Her rhythms and accents have the timelessness of a poetry which extends beyond white Western politics, beyond the anger and wisdom of Black America, beyond the North American earth, to Abomey and the Dahomeyan Amazons. These are poems nourished in an oral tradition, which also blaze and pulse on the page, beneath the reader's eye."

    The Sweetest Kind of Poison is a collection of poetry about toxic relationships and letting go of what no longer serves you. It takes you through the fall, the collapse, the withdrawal, the recovery, and the now, chronicling a journey of abuse, heartache, confidence, self-love, letting go, and growing up.

    A love letter to the country and people of Yemen, a portrait of young Muslim womanhood in New York after 9/11, and an extraordinarily composed examination of what it means to carry in the body the echoes of what came before, Almontaser’s polyvocal collection sneaks artifacts to and from worlds, repurposing language and adapting to the space between cultures. Half-crunk and hungry, speakers move with the force of what cannot be contained by the limits of the American imagination, and instead invest in troublemaking and trickery, navigate imperial violence across multiple accents and anthems, and apply gang signs in henna, utilizing any means necessary to form a semblance of home. In doing so, The Wild Fox of Yemen fearlessly rides the tension between carnality and tenderness in the unruly human spirit.

    A story of seven originals, whose collective graft, energy and talent took them from the sweaty depths of the Hope and Anchor's basement to the Top of the Pops studio.In their own words they each look back on shared adventures. Playing music together, riding freight trains, spraying graffiti and stealing records. Walking in one another's footsteps by day and rising up through the city's exploding pub music scene by night. Before We Was We is irreverent, funny and full of character. Just like them.

    “All moments will shine if you cut them open. / Will glisten like entrails in the sun.” With figurative language that makes long, associative leaps, and with metaphors and images that continually resurrect themselves across poems, the collection builds and transforms its world through a locomotive echo—a regenerative force—that comes to parallel the psychic quest for redemption that unfolds in its second half. The result is a deeply affecting composition that will establish the already decorated young author as an important and vital new voice in American poetry.

    small chapbook of poems about an almost love.

    His whimsical and often erotic writing has already captured the hearts and minds of literally thousands of readers from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships and sex. All beautifully captured in poetry, prose, quotes and little short stories.

    Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic."

    Animated by a restless inner questioning, these poems meditate on the forces that moor the self and set it in motion, from immigration to travel to estranging losses and departures. The sensual worlds here―colors, smells, tastes, and changing landscapes―bring to life questions about the self as seer and the self as seen. As Xie writes, “Me? I’m just here in my traveler’s clothes, trying on each passing town for size.” Her taut, elusive poems exult in a life simultaneously crowded and quiet, caught in between things and places, and never quite entirely at home. Xie is a poet of extraordinary perception―both to the tangible world and to “all that is untouchable as far as the eye can reach.”

    Containing poems on a variety of different topics and themes.

    There was material always, walking or running, fighting or screaming or singing." From the life of Chicago's South Side she made a forceful and passionate poetry that fused Modernist aesthetics with African-American cultural tradition, a poetry that registered the life of the streets and the upheavals of the 20th century. Starting with A Street in Bronzeville (1945), her epoch-making debut volume, The Essential Gwendolyn Brooks traces the full arc of her career in all its ambitious scope and unexpected stylistic shifts."Her formal range," writes editor Elizabeth Alexander, "is most impressive, as she experiments with sonnets, ballads, spirituals, blues, full and off-rhymes. She is nothing short of a technical virtuoso." That technical virtuosity was matched by a restless curiosity about the life around her in all its explosive variety. By turns compassionate, angry, satiric, and psychologically penetrating, Gwendolyn Brooks's poetry retains its power to move and surprise.

    May they find every word they were looking for.***I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them.  Because we are human, and the closest we’ve ever come to showing each other who we really are, and how we love, is with words.So I’m going to try to say to you here, what I wish you’d say to me too. Please.Listen. We can change things. Here.

    Martin Luther King called the "beloved community," a place where we see each other as the neighbors we already are. Healing the Divide urges us, at this fraught political time, to move past the negativity that often fills the airwaves, and to embrace the ordinary moments of kindness and connection that fill our days.

    In this modern epic poem, poet Analog de Leon (Chris Purifoy) offers an empowering message to anyone who has loved, lost, or yearned for freedom.Inspired by the life of Syrian Saint Simeon Stylites, a 4th-century Monk who lived for many years on a small platform atop a pillar, Vertigo encourages introspection, contemplation, and self-love.

    Sarah Rodriquez, 21, wasn't so lucky. On April 16, 2002, in Orange County, California, she and her true love, Matt Corbett, 20, were forced off the road by Namey, who shot them both at point-blank range with a .357. Sarah was killed. Corbett was paralyzed for life.Real HeroAfter a 42-mile chase, Namey was finally cornered in a drainage tunnel by a police dog. He pleaded manslaughter, claiming he'd really meant to kill himself in front of Sarah. No deal. The man he faced was not your average deputy district attorney: Dennis Conway had pulled himself out of a wayward life torn by seemingly insurmountable tragedy and into law school. He knew all about guys like Namey--and exactly where to find the holes in his story. The verdict: first-degree murder, life sentence. Score one for the good guys.Includes 16 pages of shocking photos.