanic met its fatal end, the story of the tragic wreck continues to fascinate people worldwide. Though many survivors and their family members disappeared into obscurity or were hesitant to talk about what they went through, others were willing to share their experiences during the wreck and in its aftermath. This book recounts many of these first-hand accounts in graphic, compelling detail.

    Exploiting Germany's own economic burdens, Hitler reached out to the disaffected, turning their aimless discontent into loyal support for his Nazi Party. In Asia, Japan harbored imperial ambitions of itsown. The same generation of Americans who battled the Depression eventually had to shoulder arms in another conflict that wreaked worldwide destruction, ushered in the nuclear age, and forever changed their way of life and their country's relationship to the rest of the world.The American People in World War II--the second installment of Kennedy's Pulitzer Prize-winning Freedom from Fear--explains how the nation agonized over its role in the conflict, how it fought the war, why the United States emerged victorious, and why the consequences of victory were sometimessweet, sometimes ironic. In a compelling narrative, Kennedy analyzes the determinants of American strategy, the painful choices faced by commanders and statesmen, and the agonies inflicted on the millions of ordinary Americans who were compelled to swallow their fears and face battle as best theycould. The American People in World War II is a gripping narrative and an invaluable analysis of the trials and victories through which modern America was formed.

    Philippa Gregory and two historians, leading experts in their field who helped Philippa to research the novels, tell the extraordinary 'true' stories of the life of these women who until now have been largely forgotten by history, their background and times, highlighting questions which are raised in the fiction and illuminating the novels. With a foreword by Philippa Gregory - in which Philippa writes revealingly about the differences between history and fiction and examines the gaps in the historical record - and beautifully illustrated with rare portraits, The Women of the Cousins' War is an exciting new addition to the Philippa Gregory oeuvre.

    Helplessness in the face of disease and human disaster helped to perpetuate this belief in magic and the supernatural. As Keith Thomas shows, England during these years resembled in many ways today's underdeveloped areas. The English population was exceedingly liable to pain, sickness, and premature death; many were illiterate; epidemics such as the bubonic plague plowed through English towns, at times cutting the number of London's inhabitants by a sixth; fire was a constant threat; the food supply was precarious; and for most diseases there was no effective medical remedy. In this fascinating and detailed book, Keith Thomas shows how magic, like the medieval Church, offered an explanation for misfortune and a means of redress in times of adversity. The supernatural thus had its own practical utility in daily life. Some forms of magic were challenged by the Protestant Reformation, but only with the increased search for scientific explanation of the universe did the English people begin to abandon their recourse to the supernatural. Science and technology have made us less vulnerable to some of the hazards which confronted the people of the past. Yet Religion and the Decline of Magic concludes that if magic is defined as the employment of ineffective techniques to allay anxiety when effective ones are not available, then we must recognize that no society will ever be free from it.

    Filled with vivid personalities, gossipy anecdotes, grand houses, and a wealth of period details--plus photographs, illustrations, quotes, and the finer points of Victorian and Edwardian etiquette--To Marry An English Lord is social history at its liveliest and most accessible.

    He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past--a Neolithic stirrup found in a grave, a Roman fort, a Saxon tomb, a medieval manor house--and describes in rich prose the successive waves of invaders who made England English, despite being themselves Roman, Viking, Saxon, or Norman French.With his extraordinary skill for evoking time and place and his acute eye for the telling detail, Ackroyd recounts the story of warring kings, of civil strife, and foreign wars. But he also gives us a vivid sense of how England's early people lived: the homes they built, the clothes the wore, the food they ate, even the jokes they told. All are brought vividly to life through the narrative mastery of one of Britain's finest writers.

    After a resounding electoral triumph in 1906, the Liberals formed the government of the most powerful nation on earth, yet within a few years the House of Lords lost its absolute veto over legislation, the Home Rule crisis brought Ireland to the brink of civil war and led to an army mutiny, the campaign for woman's suffrage created widespread civil disorder and discredited the legal and penal systems, and an unprecedented wave of strikes swept the land.This is a classic account, first published in 1935, of the dramatic upheaval and political change that overwhelmed England in the period 1910-1914. Few books of history retain their relevance and vitality after more than sixty years. The Strange Death of Liberal England is one of the most important books of the English past, a prime example that history can be abiding literature. As a portrait of England enmeshed in the turbulence of new movements, which often led to violence against the pieties of Liberal England—until it was overwhelmed by the greatest violence of all, World War I—this extraordinary book has continued to exert a powerful influence on the way historians have observed early twentieth-century England.

    The esteemed and critically acclaimed historian Garrett Mattingly explores all dimensions of the naval campaign, which captured the attention of the European world and played a deciding role in the settlement of the New World. “So skillfully constructed it reads like a novel” (New York Times), The Armada is sure to appeal to the scholar and amateur historian alike.

    Reading it is like unravelling the bandages on a mummy to find the face of the past staring back in all its terrible and poignant humanity’ Financial TimesA groundbreaking account of what it was like to live in a Victorian body from one of our best historians.Why did the great philosophical novelist George Eliot feel so self-conscious that her right hand was larger than her left?Exactly what made Darwin grow that iconic beard in 1862, a good five years after his contemporaries had all retired their razors?Who knew Queen Victoria had a personal hygiene problem as a young woman and the crisis that followed led to a hurried commitment to marry Albert?What did John Sell Cotman, a handsome drawing room operator who painted some of the most exquisite watercolours the world has ever seen, feel about marrying a woman whose big nose made smart people snigger?How did a working-class child called Fanny Adams disintegrate into pieces in 1867 before being reassembled into a popular joke, one we still reference today, but would stop, appalled, if we knew its origins?Kathryn Hughes follows a thickened index finger or deep baritone voice into the realms of social history, medical discourse, aesthetic practise and religious observance – its language is one of admiring glances, cruel sniggers, an implacably turned back. The result is an eye-opening, deeply intelligent, groundbreaking account that brings the Victorians back to life and helps us understand how they lived their lives.

    Conveying the bewildering momentum of events as the King's peace is overtaken by suspicion, disorder and the sword, she writes history, said The Times, 'in the only way taht matters, as a living re-creation of the past'.'A superb book, beautifully written. I have no doubt at all that she makes the onset of the Civil War more intelligible than any historian before her' - A L RowseThe King's War 1641-1647 and The Trial of Charles I are also published by Penguin

    Although almost six centuries old, the Battle of Agincourt still captivates the imaginations of men and women on both sides of the Atlantic. It has been immortalized in high culture (Shakespeare's Henry V) and low (the New York Post prints Henry's battle cry on its editorial page each Memorial Day). It is the classic underdog story in the history of warfare, and generations have wondered how the English -- outnumbered by the French six to one -- could have succeeded so bravely and brilliantly. Drawing upon a wide range of sources, eminent scholar Juliet Barker casts aside the legend and shows us that the truth behind Agincourt is just as exciting, just as fascinating, and far more significant. She paints a gripping narrative of the October 1415 clash between outnumbered English archers and heavily armored French knights. But she also takes us beyond the battlefield into palaces and common cottages to bring into vivid focus an entire medieval world in flux. Populated with chivalrous heroes, dastardly spies, and a ferocious and bold king, Agincourt is as earthshaking as its subject -- and confirms Juliet Barker's status as both a historian and a storyteller of the first rank.