But the news isn't all bleak. Recent analysis of Barna's incredible store of data reveals a hidden hope: the church is already perfectly equipped to meet young people's deepest desires and most pressing needs.In Faith for Exiles, David Kinnaman teams up with former executive director of Youth Specialties Mark Matlock to reveal five formational practices that have the power to cultivate resilient faith in the next generation. Drawing on groundbreaking insights and never-before-released data, Kinnaman and Matlock show readers that God has not given up on the American church. In fact, the church is needed now more than ever.Pastors, youth ministers, and concerned culture-watchers will find the hope they've been looking for as they navigate a rapidly changing, increasingly alien culture alongside young, faithful, thriving Christians exiled in digital Babylon.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    A companion piece to Kent Nerburn’s book Simple Truths, Small Graces is a journey into the sacred moments that illuminate our everyday lives. Through the exploration of simple acts, he reminds us to chart a course each day that nourishes the soul, honors the body, and engages the mind. Small Graces asks us to observe life’s quiet rhythms, the subtle shifts in perception and changes in light, the warm comfort of family voices; to feel the blessing of birdsong, the solitude of a falling leaf, the echo of footfall in snow-covered woods. By inviting us to recognize the hidden power of the ordinary, Small Graces reveals the mystical alchemy of the mundane made profound by the artistry of a well-lived life.

    Are you tired of worrying about things you can't control? Do you feel distracted or overwhelmed by the daily demands of living? Do you wonder if it's even possible to make space in your busy life to become the person you really want to be? In her down-to-earth style, popular author and speaker Merrilee Boyack presents eight pairs of contrasting characterisitics, inviting women to consider their own tendencies: Faithful or fearful? Focused or distracted? Peaceful or worried? She then discusses how we can move from where we are to where we want to be without feeling guilty or discouraged.

    Critiquing the sensibility which equates Indian tradition with Hinduism, and Hinduism with Brahmanism which considers the Vedas as the foundational texts of Indian culture and discovers within the Aryan heritage the essence of Indian civilisation it shows how even secular minds remain imprisoned within the Brahmanical vision. It looks at the alternative traditions nurtured within Dalit movements, which have questioned this way of looking at Indian society and history. Written in a lucid and readable style, the author elucidates how Dalit politics and the Dalit vision require going beyond even the term Dalit and how it has contributed to being symbolic of the most oppressed and exploited sections within the graded hierarchies of caste. Alongside the ascendance of Hinduism, the book traces the invasive trends of resistance and revolt in the tenets of Buddhism and radical bhakti, in the anti-patriarchal stands of early feminists, in the pervasive radicalism of the Dalit activists from Phule and Periyar, Ramabai and Tarabai, to Kabir, Tukaram and Ambedkar, even for that matter Buddha himself. This book brings to the reader the failures and triumphs of the many efforts that have aimed to dissolve the oppressive facets of Hinduism and its caste ideology, and continue to organise in newer ways for 'another' possible world where equality and human freedom reign supreme. It also makes visible the logic of Dalit politics and the rise of the Bahujan Samaj Party, as a major alternative to the rise of Hindutva. This important and essential reading will be an invaluable primer on the subject to students of Dalit and caste studies and politics.

    He was an eminent lawyer, one of the framers of India's Constitution and a seasoned statesman. Coming under the inspiring influence of Sri Aurobindo during his student days, Munshi had been an ardent fighter for India's freedom, working at different stages in close association with Jinnah, Tilak, Besant, Mahatma Gandhi, Sardar Patel, Rajagopalachari and Pandit Nehru. His achievements as Home Minister of Bombay in 1937, as India's Agent-General in Hyderabad before the Police action, as India's Food Minister and as Governor of Uttar Pradesh had been characterised by rare courage and decisive energy. Acknowledged as the foremost writer in modern Gujarati literature, he has to his credit a vast and varied literature including novels, dramas, memoirs and history in Gujarati, as also several historical and other works in English, notably Gujarat and Its Literature, Imperial Gurjaras, Creative Art of Life, To Badrinath, The End of an Era, Krishnavatara, Bhagavad Gita and Modern Life, Saga of Indian Sculpture, Bhagawan Parashurama, Tapasvini, Prithvi Vallabh, The Master of Gujarat and Lomaharshini.

