They succeed, finding not only that tribe but also a group of forest dwellers they dub "The Dreamers," who turn out to be fantastically long-lived but progressively more senile. Perina suspects the source of their longevity is a hard-to-find turtle; unable to resist the possibility of eternal life, he kills one and smuggles some meat back to the States. He scientifically proves his thesis, earning worldwide fame and the Nobel Prize, but he soon discovers that its miraculous property comes at a terrible price. As things quickly spiral out of his control, his own demons take hold, with devastating personal consequences.

    Mia and Lorrie Ann are lifelong friends: hard-hearted Mia and untouchably beautiful, kind Lorrie Ann. While Mia struggles with a mother who drinks, a pregnancy at fifteen, and younger brothers she loves but can't quite be good to, Lorrie Ann is luminous, surrounded by her close-knit family, immune to the mistakes that mar her best friend's life. Until a sudden loss catapults Lorrie Ann into tragedy: things fall apart, and then fall apart further-and there is nothing Mia can do to help. And as good, kind, brave Lorrie Ann stops being so good, Mia begins to question just who this woman is and what that question means about them both. A staggeringly arresting, honest novel of love, motherhood, loyalty, and the myth of the perfect friendship that moves us to ask ourselves just how well we know those we love, what we owe our children, and who we are without our friends.

    The fact that they’re strictly friends seems to get lost on nearly everyone; after all, they’re as good as married in (almost) every way. For three decades, they’ve nurtured their baby, the Forsyth Trio—a chamber group they created as students with their Juilliard classmate Gavin Glantz. In the intervening years, Gavin has gone on to become one of the classical music world’s reigning stars, while Bridget and Will have learned to embrace the warm reviews and smaller venues that accompany modest success. Bridget has been dreaming of spending the summer at her well-worn Connecticut country home with her boyfriend Sterling. But her plans are upended when Sterling, dutifully following his ex-wife’s advice, breaks up with her over email and her twin twenty-somethings arrive unannounced, filling her empty nest with their big dogs, dirty laundry, and respective crises. Bridget has problems of her own: her elderly father announces he’s getting married, and the Forsyth Trio is once again missing its violinist. She concocts a plan to host her dad’s wedding on her ramshackle property, while putting the Forsyth Trio back into the spotlight. But to catch the attention of the music world, she and Will place their bets on luring back Gavin, whom they’ve both avoided ever since their stormy parting. With her trademark humor, pitch-perfect voice, and sly perspective on the human heart, Amy Poeppel crafts a love letter to modern family life with all of its discord and harmony. In the tradition of novels by Maria Semple and Stephen McCauley, Musical Chairs is an irresistibly romantic story of role reversals, reinvention, and sweet synchronicity.

    With courage and caution, Pete slowly earns a measure of trust from this paranoid survivalist itching for a final conflict that will signal the coming End Times.But as Pete's own family spins out of control, Benjamin's activities spark the full-blown interest of the F.B.I., putting Pete at the center of a massive manhunt from which no one will emerge unscathed.

    She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there.Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways.When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

    Left in the care of her older sister, Claire, she moves on but never truly heals. Now thirty-five and married, Helen is desperate to start a family of her own. After four unsuccessful years of trying to become pregnant, Helen accepts the idea of adoption.When her baby is finally in her arms, Helen experiences true exaltation. But she is quickly blindsided with the worst possible news: Claire has cancer. Helen's wounds are again torn open as she balances the bliss of a new daughter with the grief of a dying sister.

    A comedy depends on stopping the story at exactly the right moment."   Mia Fredrickson, the wry, vituperative, tragicomic poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia’s husband, a renowned neuroscientist, asks her for a “pause.” This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia’s release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people’s home. Alone in a rented house, she rages and fumes and bemoans her sorry fate. Slowly, however, she is drawn into the lives of those around her—her mother and her close friends,“the Five Swans,” and her young neighbor with two small children and a loud angry husband—and the adolescent girls in her poetry workshop whose scheming and petty cruelty carry a threat all their own. From the internationally bestselling author of What I Loved comes a provocative, witty, and revelatory novel about women and girls, love and marriage, and the age-old question of sameness and difference between the sexes.

    Rosie is very happy with her handsome husband and a fulfilling career as job counselor for the developmentally challenged. It might not be glamorous work, but Rosie is proud of the fact that she cares more about people than Prada. What more could a woman want in life? Except maybe being able to wear a sexy thong that doesn't make her behind look like a rump roast in butcher string…  But when Rosie's incredible husband turns out to be an incredible putz--sleeping with her best friend Inga--her life goes from Seventh Heaven to Jerry Springer in the blink of an eye and the tip of a wine glass.  Alone and deceived, but with her sense of humor still intact, Rosie turns to her wonderfully wacky mother to help her bounce back. Of course, Ma's recipe for mental recovery leaves much to be desired.  And after Rosie discovers a painful family secret, hidden behind years of lies, she must set out to find herself and what really matters in life.  Along the way, Rosie is surprised to find help from Mickey Hamilton, a.k.a. Ham, who is kind, generous, and has a great butt to match.  If only Rosie can overlook the fact that he's nicknamed after the meat section at the local supermarket he manages.  Milton, one of Rosie's endearing mentally challenged clients--and Ham's employee--also becomes a source of comfort along the way, always ready to defend "Miss Plow's" honor and warm her heart, even as it's breaking. And can a twenty-five-year-old punk office assistant with hair like candy corn really become Rosie's new best friend?  As she moves along the twisted road to self-discovery, Rosie finds happiness, acceptance, and even love - though none of it in the places she'd expected.   With laugh-out-loud scenes seamlessly interspersed among gut-wrenching moments of heartache, Starting Out Sideways is a unique and utterly delightful novel that will make you laugh, cry, and remember what's truly important in life.

