Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and 17 other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so avidly collected.Teeming with undead samurais, man-eating goblins, and other terrifying demons, these 20 classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.

    Lansdale, Caitlin Kiernan, Catherynne M. Valente, Kit Reed, Ekaterina Sedia, and thirteen other fine writers to create stories unlike any they've written before. Tales to make readers shiver with fear, jump at noises in the night, keep the lights on. These twenty nightmares, brought together by two renowned editors of the dark fantastic, are delightful visions sure to send shivers down the spines of horror readers.

    Offering up heart-pumping tales of suspense in all its guises are thirty-two of the most critically acclaimed and award-winning names in the business. From the signature characters that made such authors as David Morrell and John Lescroart famous to four of the hottest new voices in the genre, this blockbuster will tantalize and terrify.Lock the doors, draw the shades, pull up the covers and be prepared for Thriller to keep you up all night.

    As death follows unspeakable death, Vicki is forced to renew her tempestuous relationship with her former partner, Mike Celluci, to stop these forces of dark magic—along with another, unexpected ally…Henry Fitzroy, the illegitimate son of King Henry VIII, has learned over the course of his long life how to blend with humans, how to deny the call for blood in his veins. Without him, Vicki and Mike would not survive the ancient force of chaos that has been unleashed upon the world—but in doing so, his identity may be exposed, and his life forfeit.Blood TrailSecond in the “scary and sexy” (Judith and Garfield Reeve-Stevens, authors of The Chronicles of Galen Sword) Blood series. For centuries, the werewolves of Toronto have managed to live in peace and tranquility, hidden quietly away on their London, Ontario farm. But now, someone has learned their secret—and is systematically massacring this ancient race.The only one they can turn to is Henry Fitzroy, Toronto-based vampire and writer of bodice rippers. Forced to hide from the light of day, Henry can’t hunt the killer alone, so he turns to Vicki Nelson for help. As they race against time to stop the murderer, they begin to fear that their combined talents may not be enough to prevent him from completing his deadly plan.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    The very sharpest edge of any military throughout history. Now, they face their greatest challenge yet. Undead, mutations, monsters, all the things no-one ever believed could happen are here in the pages of SNAFU: Black Ops. Read tales from existing bestselling series by Jonathan Maberry, Nicholas Sansbury Smith, Hank Schwaeble, John O'Brien, and James Lovegrove, along with some of your SNAFU favourites in this collection of the very best stories by the very best writers of military horror. Full list of contributors: Jonathan Mayberry & Bryan Thomas Schmidt (A Joe Ledger/Rot & Ruin crossover novella) RPL Johnson Richard Lee Byers James A Moore & Charles R Rutledge Alan Baxter Christine Morgan John O'Brien (A New World novella) Tim Marquitz & J M Martin Kirsten Cross Hank Schwaeble (A Jake Hatcher novella) Seth Skorkowsky Lovegrove & Sharps (A Pantheon series novella) Nicholas Sansbury Smith (An Extinction Cycle novella)

    . . .Duke and Earl are just passing through Rockwood county in their pick-up truck when they stop at the diner for a quick bite to eat. They aren't planning to stick around--until Loretta, the eatery's owner, offers them one hundred dollars to take care of her zombie problem. Given that Duke is a werewolf and Earl's a vampire, this looks right up their alley.But the shambling dead are just the tip of a particularly spiky iceberg. Seems someone's out to drive Loretta from the diner, and more than willing to raise a little hell on earth if that's what it takes. Before Duke and Earl get to the bottom of the diner's troubles, they'll run into such otherworldly complications as undead cattle, an amorous ghost, a jailbait sorceress, and the terrifying occult power of pig Latin.And maybe--just maybe--the End of the World, too.Gory, sexy, and flat-out hilarious, Gil's All Fright Diner will tickle your funny bone--before ripping it out of its socket!

