Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

    Saved from the gallows while his family hangs for treason, Sabre is given the chance to pay off their debt and clear his family name. To do so, he must serve as a courtesan in the pleasure district, but the only House willing to take him in and risk the disfavor of the king is the House of Onyx, which caters to the darker desires of the Starian noble elite. There, he finds his masochism is an asset, the courtesans are kinder than the nobles of the Starian court, and that he cannot help but be inexorably drawn to the owner of the House of Onyx, Laurent de Rue.Lord Laurent de Rue knows that love is dangerous. Abandoned in the pleasure district with no memory of his past, Laurent clawed his way to notoriety and earned his title through cunning and skill. He has seen love ruin the lives and ambitions of those he passed on his way to the top, and he has no intention of letting himself fall prey to the same mistakes. Yet he can’t stop himself from growing closer to Sabre de Valois, who loves so earnestly and so completely that even Laurent’s steel will is starting to break.But Sabre has secrets of his own, and when the machinations of the court threaten to put Sabre in danger, Laurent will have to decide whether he will risk it all for love, or let Sabre de Valois slip through his fingers.(Please note: The Traitor’s Mercy is an m/m dark fantasy novel, set in a fictional world where the kink aspect is not intended as a representation of real-life BDSM practices or dynamics.Please be advised that while this title features a happy ending, it contains darker elements that some readers may find uncomfortable. It is intended for adult, mature readers only. )

    Pop culture phenomenon, social rights advocate, and the most prominent LGBTQ+ voice on YouTube, Tyler Oakley brings you his first collection of witty, personal, and hilarious essays written in the voice that’s earned him more than 10 million followers across social media.

    Portraits, family photographs, and candid images grace the pages, augmenting the emotional and physical journey each youth has taken. Each honest discussion and disclosure, whether joyful or heartbreaking, is completely different from the other because of family dynamics, living situations, gender, and the transition these teens make in recognition of their true selves.

    Sev won't accept his best friend's girlfriend. He will sit behind the art classroom and smoke his joint.He definitely won't analyze why he wants to spank his teacher.*Free on SmashwordsWords: 54,380 complete