His teenage sister teases him mercilessly, his autistic brother lashes out at him, and he has a crush on his best friend, Andy. But after the tragic night when his father commits suicide, none of that matters. Diane, his mother, seeks solace in therapy. Colin is awash in guilt, and casts about for someone to confide in: first his estranged grandfather, then a predatory science teacher. But nothing helps as much as the strange writing his father kept in a series of notebooks locked in his study. Colin looks for answers there—in fragments about disaster scenarios, the violence of snow, mustangs running wild in the West—but instead finds the writing infecting his worldview. Diane, meanwhile, has a miserable fling with a coworker, and leans more heavily on Colin for support as things go from bad to worse. But spring is unfolding, and a road trip to Los Angeles gives them a tantalizing glimpse of what the future might hold. In Some Hell, a debut novel of devastating intensity and aching, pointillistic detail, Patrick Nathan shows how unspeakable tragedy shapes a life, and how imagination saves us from ourselves.

    In the title story, the narrator, desperate to save a love affair on the rocks, hires an actor to play a friend he invented in order to seem less lonely, after his boyfriend catches on to his compulsion for lying and demands to know this friend is real; in "Aim for the Heart", a man's lies about a hunting habit leave him with an unexpected deer carcass and the need to parse unsettling high school memories; in "Rorschach", a theater producer runs a show in which death row inmates are crucified in an on-stage rendering of the New Testament, while being haunted daily by an unrequited love and nightly by ghosts of his own creation.In I Know You Know Who I Am, Kispert deftly explores deception and performance, the uneasiness of reconciling a queer identity with the wider world, and creates a sympathetic, often darkly humorous, portrait of characters searching for paths to intimacy, desperate for connection.

    Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    His shop may be struggling, his only employee is a menace, and his plumbing is one creaky pipe away from disaster, but he can handle it. Maybe. He cannot, however, handle the film company that’s thrown his Soho street into chaos. And he definitely can’t handle the charismatic American actor Blake Sinclair. Which is why he’s extremely reluctant to lease out his shop as a set for Blake's film, but it’s his one opportunity to save his business. Now he can’t get away from the distractingly hot actor. Then Aubrey finds himself alone with Blake in a trailer, and what happens next turns London’s heat wave into an inferno that leaves him breathless.Aubrey is not cut out for the high-profile life of dating a celebrity, especially an American actor who’s not even out yet. Good thing their tryst is absolutely not going anywhere. Of course, when you expect nothing, that’s exactly when it starts to mean everything.

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    Desperate to fend off starvation and predatory neighbors, she cuts off her hair, binds her chest, saddles her beloved mare, and sets off across the mountains to find her outlaw brother Noah and bring him home. A talented sharpshooter herself, Jess's quest lands her in the employ of the territory's violent, capricious Governor, whose militia is also hunting Noah—dead or alive.Wrestling with her brother's outlaw identity, and haunted by questions about her own, Jess must outmaneuver those who underestimate her, ultimately rising to become a hero in her own right.Told in Jess's wholly original and unforgettable voice, Whiskey When We're Dry is a stunning achievement, an epic as expansive as America itself—and a reckoning with the myths that are entwined with our history.

    Wise-cracking Kerry Salter is part of an Aboriginal family living on the mid-north coast of New South Wales. She has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border.She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble - but then trouble is Kerry's middle name. Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seemed possible.

    While his German parents don’t know what to make of a South pining for the past, shy Max thrives in the thick heat. Taken in by the football team, he learns how to catch a spiraling ball, how to point a gun, and how to hide his innermost secrets.Max already expects some of the raucous behavior of his new, American friends—like their insatiable hunger for the fried and cheesy, and their locker room talk about girls. But he doesn’t expect the comradery—or how quickly he would be welcomed into their world of basement beer drinking. In his new canvas pants and thickening muscles, Max feels like he’s “playing dress-up.” That is until he meets Pan, the school “witch,” in Physics class: “Pan in his all black. Pan with his goth choker and the gel that made his hair go straight up.” Suddenly, Max feels seen, and the pair embarks on a consuming relationship: Max tells Pan about his supernatural powers, and Pan tells Max about the snake poison initiations of the local church. The boys, however, aren’t sure whose past is darker, and what is more frightening—their true selves, or staying true in Alabama.Writing in verdant and visceral prose that builds to a shocking conclusion, Genevieve Hudson “brilliantly reinvents the Southern Gothic, mapping queer love in a land where God, guns, and football are king” (Leni Zumas, author of Red Clocks). Boys of Alabama becomes a nuanced portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.

    It's where some of the most important literary friendships of the twentieth century are forged--none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce's controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses' success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia--a woman who has made it her mission to honor the life-changing impact of books--must decide what Shakespeare and Company truly means to her.

    Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    When Eliot dies unexpectedly, he even more unexpectedly leaves half of the business to his younger, blonder girlfriend, Savannah. Liv and Savannah are not a match made in heaven, to say the least. But what starts as a personal and professional nightmare transforms into something even savvy, cynical Liv Goldenhorn couldn’t begin to imagine. It Had to Be You cleverly unites Liv, Savannah, and couples as diverse and unique as New York City itself, in a joyous Love-Actually-style braided narrative. The result is a smart, modern love story that truly speaks to our times. Second chances, secret romance, and steamy soul mates are front and center in this sexy, tender, and utterly charming rom-com.

    Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns war makes for strange and unexpected bedfellows, and she's forced to take extreme measures to save herself.An exhilarating page turner and perceptive coming-of-age story, WHO IS VERA KELLY? introduces an original, wry and whip-smart female spy for the twenty-first century.

    At twenty-two years old, Missy gets on stage every night and plays the song about her absent mother that made the band famous. As the only girl in the band, she's determined to party just as hard as everyone else, loving and leaving a guy in every town. But then she meets a tomboy drummer who is hard to forget, and a forgotten flap of cocaine strands her at the border.Fortysomething Carola is just surfacing from a sex scandal at the yoga center where she has been living when she sees her daughter, Missy, for the first time in ten years--on the cover of a music magazine.Ruth is eighty-three and planning her return to the Turkish seaside village where she spent her childhood. But when her granddaughter, Missy, winds up crashing at her house, she decides it's time that the strong and stubborn women in her family find a way to understand one another again.In this sharply observed novel, Zoe Whittall captures three very different women who each struggle to build an authentic life. Definitions of family, romance, gender, and love will radically change as they seek out lives that are nothing less than spectacular.

    at the Cat's Pajamas Marie-Helene Bertino's Parakeet is a darkly funny and warm-hearted novel about a young woman whose dead grandmother (in the form of a parakeet) warns her not to marry and sends her out to find an estranged loved one.The week of her wedding, The Bride is visited by a bird she recognizes as her dead grandmother because of the cornflower blue line beneath her eyes, her dubious expression, and the way she asks: What is the Internet? Her grandmother is a parakeet. She says not to get married. She says: Go and find your brother.In the days that follow, The Bride's march to the altar becomes a wild and increasingly fragmented, unstable journey that bends toward the surreal and forces her to confront matters long buried.A novel that does justice to the hectic confusion of becoming a woman today, Parakeet asks and begins to answer the essential questions. How do our memories make, cage, and free us? How do we honor our experiences and still become our strongest, truest selves? Who are we responsible for, what do we owe them, and how do we allow them to change?Urgent, strange, warm-hearted, and sly, Parakeet is ribboned with joy, fear, and an inextricable thread of real love. It is a startling, unforgettable, life-embracing exploration of self and connection.