Now middle-aged, Joshua has overcome his inauspicious beginnings in Montreal's Jewish ghetto to become a celebrated television writer, yet he is an unhappy man. Incapacitated by a freak accident, anguished by the disappearance of his wife, Joshua is beleaguered by the press and tormented by the ghosts of his youth.

    Through her characterization of two young sisters who are removed from their family, the author poignantly illustrates the difficulties that many Aboriginal people face in maintaining a positive self-identity.

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.

    Set in the sweltering streets of Toturpuram, a small city on the Bay of Bengal, The Hero's Walk, which won the 2001 Commonwealth Writers Prize for best book in Canada and the Caribbean, explores the troubled life of Sripathi Rao, an unremarkable, middle-aged family man and advertising copywriter. As The Hero's Walk opens, Sripathi's life is already in a state of thorough disrepair. His mother, a domineering, half-senile octogenarian, sits like a tyrant at the top of his household, frightening off his sister's suitors, chastising him for not having become a doctor, and brandishing her hypochondria and paranoia with sinister abandon. It is Sripathi's children, however, who pose the biggest problems: Arun, his son, is becoming dangerously involved in political activism, and Maya, his daughter, broke off her arranged engagement to a local man in order to wed a white Canadian. Sripathi's troubles come to a head when Maya and her husband are killed in an automobile accident, leaving their 7- year-old daughter, Nandana, without Canadian kin. Sripathi travels to Canada and brings his granddaughter home, while his family is shaken by a series of calamities that may, eventually, bring peace to their lives. --Jack Illingworth

    Many were written in response to the grim tide of emotions, memories, dreams and nightmares that arose in her as the Truth and Reconciliation process unfolded. With fearlessly wrought verse, Halfe describes how the experience of the residential schools continues to haunt those who survive, and how the effects pass like a virus from one generation to the next. She asks us to consider the damage done to children taken from their families, to families mourning their children; damage done to entire communities and to ancient cultures. Halfe’s poetic voice soars in this incredibly moving collection as she digs deep to discover the root of her pain. Her images, created from the natural world, reveal the spiritual strength of her culture.

    There's Fay, a folklorist whose passion for mermaids has kept her from focusing on any one man. And right across the street there's Tom, a popular radio talk-show host who has focused a little too intently, having married and divorced three times.Can Fay believe in lasting love with such a man? Will romantic love conquer all rational expectations? Only Carol Shields could describe so adroitly this couple who fall in love as thoroughly and satisfyingly as any Victorian couple and the modern complications that beset them in this touching and ironic book.

    And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lover's face.How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan's The Lover's Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

    Hector Penniac had been planning to go to university, perhaps to study medicine. Roger Savage, a loner who has had to make his own way since his youth, comes under suspicion of killing Hector over a union card and a morning’s work. Even if he can’t quite put it into words, Roger immediately sees the ways in which Hector’s death will be viewed as symbolic, as more than an isolated tragedy—and that he is caught in a chain of events that will become more explosive with each passing day.  The aging chief of Hector’s band, Amos Paul, tries to reduce the tensions raised by the investigation into Hector’s death and its connection to a host of other simmering issues, from territorial lines to fishing rights. His approach leads him into conflict with Isaac Snow, a younger and more dynamic man whom many in the band would prefer to lead them—especially when the case attracts press attention in the form of an ambitious journalist named Max Doran, the first of many outsiders to bring his own agenda and motives onto the Micmac reserve. Joel Ginnish, Isaac’s volatile and sometimes violent friend, decides to bring justice to Roger Savage when the authorities refuse to, blockading the reserve in order to do so. And though perhaps no one really means for it to happen, soon a single incident grows ineluctably into a crisis that engulfs a whole society, a whole province and in some ways a whole country.  Twenty years later, RCMP officer Markus Paul—Chief Amos Paul’s grandson, who was fifteen years old when Hector was killed—tries to piece together the clues surrounding Hector Penniac’s death. The decades have passed, and much about the case has been twisted beyond recognition by the many ways that different people have sought to exploit it. But, haunted by the past, Markus still struggles towards a truth that will snap “those chains that had once seemed impossible to break.” (290) This is a novel that begins with an instant from today’s headlines, and digs down into the marrow to explore the oldest themes we know: murder and betrayal, race and history, the brutal and chaotic forces that guide the groups we are drawn into. Nothing is one-sided in David Adams Richards’ world—even the most scheming characters have moments of grace, while the most benevolent are shown to have selfish motives, or the need to show off their goodness. All are depicted with an almost Biblical gravity, framed by an understated genius of storytelling that makes this novel at once both an utterly gripping mystery, and a vitally important document of Canada’s broken past and divided present.

    Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighborhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education.And then there are the three kids who work to rise above a system that consistently fails them: Bing, a gay Filipino boy who lives under the shadow of his father's mental illness; Sylvie, Bing's best friend, a Native girl whose family struggles to find a permanent home to live in; and Laura, whose history of neglect by her mother is destined to repeat itself with her father.Scarborough offers a raw yet empathetic glimpse into a troubled community that locates its dignity in unexpected places: a neighborhood that refuses to be undone.Catherine Hernandez is a queer theatre practitioner and writer who has lived in Scarborough off and on for most of her life. Her plays Singkil and Kilt Pins were published by Playwrights Canada Press, and her children's book M is for Mustache: A Pride ABC Book was published by Flamingo Rampant. She is the Artistic Director of Sulong Theatre for women of color.

    The next, a patch of black ice causes a devastating accident that will change her life in ways she never could have imagined.Tegan is consumed by grief, not to mention her anger toward Gabe, who was driving on the night of the crash. But just when she thinks she's hit rock bottom, Gabe reminds her of their Jar of Spontaneity, a collection of their dream destinations and experiences, and so begins an adventure of a lifetime.From the bustling markets of Thailand to the flavors of Italy to the ocean waves in Hawaii, Tegan and Gabe embark on a journey to escape the tragedy and search for forgiveness. But they soon learn that grief follows you no matter how far away you run, and that acceptance comes when you least expect it. Heartbreaking, hopeful and utterly transporting, Come Away with Me is an unforgettable debut and a luminous celebration of the strength of the human spirit.

    The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband and horrible grandmother into her own house--then has to cope with the consequences of practical goodness.As Lorraine walks the borders of death, Clara expands into life, finding purpose, energy and unexpected love amidst the hard, unaccustomed work of sharing her days. But the burden is not Clara's alone: Lorraine's children must cope with divided loyalties and Lorraine must live with her growing, unpayable debt to Clara--and the feeling that Clara has taken her place.What, exactly, does it mean to be good? When is sacrifice merely selfishness? What do we owe in this life and what do we deserve? Marina Endicott looks at life and death through the compassionate lens of a born novelist: being good, being at fault, and finding some balance on the precipice.

     A Good Death describes the everyday tragedy, horror, cowardice and love that lie at the heart of one family.On Christmas Eve, a family has gathered for the obligatory dinner. The father, only yesterday an imposing figure who terrorized his children, has suddenly fallen prey to Parkinson's and finds himself trapped inside a disintegrating body. Andre, the eldest child, is approaching sixty. He has never loved his father, yet can't help but be moved as he witnesses his decline. How should we behave towards a parent to whom all pleasures are forbidden? Sould we struggle to prolong his life, or help him to end it? Around the dinner table, opinions are divided. Once more, Gil Courtemanche takes us on a deeply moving voyage into the essence of our humanity.

    Peter’s own journey is obstructed by playground bullies, masochistic lovers, Christian ex-gays, and the ever-present shadow of his Chinese father.At birth, Peter had been given the Chinese name Juan Chaun, powerful king. The exalted only son in the middle of three daughters, Peter was the one who would finally embody his immigrant father's ideal of power and masculinity. But Peter has different dreams: he is certain he is a girl.Sensitive, witty, and stunningly assured, Kim Fu’s debut novel lays bare the costs of forsaking one’s own path in deference to one laid out by others. For Today I Am a Boy is a coming-of-age tale like no other, and marks the emergence of an astonishing new literary voice.

    Instead, the group is thrown into a detention processing center, with government officials and news headlines speculating that among the "boat people" are members of a separatist militant organization responsible for countless suicide attacks—and that these terrorists now pose a threat to Canada's national security. As the refugees become subject to heavy interrogation, Mahindan begins to fear that a desperate act taken in Sri Lanka to fund their escape may now jeopardize his and his son's chance for asylum. Told through the alternating perspectives of Mahindan; his lawyer, Priya, a second-generation Sri Lankan Canadian who reluctantly represents the refugees; and Grace, a third-generation Japanese Canadian adjudicator who must decide Mahindan's fate as evidence mounts against him, The Boat People is a spellbinding and timely novel that provokes a deeply compassionate lens through which to view the current refugee crisis.