    It’s a rare kid-free night, and they’re giddy with it. They drink too much, and the conversation turns personal.By Monday morning, one of them is gone.Everyone knows something about everyone else in the quirky small Ohio town of Yellow Springs, but no one can make sense of the disappearance. Kristin was a sociable twin mom, college administrator, and doctor’s wife who didn’t seem all that bothered by her impending divorce—and the investigation turns up more questions than answers, with her husband, Paul, at the center. For her closest neighbor, Clara, the incident triggers memories she thought she’d put behind her—and when she’s unable to extract herself from the widening circle of scrutiny, her own suspicions quickly grow. But the neighborhood’s newest addition, Izzy, is determined not to jump to any conclusions—especially since she’s dealing with a crisis of her own.As the police investigation goes from a media circus to a cold case, the neighbors are forced to reexamine what’s going on behind their own closed doors—and to ask how well anyone really knows anyone else.

    To her, books have always been more than just objects: they live, they breathe, and sometimes they even speak. When Sarah grows up to become the librarian in her quaint Southern town of Dove Pond, her gift helps place every book in the hands of the perfect reader. Recently, however, the books have been whispering about something out of the ordinary: the arrival of a displaced city girl named Grace Wheeler. If the books are right, Grace could be the savior that Dove Pond desperately needs. The problem is, Grace wants little to do with the town or its quirky residents—Sarah chief among them. It takes a bit of urging, and the help of an especially wise book, but Grace ultimately embraces the challenge to rescue her charmed new community. In her quest, she discovers the tantalizing promise of new love, the deep strength that comes from having a true friend, and the power of finding just the right book. “A mesmerizing fusion of the mystical and the everyday” (Susan Andersen, New York Times bestselling author), The Book Charmer is a heartwarming story about the magic of books that feels more than a little magical itself. Prepare to fall under its spell.

    Bestselling author Diane Chamberlain delivers a breakout book about a small southern town fifty years ago, and the darkest—and most hopeful—places in the human heartAfter losing her parents, fifteen-year-old Ivy Hart is left to care for her grandmother, older sister and nephew as tenants on a small tobacco farm.  As she struggles with her grandmother’s aging, her sister’s mental illness and her own epilepsy, she realizes they might need more than she can give.When Jane Forrester takes a position as Grace County’s newest social worker, she doesn’t realize just how much her help is needed.  She quickly becomes emotionally invested in her clients' lives, causing tension with her boss and her new husband.  But as Jane is drawn in by the Hart women, she begins to discover the secrets of the small farm—secrets much darker than she would have guessed.  Soon, she must decide whether to take drastic action to help them, or risk losing the battle against everything she believes is wrong.Set in rural Grace County, North Carolina in a time of state-mandated sterilizations and racial tension, Necessary Lies tells the story of these two young women, seemingly worlds apart, but both haunted by tragedy.  Jane and Ivy are thrown together and must ask themselves: how can you know what you believe is right, when everyone is telling you it’s wrong?

    She returns to New York still beautiful but oddly unrecognizable, a virtual stranger in the world she once effortlessly occupied.With the surreal authority of a David Lynch, Jennifer Egan threads Charlotte’s narrative with those of other casualties of our infatuation with the image. There’s a deceptively plain teenaged girl embarking on a dangerous secret life, an alcoholic private eye, and an enigmatic stranger who changes names and accents as he prepares an apocalyptic blow against American society. As these narratives inexorably converge, Look at Me becomes a coolly mesmerizing intellectual thriller of identity and imposture.

    To confront those fears, Valencia’s therapist suggests that she fly somewhere—anywhere—before her upcoming birthday. And as Valencia begins a telephone romance with a man from New York, she suddenly has a destination in mind. There’s only one problem—he might not actually exist.Mrs. Valentine is an eccentric old woman desperate for company, be it from neighbors, telemarketers, or even the funeral director (when you’re her age, you go to a lot of funerals). So she’s thrilled when the new cleaning girl provides a listening ear for her life’s story—a tale of storybook love and incredible adventures around the world with her husband before his mysterious and sudden disappearance.The stories of Valencia and Mrs. Valentine may at first appear to have nothing in common…but then again, nothing in life is as straightforward as it seems.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    In Bookforum, James Greer called it ambitious in a way few works of fiction are. This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno.Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.