    Monsters have it tough. Besides being deeply misunderstood, they suffer from very real problems: Mummies have body image issues, Godzilla is going through an existential crisis, and creatures from the black lagoon face discrimination from creatures from the white lagoon. At heart, these monsters are human; after all, you are what you eat. Quirkily illustrated, Sad Monsters hilariously documents the trials and tribulations of all the undead creatures monster-mad readers have grown to love, from vampires and werewolves, to chupacabras and sphinxes, and even claw-footed bathtubs.

    Immortal? Indeed! Nothing has sunk its teeth into 21st century popular culture as pervasively as the vampire. The fangsters have the freedom to fly across all genres and all mediums - there's even apps for vamps. Whether roaming into romance, haunting horror, sneaking into science fiction, capering into humor, meandering through mystery - no icon is more versatile than the vampire. Slake your insatiable thirst with the best sanguinary stories of the new millennium: terrifying or tender, deadly or delicious, bad-ass or beneficent, classic or cutting-edge. ContentsLa Vampiresse • (1999) • by Tanith LeeThe Coldest Girl in Coldtown • (2009) • by Holly BlackThis Is Now • (2004) • by Michael Marshall SmithSisters • [Ottawa and the Valley] • (2002) • by Charles de LintThe Screaming • (2004) • by J. A. KonrathZen and the Art of Vampirism • [Women of the Otherworld Short Fiction] • (2009) • by Kelley ArmstrongDead Man Stalking • (2008) • by Rachel CaineThe Ghost of Leadville • (2009) • by Jeanne C. SteinWaste Land • (2002) • by Stephen DedmanA Gentleman of the Old School • [Count of Saint-Germain] • (2005) • by Chelsea Quinn YarbroNo Matter Where You Go • (2010) • by Tanya HuffOutfangthief • by Conrad WilliamsDancing with the Star • (2008) • by Susan SizemoreA Trick of the Dark • (2004) • by Tina RathWhen Gretchen Was Human • (2001) • by Mary A. Turzillo [as by Mary Turzillo ]Conquistador de la Noche • [Kitty] • (2009) • by Carrie VaughnEndless Night • (2008) • by Barbara RodenDahlia Underground • (2010) • by Charlaine HarrisThe Belated Burial • (2009) • by Caitlín R. KiernanTwilight States • (2005) • by Albert E. CowdreyTo the Moment • by Nisi ShawlCastle in the Desert: Anno Dracula 1977 • [Anno Dracula] • (2000) • by Kim NewmanVampires in the Lemon Grove • (2007) • by Karen RussellVampires Anonymous • by Nancy KilpatrickThe Wide, Carnivorous Sky • (2009) • by John Langan©2011 Paula Guran (P)2011 Audible, Inc.

    

    The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan, European feel. Mark Samuels writes about the fundamental fears of modern life, especially the effects of isolation and the dislocation that city dwellers can experience in their inhospitable, man-made environment. H.P. Lovecraft wrote about entities beyond human comprehension that might be summoned from beyond the stars, but did he ever consider that they would feel quite at home in the sodium glare of some run-down inner-city? When one of Samuels’s characters stands alone looking up at the vast, illimitable darkness of space, the reader is forced to wonder if there is much difference between the hopeless emptiness of eternity and the bleak interstices between the concrete and steel of their daily life?

    No longer relegated to the fringes of literature, this explosive collection of the world’s best apocalyptic writers brings the inventors of alien invasions, devastating meteors, doomsday scenarios, and all-out nuclear war back to the bookstores with a bang.The best writers of the early 1900s were the first to flood New York with tidal waves, destroy Illinois with alien invaders, paralyze Washington with meteors, and lay waste to the Midwest with nuclear fallout. Now collected for the first time ever in one apocalyptic volume are those early doomsday writers and their contemporaries, including Neil Gaiman, Orson Scott Card, Lucius Shepard, Robert Sheckley, Norman Spinrad, Arthur C. Clarke, William F. Nolan, Poul Anderson, Fredric Brown, Lester del Rey, and more. Relive these childhood classics or discover them here for the first time. Each story details the eerie political, social, and environmental destruction of our world.

