But now things are splintering apart, for one reason, it seems: Edie's enormous girth. She's obsessed with food--thinking about it, eating it--and if she doesn't stop, she won't have much longer to live. When Richard abandons his wife, it is up to the next generation to take control. Robin, their schoolteacher daughter, is determined that her father pay for leaving Edie. Benny, an easy-going, pot-smoking family man, just wants to smooth things over. And Rachelle-- a whippet thin perfectionist-- is intent on saving her mother-in-law's life, but this task proves even bigger than planning her twin children's spectacular b'nai mitzvah party. Through it all, they wonder: do Edie's devastating choices rest on her shoulders alone, or are others at fault, too?With pitch-perfect prose, huge compassion, and sly humor, Jami Attenberg has given us an epic story of marriage, family, and obsession. The Middlesteins explores the hopes and heartbreaks of new and old love, the yearnings of Midwestern America, and our devastating, fascinating preoccupation with food.

    When Edward Schuyler, a modest and bookish sixty-two-year-old science teacher, is widowed, he finds himself ambushed by female attention. There are plenty of unattached women around, but a healthy, handsome, available man is a rare and desirable creature. Edward receives phone calls from widows seeking love, or at least lunch, while well-meaning friends try to set him up at dinner parties. Even an attractive married neighbor offers herself to him.The problem is that Edward doesn’t feel available. He’s still mourning his beloved wife, Bee, and prefers solitude and the familiar routine of work, gardening, and bird-watching. But then his stepchildren surprise him by placing a personal ad in The New York Review of Books on his behalf. Soon the letters flood in, and Edward is torn between his loyalty to Bee’s memory and his growing longing for connection. Gradually, reluctantly, he begins dating (“dating after death,” as one correspondent puts it), and his encounters are variously startling, comical, and sad. Just when Edward thinks he has the game figured out, a chance meeting proves that love always arrives when it’s least expected.With wit, warmth, and a keen understanding of the heart, An Available Man explores aspects of loneliness and togetherness, and the difference in the options open to men and women of a certain age. Most of all, the novel celebrates the endurance of love, and its thrilling capacity to bloom anew.

    By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.

    The year is 1954, long before anyone will call this area Silicon Valley. Struck by a vision of the family he has yet to create, Bill buys the property on a whim. In Penny Greenway he finds a suitable wife, a woman whose yearning attitude toward life seems compelling and answerable, and they marry and have four children. Yet Penny is a mercurial housewife, at a time when women chafed at the conventions imposed on them. She finds salvation in art, but the cost is high.Thirty years later, the three oldest Blair children, adults now and still living near the family home, are disrupted by the return of the youngest, whose sudden presence and all-too-familiar troubles force a reckoning with who they are, separately and together, and set off a struggle over the family's future. One by one, the siblings take turns telling the story--Robert, a doctor like their father; Rebecca, a psychiatrist; Ryan, a schoolteacher; and James, the malcontent, the problem child, the only one who hasn't settled down-their narratives interwoven with portraits of the family at crucial points in their history.

    But Hildy isn't one for self-pity and instead meets the world with a wry smile, a dark wit and a glass or two of Pinot Noir. When her two earnest grown-up children stage 'an intervention' and pack Hildy off to an addiction centre, she thinks all this fuss is ridiculous. After all, why shouldn't Hildy enjoy a drink now and then?But as the story progresses, we start to see another side to Hildy Good, and to her life's greatest passion - the lies and self deceptions needed to support her drinking, and the damage she causes to those she loves. When a cluster of secrets become dangerously entwined, the reckless behaviour of one threatens to expose the other, with devastating consequences.

    Instructions for a Heatwave finds her at the top of her game, with a novel about a family crisis set during the legendary British heatwave of 1976. Gretta Riordan wakes on a stultifying July morning to find that her husband of forty years has gone to get the paper and vanished, cleaning out his bank account along the way. Gretta's three grown children converge on their parents' home for the first time in years: Michael Francis, a history teacher whose marriage is failing; Monica, with two stepdaughters who despise her and a blighted past that has driven away the younger sister she once adored; and Aoife, the youngest, now living in Manhattan, a smart, immensely resourceful young woman who has arranged her entire life to conceal a devastating secret. Maggie O'Farrell writes with exceptional grace and sensitivity about marriage, about the mysteries that inhere within families, and the fault lines over which we build our lives—the secrets we hide from the people who know and love us best. In a novel that stretches from the heart of London to New York City's Upper West Side to a remote village on the coast of Ireland, O'Farrell paints a bracing portrait of a family falling apart and coming together with hard-won, life-changing truths about who they really are.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

