A boy who doesn't quite understand his lot--until he realizes he's a god. . . As an only son, Kiran has obligations--to excel in his studies, to honor the deities, to find a nice Indian girl, and, above all, to make his mother and father proud--standard stuff for a boy of his background. If only Kiran had anything in common with the other Indian kids besides the color of his skin. They reject him at every turn, and his cretinous public schoolmates are no better. Cincinnati in the early 1990s isn't exactly a hotbed of cultural diversity, and Kiran's not-so-well-kept secrets don't endear him to any group. Playing with dolls, choosing ballet over basketball, taking the annual talent show way too seriously. . .the very things that make Kiran who he is also make him the star of his own personal freak show. . .Surrounded by examples of upstanding Indian Americans--in his own home, in his temple, at the weekly parties given by his parents' friends--Kiran nevertheless finds it impossible to get the knack of "normalcy." And then one fateful day, a revelation: perhaps his desires aren't too earthly, but too divine. Perhaps the solution to the mystery of his existence has been before him since birth. For Kiran Sharma, a long, strange trip is about to begin--a journey so sublime, so ridiculous, so painfully beautiful, that it can only lead to the truth. . ."The best fiction reminds us that humanity is much, much larger than our personal world, our own little reality. Blue Boy shows us a world too funny and sad and sweet to be based on anything but the truth." --Chuck PalahniukNew York Times Bestselling Author

    He is the 'perfect waiter', a model of order in every way. But inwardly this polite, withdrawn man has been caught in the grip of an overwhelming passion that began in the summer of 1935 with Jakob, a fellow waiter. For Jakob the affair is just a fling, but for Erneste it is true love. When the great German writer Julius Klinger arrives at the hotel, seeking sanctuary from Hitler's Germany, his gaze, too, lights on Jakob. One morning, three decades later, Erneste receives a letter with a US postmark from Jakob asking for help. It is a call that forces Erneste to engage with the world again and risk discovering the truth behind his memories of the great love of his youth. Shifting skilfully between two eras, Sulzer's tense, moving and elegantly written novel is a small masterpiece about the joy and pain of love.

    With wonderful delicacy and subtle insight and intimation, McCabe creates Mr. Patrick "Pussy" Braden, the enduringly and endearingly hopeful hero(ine) whose gutsy survival and yearning quest for love resonate in and drive the glimmering, agonizing narrative in which the troubles are a distant and immediate echo and refrain. Twenty years ago, her ladyship escaped her hometown of Tyreelin, Ireland, fleeing her foster mother Whiskers (prodigious Guinness-guzzler, human chimney) and her mad household, to begin a new life in London. There, in blousey tops and satin miniskirts, she plies her trade, often risking life and limb amongst the flotsam and jetsam that fill the bars of Piccadilly Circus. But suave businessmen and lonely old women are not the only dangers that threaten Pussy. It is the 1970's and fear haunts the streets of London and Belfast as the critical mass of history builds up, and Pussy is inevitably drawn into a maelstrom of violence and tragedy destined to blow his fragile soul asunder. Brilliant, startling, profound and soaring, Breakfast on Pluto combines light and dark, laughter and pain, with such sensitivity, directness and restraint that the dramatic impact reverberates in our minds and hearts long after the initial impression.

    A wedding invitation arrives in the mail: your boyfriend of the past nine years now engaged to someone else. You can’t say yes--it would all be too awkward--and you can’t say no--it would look like defeat. On your desk are a series of half-baked literary invitations you’ve received from around the world. QUESTION: How do you arrange to skip town?ANSWER: You accept them all. If you are Arthur Less.Thus begins an around-the-world-in-eighty-days fantasia that will take Arthur Less to Mexico, Italy, Germany, Morocco, India and Japan and put thousands of miles between him and the problems he refuses to face. What could possibly go wrong?Well: Arthur will almost fall in love in Paris, almost fall to his death in Berlin, barely escape to a Moroccan ski chalet from a Sahara sandstorm, accidentally book himself as the (only) writer-in-residence at a Christian Retreat Center in Southern India, and arrive in Japan too late for the cherry blossoms. In between: science fiction fans, crazed academics, emergency rooms, starlets, doctors, exes and, on a desert island in the Arabian Sea, the last person on Earth he wants to see. Somewhere in there: he will turn fifty. The second phase of life, as he thinks of it, falling behind him like the second phase of a rocket. There will be his first love. And there will be his last.A love story, a satire of the American abroad, a rumination on time and the human heart, by an author The New York Times has hailed as “inspired, lyrical,” “elegiac,” “ingenious,” as well as “too sappy by half,” Less shows a writer at the peak of his talents raising the curtain on our shared human comedy.

    Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    Set in Arkansas but first published in Amsterdam under the title Clicking Beat on the Brink of Nada, Cody quickly won praise from reviewers and readers across Europe and North America and caught the attention of William S. Burroughs and other writers who befriended the young author (Hale began writing the novel when he was sixteen). The first edition of the book was immediately banned in the United Kingdom during Margaret Thatcher's Operation Tiger. Today, Clicking Beat remains current and continues to be unique in both coming of age literature and the gay literary canon.

    I want to make bumper stickers for politicians and gay rights advocates. They'll read "My other pro-tolerance message is also condescending." I want to destroy something.I'm tired of the moral high ground. We've already got more than our share of gay Gandhis. We need a General Patton.No poor bastard ever won a war by dying for his country. I feel the way bank robbers must feel just before they go out on that last big job that ends up getting them all killed. That is to say, optimistic.

    How does someone, excluded entirely from the only community they have ever known, live the rest of their life? After extensive interviews with Beulah—a young woman banished—Jeremy is no closer to understanding her choice than he is to his own peculiar exile.Camp Ironwood, set in the Vermont woods, is more than a summer distraction for restless adolescent boys—it is a place to belong. And not unlike the Amish community, it is a place where the whole is greater than the sum of its parts. For Jeremy, first as a camper and later as the co-director, the usual camp activities become their own kind of ritual that binds the community. But when he is blindsided by the seductive charm of Max, a fourteen-year-old boy from Manhattan, all arms and legs and attitude, Jeremy must confront his desires, and worse yet, uncover the dark secrets of his beloved Camp Ironwood.In the powerful and daring novel Avoidance, Lowenthal elegantly draws unexpected parallels between the Amish and Camp Ironwood. By doing so, he ingeniously explores an age-old dilemma: individual desires versus the good of a community.

    Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women-of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder.

    Richard Garay lives with his mother, hiding his sexuality from her and from society. Stifled by his job, Richard is willing to take chances, both sexually and professionally. But Argentina is changing, and as his country edges toward peace, Richard tentatively begins a love affair. The result is a powerful, brave, and poignant novel of sex, death, and the diffculties of connecting one's inner life with the outside world.

     Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it. The New Yorker won the National Magazine Award for Fiction for its publication of "Brokeback Mountain," and the story was included in Prize Stories 1998: The O. Henry Awards. In gorgeous and haunting prose, Proulx limns the difficult, dangerous affair between two cowboys that survives everything but the world's violent intolerance.

    Your best friend died in September, you've been robbed twice, your girlfriend is leaving you, you've lost your job...and the only one left to talk to is the gay burglar you've got tied up in the kitchen... P.S. your cat is dead.An instant classic upon its initial publication, P.S. Your Cat is Dead received widespread critical acclaim and near fanatical reader devotion. The stage version of the novel was equally successful and there are still over 200 new productions of it staged every year. Now, for the first time in a decade, James Kirkwood's much-loved black humor comic novel of manners and escalating disaster returns to bewitch and beguile a new generation.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    But his life changed when he failed to notice an explosive device that ended up maiming the captain of his Force Recon Company, a respected Marine who nearly sacrificed himself to save John's life.Home from Iraq, John pays a visit to his former captain, only to discover the captain has been gruesomely murdered. John pursues a strange man he sees running from the scene, but he discovers that Alex Martin is not the murderer. Alex is, in fact, the former captain's secret male lover and the killer's intended next victim.When it becomes clear that local law enforcement has direct connections to the murder itself, John realizes that to repay his debt of honor, he must teach Alex Martin how to protect himself, even if that means teaching Alex to kill. In the process, John confronts the painful truth about the younger brother he was unable to protect and the older sister he always felt he failed.Blind Fall is a story of honor and integrity, of turning failure into victory. It is a stunning departure for Christopher Rice: the story of two men, one a Marine, one gay, who must unite to avenge the death of the man they both loved -- one as a brother-in-arms, one as a lover -- and to survive.

    1962) is a lecturer at the University of Rennes II and research professor of literature and Romance studies at Duke University. She joined the Oulipo in 2000, becoming the first member to join born after the Oulipo was founded. Garréta won France's prestigious Prix Médicis in 2002, awarded each year to an author whose "fame does not yet match their talent," for her novel Pas un jour.Emma Ramadan is a graduate of Brown University and received her master's in literary translation from the American University of Paris. Her translation of Anne Parian's Monospace is forthcoming from La Presse. She is currently on a Fulbright Fellowship for literary translation in Morocco.