But the emperor hides an ugly secret: his bastard son, Don Julius, is afflicted with a madness that pushes the young prince to unspeakable depravity. Desperate to stem his son’s growing number of scandals, the emperor exiles Don Julius to a remote corner of Bohemia where the young man is placed in the care of a bloodletter named Pichler. The bloodletter’s task: cure Don Julius of his madness by purging the vicious humors coursing through his veins.When Pichler brings his daughter Marketa to assist him, she becomes the object of Don Julius’s frenzied --and dangerous-- obsession. To him, she is the embodiment of the women pictured in the Coded Book of Wonder, a priceless manuscript from the imperial library that was the mad prince’s only link to sanity. As the prince descends further into the darkness of his mind, his acts become ever more desperate, as Marketa, both frightened and fascinated, can’t stay away.Inspired by a real-life murder that threatened to topple the powerful Hapsburg dynasty, The Bloodletter’s Daughter is a dark and richly detailed saga of passion and revenge.

    A dangerous time for a woman to be different . . .Midsummer’s Eve, 1648, and England is in the grip of civil war between renegade King and rebellious Parliament. The struggle reaches every corner of the kingdom, even to the remote Tidelands – the marshy landscape of the south coast. Alinor, a descendant of wise women, crushed by poverty and superstition, waits in the graveyard under the full moon for a ghost who will declare her free from her abusive husband. Instead she meets James, a young man on the run, and shows him the secret ways across the treacherous marsh, not knowing that she is leading disaster into the heart of her life.Suspected of possessing dark secrets in superstitious times, Alinor’s ambition and determination mark her out from her neighbours. This is the time of witch-mania, and Alinor, a woman without a husband, skilled with herbs, suddenly enriched, arouses envy in her rivals and fear among the villagers, who are ready to take lethal action into their own hands.

    The Atlantis, captained by veteran seaman Benjamin Archer, flies the colours of an English merchantman on the high seas between the English Channel and the Caribbean.But she also runs up the ‘jolie rouge’ – the Jolly Roger – whenever the prospect of plundering a Spanish treasure ship presents itself. Nipping at Spain’s empire is common practice for state-sponsored privateers like the Atlantis at a time when lesser European powers dare not directly make war on Spain. But when those governments abandon the practice of issuing letters of marque to privateers against the Spanish galleons, many of the crews turn pirate.Such is the fate of Archer’s men. The crew is forced to sign the ship’s articles consenting to their new piratical ways, thereby placing their heads in a noose. Unless, that is, they can stage a mutiny and turn Archer over to the authorities in the Caribbean city of Port Royal, a popular homeport for privateers – and notorious for its gaudy displays of wealth and loose morals, the ‘wickedest city on earth’. But superstition is rife among seamen and the presence on board the Atlantis of two women – one a high-born French stowaway Catherine and the other a Jamaican slave-born ‘cabin boy’ Serafine – will only be a bad omen if they are discovered. Worse, the runaway is thought by her family to possess the powers of a witch while the ‘boy’ worships voodoo gods who rule life from beneath the waves.Will the mutiny succeed? What is the secret bond between Archer and Serafine? And can Catherine escape the captain’s determination to make her his after she has fallen for another young officer? Is some unstoppable divine force slowly gathering to punish the profane?Beyond the power and control of man lies what …?

    Cavendish is the author of many poems, short stories, biographies, memoirs, letters, philosophical and scientific works (including The Description of a New World, Called The Blazing World, the first work of science fiction by a woman), and nineteen plays."The Convent of Pleasure" and Other Plays collects four of Cavendish's dramatic works that are among the most revealing of her attitudes toward marriage and her desire for fame. Loves Adventures (1662) centers on a woman succeeding in war and diplomacy by passing as a man. Similarly, the heroine of Bell in Campo (1662) rescues her husband at the head of an army of women in this tale of a marriage of near equals. The Convent of Pleasure (1668) proposes a separatist community of women and has received attention for its suggestion of lesbian sexuality. The Bridals (1662), a more typical restoration comedy satirizing marriage, rounds out the collection.Edited with notes and annotation by Anne Shaver, "The Convent of Pleasure" and Other Plays also contains a timeline, biography and bibliography of the Duchess, an appreciation of Cavendish's life and work, and a bibliography of critical essays. Also included are all of Cavendish's epistles To the Reader as well as Other Preliminary Matter from Playes (1662), and Cavendish's original preface to Plays Never Before Printed (1668). A valuable collection from an extraordinary writer, "The Convent of Pleasure" and Other Plays raises important issues about women and gender.