    Nora is the responsible sister; she’s shy and serious and engaged to a man she isn’t sure that she loves. Theresa is gregarious; she is thrilled by their new life in Boston and besotted with the fashionable dresses and dance halls on Dudley Street. But when Theresa ends up pregnant, Nora is forced to come up with a plan—a decision with repercussions they are both far too young to understand. Fifty years later, Nora is the matriarch of a big Catholic family with four grown children: John, a successful, if opportunistic, political consultant; Bridget, privately preparing to have a baby with her girlfriend; Brian, at loose ends after a failed baseball career; and Patrick, Nora’s favorite, the beautiful boy who gives her no end of heartache. Estranged from her sister and cut off from the world, Theresa is a cloistered nun, living in an abbey in rural Vermont. Until, after decades of silence, a sudden death forces Nora and Theresa to confront the choices they made so long ago. A graceful, supremely moving novel from one of our most beloved writers, Saints for All Occasions explores the fascinating, funny, and sometimes achingly sad ways a secret at the heart of one family both breaks them and binds them together.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.

    “Bean” Holladay is twelve and her sister, Liz, is fifteen when their artistic mother, Charlotte, takes off to find herself, leaving her girls enough money to last a month or two. When Bean returns from school one day and sees a police car outside the house, she and Liz decide to take the bus to Virginia, where their widowed Uncle Tinsley lives in the decaying mansion that’s been in Charlotte’s family for generations. An impetuous optimist, Bean soon discovers who her father was, and hears stories about why their mother left Virginia in the first place. Money is tight, and the sisters start babysitting and doing office work for Jerry Maddox, foreman of the mill in town, who bullies his workers, his tenants, his children, and his wife. Liz is whip-smart--an inventor of word games, reader of Edgar Allan Poe, nonconformist, but when school starts in the fall, it’s Bean who easily adjusts, and Liz who becomes increasingly withdrawn. And then something happens to Liz in the car with Maddox.Jeannette Walls has written a deeply moving novel about triumph over adversity and about people who find a way to love each other and the world, despite its flaws and injustices.

    Before evening falls, he has kissed Franny’s mother, Beverly—thus setting in motion the dissolution of their marriages and the joining of two families.Spanning five decades, Commonwealth explores how this chance encounter reverberates through the lives of the four parents and six children involved. Spending summers together in Virginia, the Keating and Cousins children forge a lasting bond that is based on a shared disillusionment with their parents and the strange and genuine affection that grows up between them.When, in her twenties, Franny begins an affair with the legendary author Leon Posen and tells him about her family, the story of her siblings is no longer hers to control. Their childhood becomes the basis for his wildly successful book, ultimately forcing them to come to terms with their losses, their guilt, and the deeply loyal connection they feel for one another.Told with equal measures of humor and heartbreak, Commonwealth is a meditation on inspiration, interpretation, and the ownership of stories. It is a brilliant and tender tale of the far-reaching ties of love and responsibility that bind us together.#1 New York Times Bestseller

    She is a fiercely dedicated children's advocate and a devoted mother and wife. But one blistering summer day, a simple moment of distraction will have repercussions that Ellen could never have imagined, threatening to shatter everything she holds dear, and trapping her between the gears of the system she works for.Meanwhile, ten-year-old Jenny Briard has been living with her well-meaning but irresponsible father since her mother left them, sleeping on friends' couches and moving in and out of cheap motels. When Jenny suddenly finds herself on her own, she is forced to survive with nothing but a few dollars and her street smarts. The last thing she wants is a social worker, but when Ellen's and Jenny's lives collide, little do they know just how much they can help one another.A powerful and emotionally charged tale about motherhood and justice, Little Mercies is a searing portrait of the tenuous grasp we have on the things we love the most, and of the ties that unexpectedly bring us together.

    Arthur, a widow, meets Maddy, a troubled teenage girl who is avoiding school by hiding out at the cemetery, where Arthur goes every day for lunch to have imaginary conversations with his late wife, and think about the lives of others. The two strike up a friendship that draws them out of isolation. Maddy gives Arthur the name Truluv, for his loving and positive responses to every outrageous thing she says or does. With Arthur’s nosy neighbor Lucille, they create a loving and unconventional family, proving that life’s most precious moments are sweeter when shared.

    Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the “toxic” dishes that he’d savored through their courtship, and devotes hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn’t recognize him. In the years since they’ve seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It’s him or me.Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.

    But when the community of Carthage joins a father’s frantic search for the girl, they discover instead the unlikeliest of suspects – a decorated Iraq War veteran with close ties to the Mayfield family. As grisly evidence mounts against the troubled war hero, the family must wrestle with the possibility of having lost a daughter forever.Carthage plunges us deep into the psyche of a wounded young Corporal, haunted by unspeakable acts of wartime aggression, while unraveling the story of a disaffected young girl whose exile from her family may have come long before her disappearance.Dark and riveting, Carthage is a powerful addition to the Joyce Carol Oates canon, one that explores the human capacity for violence, love and forgiveness, and asks it it’s ever truly possible to come home again.