A thought-controlled, terrifyingly lethal warplane capable of ruling the Western skies.THE MAN: His name is Gant, an obsessed renegade American pilot. His Control: Kenneth Aubrey of Great Britain. His plan: infiltrate the shadowy worldwide KGB network and make his way into the Soviet Union. His job: steal Firefox.

    In a prison camp, British POWs are forced into labor. The bridge they build will become a symbol of service and survival to one prisoner, Colonel Nicholson, a proud perfectionist. Pitted against the warden, Colonel Saito, Nicholson will nevertheless, out of a distorted sense of duty, aid his enemy. While on the outside, as the Allies race to destroy the bridge, Nicholson must decide which will be the first casualty: his patriotism or his pride.

    Washington, agrees to volunteer at a local hospital.

    He has an improbable amount of cash secreted in a purse around his neck. He is a devout Muslim. Or is he? He says his name is Issa. Annabel, an idealistic young German civil rights lawyer, determines to save Issa from deportation, Soon her client's survival becomes more important to her than her own career - or safety. In pursuit of Issa's mysterious past, she confronts the incongruous Tommy Brue, the sixty-year-old scion of Brue Freres, a failing British bank based in Hamburg." Annabel, Issa and Brue form an unlikely alliance and a triangle of impossible loves is born. Meanwhile, scenting a sure kill in the "War on Terror," the rival spies of Germany. England and America converge upon the innocents.

    A young man is murdered by the local fascists. His brother, Khristo Stoianev, is recruited into the NKVD, the Soviet secret intelligence service, and sent to Spain to serve in its civil war. Warned that he is about to become a victim of Stalin’s purges, Khristo flees to Paris. Night Soldiers masterfully re-creates the European world of 1934–45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Few writers possess Hailey's ability to combine careful, accurate research with a profound sense of human drama. (Doubleday)

    When the legal maverick is assigned by the top brass to investigate a Bosnian massacre in which a Green Beret A-team and the Kosovo Liberation Army detachment they were "advising" got trapped behind Serbian lines, he gets the subtext that's part of his orders. What the Army doesn't need are headlines about the cold-blooded execution of 35 Serbian soldiers, and they're counting on Drummond to clean things up fast, before a public scandal blows dirt all over their medals. Drummond is provided with two associates to help with the investigation: an attractive young woman captain who's a Harvard Law School graduate, and an equally illustrious Judge Army General's Corps lawyer whose reputation precedes him.Once Drummond and his team get to Bosnia, it's clear that the accused Green Berets have their own cover-up going, and they're not going to make it easy for the lawyers to figure out what happened. Drummond has a few tricks up his own sleeve, and when he finds out that his CO has put a spy on his team, he's even more determined to get to the bottom of what really went on, even if he has to bully his way out of a murder frame-up to do it. The moral dilemma Drummond faces when he learns the real story (and understands why the Army is so desperate to keep the cover-up going) reveals the man behind the maverick, and lifts Brian Haig's novel a cut above the genre. Haig might have spent more time making his secondary characters as interesting as his protagonist and tightened up his narrative. Still, fans of military thrillers will find this a good enough read.

    Then one cool October morning he rose early, drove into town, walked into the church, and calmly shot and killed his pastor and friend, the Reverend Dexter Bell. As if the murder weren't shocking enough, it was even more baffling that Pete's only statement about it--to the sheriff, to his lawyers, to the judge, to the jury, and to his family--was: "I have nothing to say." He was not afraid of death and was willing to take his motive to the grave. In a major novel unlike anything he has written before, John Grisham takes us on an incredible journey, from the Jim Crow South to the jungles of the Philippines during World War II; from an insane asylum filled with secrets to the Clanton courtroom where Pete's defense attorney tries desperately to save him. Reminiscent of the finest tradition of Southern Gothic storytelling, The Reckoning would not be complete without Grisham's signature layers of legal suspense, and he delivers on every page.

    This is the story of the men who fought with them -- and the 304 who didn't return.

    He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?How about everything.

    A handful of survivors must fight for their lives—struggling to make it from the upper deck of the ship to the hull, the only part above water, before the ship sinks. Faced with rising water and the violence of desperate passengers and crewmembers, the group must do everything it can to survive—before time runs out. Adapted into an award-winning film by Irwin Allen, The Poseidon Adventure is a thrilling tale with timeless suspense and excitement. ABOUT THE AUTHOR Paul Gallico (1897-1976) was an American novelist and sportswriter. Born in New York City, he graduated from Columbia University and became the sports editor and columnist for the New York Daily News, where he became known for asking champion boxer Jack Dempsey to spar with him during an interview. He founded the Golden Gloves amateur boxing competition, and wrote the book that inspired the movie The Pride of the Yankees, starring Gary Cooper.Gallico is known for his short stories and novels, several of which were adapted to TV and film. His short story The Snow Goose received the O. Henry Award for short fiction; his novel Love of Seven Dolls was adapted into Lili, an Oscar-winning film.

    A Marine aviator, an Army paratrooper and demolitions expert, and a non-com radio man are on an impossible mission for the OSS - sabotaging the resupply of German ships and submarines - by any means necessary! First Lieutenant Cletus Frade is fresh from Guadalcanal. He teams up with Second Lieutenant Anthony Pelosi and Sergeant David Ettinger for the most critical OSS operation of the war. Under the direction of the mysterious Colonel Loman, they venture into a simmering stew of German and Allied agents, collaborators, and government security thugs, of men and women hiding their pasts and plotting their futures - all in supposedly neutral city of Buenos Aires.

    No one knew why Aprile, the last great American Don, had adopted Astorre Viola many years before in Sicily; no one suspected how he had carefully trained him ... and how, while the Don's children claimed respectable careers in America, Astorre Viola waited for his time to come.Now his time has arrived. The Don is dead, his murder one bloody act in a drama of ambition and deceit --- from the deadly compromises made by an FBI agent to the greed of two crooked NYPD detectives and the frightening plans of a South American Mob kingpin. In a collision of enemies and lovers, betrayers and loyal soldiers, Astorre Viola will claim his destiny. Because after all these years, this moment is in his blood ...

    From 1977 to 1990, three hired assassins known as the Clinic tracked down and murdered four former British soldiers, one at a time. Each of the assassinations was carried out in such an ingenious fashion that there would be no hint of foul play, but one clue these killings had in common was that all four victims had fought in the Arabian desert. Throughout those fourteen years the Feather Men—so known because "our touch is light"—were never far behind the hit team. Finally, in the autumn of 1990, on a quiet English country lane, the Feather Men achieved a form of justice. Then—for reasons disclosed in these pages—they asked Ranulph Fiennes to reveal their spellbinding story.For many months, The Feather Men has been a number-one best-seller in England. It is a fascinating account of a tenacious double manhunt: the assassins stalking their victims and the Feather Men pursuing the assassins. It is perhaps the ultimate vigilante story, a tale that combines the white-knuckled tension of The Day of the Jackal and the revelatory drama of Spycatcher. And, at its heart, this shocking and intriguing real-life adventure raises the moral question of whether private citizens should take the law into their own hands. "However, I for one," says the author, "am truly glad that the Feather Men exist, or existed. As to my reasons ... the reader will learn in what follows."