    Black eyes, and blue eyes. A friendly smile, a laugh, a look of love... But this is North America in 1607, and love is not easy. The girl is the daughter of King Powhatan, and the Englishman is a white man. And the Indians of Virginia do not want the white men in their beautiful country. This is the famous story of Pocahontas, and her love for the Englishman John Smith.

    The two will have to fight not only to stay alive, but to stay free during the so-called “Golden Age” of piracy.Edward also finds that half the ship he bought is locked, and the previous owner left clues to find the keys. Edward and his crew must follow the clues and face games of life and death before they can claim said keys.Will Edward and Henry embrace the life that’s been thrust upon them, or will they crash against the rocks of their misfortune? See how Blackbeard came to be the scourge of the Caribbean Sea and beyond, and follow him on his fantasy adventures in The Voyages of Queen Anne’s Revenge!

    Having left Restoration England in the midst of a messy scandal, she has been living in Louis XIV’s Baroque, mannered France for two years. Now she is returning home to England and anxious to re-establish herself quickly. First, she will regain her former position as a maid of honor to Charles II’s queen. Then she will marry the most celebrated duke of the Restoration, putting herself in a position to attain power she’s only dreamed of. As a duchess, Alice will be able to make or break her friends and enemies at will. But all is not as it seems in the rowdy, merry court of Charles II. Since the Restoration, old political alliances have frayed, and there are whispers that the king is moving to divorce his barren queen, who some wouldn’t mind seeing dead. But Alice, loyal only to a select few, is devoted to the queen, and so sets out to discover who might be making sinister plans, and if her own father is one of them. When a member of the royal family dies unexpectedly, and poison is suspected, the stakes are raised. Alice steps up her efforts to find out who is and isn’t true to the queen, learns of shocking betrayals throughout court, and meets a man that she may be falling in love with—and who will spoil all of her plans. With the suspected arrival of a known poison-maker, the atmosphere in the court electrifies, and suddenly the safety of the king himself seems uncertain. Secret plots are at play, and war is on the horizon—but will it be with the Dutch or the French? And has King Charles himself betrayed his country for greed? The long-awaited prequel to Koen’s beloved Through a Glass Darkly, Dark Angels is a feast of a novel that sparkles with all the passion, extravagance, danger, and scandal of seventeenth-century England. Unforgettable in its dramatic force, here is a novel of love and politics, of romance and betrayal, of power and succession—and of a resourceful young woman who risks everything for pride and status in an era in which women were afforded little of either.From the Hardcover edition.

    The aged, abused monarch—a man in his eighties, like Harold Bloom himself—is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare’s most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Emma Bovary or Hamlet when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of Lear, so that this book also explores an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. He delivers that kind of exhilarating intimacy, pathos, and clarity in Lear.

    In this, the definitive comprehensive history of Philadelphia, the reader will discover a rich and colorful portrait of one of America's most vital, interesting, and illustrious cities.

    And her father’s wisdom and empathy are as unusual as his despised profession. It is 1659, the Thirty Years’ War has finally ended, and there hasn’t been a witchcraft mania in decades. But now, a drowning and gruesomely injured boy, tattooed with the mark of a witch, is pulled from a river and the villagers suspect the local midwife, Martha Stechlin.Jakob Kuisl is charged with extracting a confession from her and torturing her until he gets one. Convinced she is innocent, he, Magdalena, and her would-be suitor race against the clock to find the true killer. Approaching Walpurgisnacht, when witches are believed to dance in the forest and mate with the devil, another tattooed orphan is found dead and the town becomes frenzied. More than one person has spotted what looks like the devil—a man with a hand made only of bones. The hangman, his daughter, and the doctor’s son face a terrifying and very real enemy.Page Numbers Source ISBN: 054774501X

    Ana frantically searches the girl’s room and comes across a diary. Journeying to southern Spain in the hope of finding her, Ana immerses herself in her niece’s private thoughts. After a futile search in Seville, she comes to Juliana’s final entries, and, discovering the horrifying reason for the girl’s flight, abandons her search.In 1992 Missouri, in her deceased mother’s home, Rachel finds a packet of letters, and a diary written by a woman named Juliana. Rachel’s reserved mother has never mentioned these items, but Rachel recognizes the names Ana and Juliana: her mother uttered them on her deathbed. She soon becomes immersed in Juliana’s diary, which recounts the young woman’s journey to Mexico City and her life in a convent. As she learns the truth about Juliana’s tragic family history, Rachel seeks to understand her connection to the writings―hoping that in finding those answers, she will somehow heal the wounds caused by her mother’s lifelong reticence.