    In Meditations on Living, Dying and Loss, Graham Coleman, the editor of Viking?s acclaimed unabridged translation of The Tibetan Book of the Dead, collects the most beautifully written passages, ones that draw out the central perspectives most relevant to modern experience: What is death? How can we help those who are dying? And how can we come to terms with bereavement? New to this edition are Coleman?s introduction and his brilliant and incisive essays, which preface each chapter and provide the seeker entrée to these ancient insights. With introductory commentary by His Holiness the Dalai Lama and a highly praised translation by Gyurme Dorje, this succinct but authoritative volume will convey the profundity of the original to those hungry for a better understanding of this life and the next.

    As the action spirals up through the floors of the building, the dramas of the residents' lives unfold: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious division of contemporary India, and Vishnu's ascent of the staircase parallels the sours progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, he begins to wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

     Built on a deep body of Vedic knowledge, the ancient system of social structure and spiritual duty known as Dharma has modern applications for people seeking their life’s purpose. Author Simon Chokoisky explains the five Dharma archetypes--Warrior, Educator, Merchant, Laborer, and Outsider--and how your life’s purpose goes hand-in-hand with your Dharma type. Providing tests to determine your type, he outlines the benefits, challenges, emotional and learning styles, and social, interpersonal, and health dynamics associated with each type. Chokoisky reveals how the Dharma types function as an operating system for your identity, helping you map your life and play to your innate strengths, whether in choosing a prosperous career or field of study or in facing health challenges and meeting fitness goals. By accepting and understanding the nature of your type, you begin to align with your true purpose and, regardless of fate, find joy and meaning in life.

    Kathleen Palmer sees him as a despicably corrupt small-town law officer and a murder suspect. Trapped in a web of his own making, he must see his mission through to the end and bring down the crooked cops who’ve run Haynes County for decades. To do so, he must betray the only family he’s ever known and fight his growing love for Kathleen, a relationship that could get one, or both of them, killed.Determined to uncover the truth, Georgia Bureau of Investigation agent Kathleen struggles with her attraction to the one person who’s awakened her since she buried her heart and emotions in her son’s tiny grave. Listening to her heart could destroy all she has left in life—her career and reputation. When the truth about Jason’s identity surfaces, they both face unimaginable consequences: Jason may lose his life and Kathleen the man she loves.

     The Mahabharata belongs in the annals of world literature, and every educated person should be familiar with it. Its message is timeless (without it being a "message" book), and especially relevant in these turbulent times. Western readers in particular should be reading the Mahabharata, including non-resident Indians who may have lost touch with their roots.SONS OF GODS -- MAHABHARATA is kaleidoscopic in its beauty and intricacy. The hurdle of the tale's massive scope has always daunted translators, and the difficulty of prising the right tone from an ancient grand epic to suit a modern and Western audience has relegated it to largely academic obscurity.

What's saved it for us is that Sharon Maas knows full well that love, betrayal, lust, envy, pride, devotion, and heroism never go out of style. SONS OF GODS is a literary soap opera with a soul that spans the full horizon."The highest literature transcends regionalism, and through it, when we are properly attuned, we realise the essential oneness of the human family."The Mahabharata is of this class. It belongs to the world and not only to India. To the people of India, indeed, this epic has been an unfailing and perennial source of spiritual strength. Learnt at the mother’s knee with reverence and love, it has inspired great men to heroic deeds as well as enabled the humble to face their trials with fortitude and faith."From: Preface to the Second Edition of The Mahabharata, by C. Rajagopalachari; Madras 1952

    The great poem is also called Tulsi-krit Ramayan (literally, 'Tulsi-created Ramayan' or, more loosely, 'The Ramayan of Tulsidas'.Tulsidas (who is also sometimes called Tulsidas-ji or simply Tulsi) began writing the scripture in Vikram Samvat 1631 (1574 CE) in Avadhpuri, Ayodhya. The exact date is stated within the poem as being the ninth day of the month of Chaitra, which was the birthday of Lord Ram, Ram Navami. A large portion of the poem was composed at Varanasi, where the poet spent most of his later life.Today, it is considered one of the greatest works of Hindu literature. Its composition marks the first time the story of Ramayana was made available to the common man for song and performance. Thus, the text is associated with the beginning of the storied tradition of Ramlila, the dramatic enactment of the text.