    Assembling an array of talent, this collection includes contributions from visionaries Michael Moorcock and China Miéville, modern icon Clive Barker, and audacious new talents Hal Duncan, Jeffrey Ford, and Sarah Monette. An essential snapshot of a vibrant movement in popular fiction, this anthology also features critical writings from authors, theorists, and international editors as well as witty selections from online debates.ContentsIntroduction: The New Weird: “It’s Alice?” by Jeff VanderMeer“The Gutter Sees the Light That Never Shines” by Alistair Rennie“Watson’s Boy” by Brian Evenson“Cornflowers Beside the Unuttered” by Cat Rambo“Jack” by China Miéville“In the Hills, the Cities” by Clive Barker“Forfend the Heaven’s Rending” by Conrad Williams“Locust-Mind” by Daniel Abraham“Tracking Phantoms” by Darja Malcolm-Clarke“Constable Chalch and the Ten Thousand Heroes” by Felix Gilman“The Lizard of Ooze” by Jay Lake“Festival Lives: Preamble: An Essay” by Jeff VanderMeer and Ann VanderMeer“At Reparata” by Jeffrey Ford“Immolation” by Jeffrey Thomas“The Art of Dying” by Darja Malcolm-Clarke“Whose Words You Wear” by K. J. Bishop“The Neglected Garden” by Kathy Koja“Letters from Tainaron” by Leena Krohn“The Luck in the Head” by M. John Harrison“Crossing Cambodia” by Michael Moorcock“Death in a Dirty Dhorti” by Paul Di Filippo“All God’s Chillun Got Wings” by Sarah Monette“The Braining of Mother Lamprey” by Simon D. Ings“The Ride of the Gabbleratchet” by Steph Swainston“A Soft Voice Whispers Nothing” by Thomas Ligotti“European Editor Perspectives on the New Weird: An Essay” by Martin Šust, Michael Haulica, Hannes Riffel, Jukka Halme, Konrad Walewski“The New Weird: I Think We’re the Scene” by Michael Cisco“New Weird Discussions: The Creation of a Term” by various authors

    St John is everything Henry isn't: Brilliant, graceful, rich, universally respected. And as if that wasn't enough, St John is also the leader of the Blithe Company, the clique of Natural Philosophy majors who rule Wadham with style. But when being St John's protege ends up becoming a weirder experience than Henry anticipated -- and the Blithe Company doesn't quite turn out to be the decadent, debauched crew he dreamed of -- Henry has some big decisons to make. Should he beg the forgiveness of his only friend, naive underclassman John Wilmot, 2nd Earl of Rochester, or should he ride it out with St John and try to come out on top?Tangling with a Calipash is an invariably risky endeavor. From antiquity to the modern era, few who have encountered members of that family have benefited from the acquaintance. If only Henry knew the that Calipashes are notorious for their history of sinister schemes, lewd larks, and eldritch experiments, he would realize there are way worse things than being unpopular...

    This is the epicenter of the outbreak, where your average novel doesn’t dare venture. This is Noah Britton fighting his way through the heart of the zombie freakin’ apocalypse. The high school is on lockdown but the infection has already invaded its borders. It’s too late. Screams echo through the halls, blood stains the lockers, the dead don’t die for long. Mutilated, half eaten corpses wander the halls in search of the living. These aren’t your normal slow moving corpses that trudge along hoping for victims. No. They run faster. Fight harder. Know no pain. Show no weakness. Offer no reprieve. Noah must make the ultimate sacrifice and decide who to save and who to leave behind. What ranks higher in these desperate times; friendship or strategy? Can old rivals put aside their differences and work together for the greater good or will human emotions lead to the end of the world as we know it? The edge of your seat intensity never dies as Noah, his neurotic bus driver, his best friends, his worst enemies, the girl he likes, the girl he hates or loves or who the hell even knows anymore and a power hungry rival desperate for control all try to co-inhabit a school bus in search of a safe haven that may no longer exist. Gruesome. Intense. Graphic and Brutally violent. Yet emotionally driven with enough heart to sustain a dying species taken off life support. The characters tear themselves from the pages, forcing their way into your heart, demanding you continue when it all gets to be too much. This is hope. This is strength. This is the end. And it’s only the beginning.