    One day, in a package of seventeenth-century documents from Salem Village, he stumbles across a letter by his best friend, Jamie, who had disappeared six months before. The document is dated 1692—the height of the Witch Trials. The only potential lead: a single mention of Carthage, a tiny town in the Wisconsin northern highland. The mystery catapults Nathan from Chicago to the Wisconsin wilderness. There, he meets Alanna, heir to an astonishing Mittel-European legacy of power and sacrifice. In her, and in the gentle townsfolk of Carthage, Nathan finds the refuge for which he has long yearned. But Simon, the town elder, is driven by demons of his own, and may well be entangled in Jamie’s disappearance and that of several Carthaginians. As darkness stretches toward Alanna, Nathan may have no choice but to risk it all… Moving from the grimness of Chicago’s South Side to the Wisconsin hinterlands to seventeenth-century Salem, this is a story of love, of sacrifice, of terrible passions—and of two wounded souls quietly reaching for the deep peace of sanctuary.

    Among the captives sold into slavery in Algiers were the island pastor, his wife and their three children. Although the raid itself is well documented, little is known about what happened to the women and children afterwards. It was a time when women everywhere were largely silent.In this brilliant reimagining, Sally Magnusson gives a voice to Ásta, the pastor's wife. Enslaved in an alien Arab culture Ásta meets the loss of both her freedom and her children with the one thing she has brought from home: the stories in her head. Steeped in the sagas and folk tales of her northern homeland, she finds herself experiencing not just the separations and agonies of captivity, but the reassessments that come in any age when intelligent eyes are opened to other lives, other cultures and other kinds of loving.The Sealwoman's Gift is about the eternal power of storytelling to help us survive. The novel is full of stories - Icelandic ones told to fend off a slave-owner's advances, Arabian ones to help an old man die. And there are others, too: the stories we tell ourselves to protect our minds from what cannot otherwise be borne, the stories we need to make us happy.

    the Great Plague and the Fire of London ...The profligate Earl of Rochester, the frenzied Salvationist Solomon Eagle, the abominable undertaker Chowles and Judith Malmayns, the venal plague nurse, companions in iniquity, add a nightmare dimension to the adventures of dauntless Leonard Holt and the lovely Amabel in the stricken ...Dominating this spectacular story of love, greed, betrayal, abduction, conspiracy and revenge is the towering structure of Old St. Paul's ... cathedral ... public haunt of gallants and rogues ... pest house ... and blazing inferno.(Description taken from jacket).

    Tom Cheke’s world is turned upside-down when he is kidnapped from his home by Barbary corsairs during an audacious night raid. Sold into slavery in seventeenth-century Algiers, Tom carves out a new and promising life only to have it shattered once more. Another twist of fate throws him into the hands of a Scottish knight of the Order of St John and into a turbulent world of ciphers, spies and assassinations. This is a remarkable account of how a young man comes of age, grasping life from the setbacks of fortune. It is a tale of friendship and reconciliation, of intrigue and deceit, in which trust is betrayed and deep-rooted beliefs and values are cast into doubt. In Slave to Fortune, DJ Munro skilfully captures a bygone era of galleons and gunpowder as the plot twists from the alleyways of Algiers, through the splendour of Malta and the canals of Venice, to maritime Portsmouth and the rustic charms of the Isle of Wight. With echoes of Robert Louis Stevenson’s Kidnapped and J. Meade Falkner’s Moonfleet, Slave to Fortune is an uplifting, intelligent adventure that will keep readers enthralled. Suitable for all ages from young adult upwards, Slave to Fortune was a #1 bestseller on Kindle (UK) for Historical Thrillers in October 2017 and a #1 bestseller for YA Historical Fiction in April, May and October 2017. The novel won the Grand Prize for young adult fiction at the Chanticleer International Book Awards (2017) and was also a first place winner for historical fiction.