Twenty years later, they gather around a campfire on the lawn of a New England mansion. What happens in between-the web of wild adventures, unspoken jealousies, and sudden tragedies that alter the course of their lives-is charted with sharp wit and aching sadness in this meticulously constructed novel.Anna, the de facto leader, is fearless and restless-moving fast to stay one step ahead of her demons. Quirky, contemplative Kate is a natural sidekick but a terrible wingman ("If you go home with him, might I suggest breathing through your mouth"). And then there's George: the most desired woman in any room, and the one most likely to leave with the worst man.Shot through with the crackling dialogue, irresistible characters, and propulsive narrative drive that make Lutz's books so beloved, How to Start a Fire pulls us deep into Anna, Kate, and George's complicated bond and pays homage to the abiding, irrational love we share with the family we choose.

    Hetty doesn't mind; at least she can be miserable in private. But 'private' is a relative term in a village which revolves around the big house. Particularly when you are expected to thwart Great Uncle Samuel's awful heir, and his nefarious plans for his inheritance.Pitchforked into the community's fight to save the manor, Hetty has no time to wallow. And once she has shared her troubles with one neighbour (Caroline: a very understanding shoulder, despite her glamorous appearance and impossibly long legs), and cast an appreciative eye over another (Peter: equally long-legged, but offering rather more practical help), she wonders if her heart is irretrievably broken after all...

    Her husband of nearly twenty years has just left her for one of her friends, and she is let go from her office job--on Valentine's Day, of all days. Bewildered and completely lost, Thea doesn't know what to do. But when she learns that a distant great uncle in Scotland has passed away, leaving her his home and a hefty antique book collection, she decides to leave Sussex for a few weeks. Escaping to a small coastal town where no one knows her seems to be exactly what she needs.Almost instantly, Thea becomes enamored with the quaint cottage, comforted by its cozy rooms and shaggy, tulip-covered lawn. The locals in nearby Baldochrie are just as warm, quirky, and inviting. The only person she can't seem to win over is bookshop owner Edward Maltravers, to whom she hopes to sell her uncle's antique novel collection. His gruff attitude--fueled by an infamous, long-standing feud with his brother, a local lord--tests Thea's patience. But bickering with Edward proves oddly refreshing and exciting, leading Thea to develop feelings she hasn't felt in a long time. As she follows a thrilling yet terrifying impulse to stay in Scotland indefinitely, Thea realizes that her new life may quickly become just as complicated as the one she was running from.

    Each year, they return to the house and community they have known since they were children—and to Paul, the boy next door. But this summer marks a season of change: budding love and sexual interest, an illness, and a deep secret force all three to confront the increasing complexities of their lives and friendships.

    Emily Aulenbach is thirty-two, a lawyer married to a lawyer, working in Manhattan. An idealist, she had once dreamed of representing victims of corporate abuse, but she spends her days in a cubicle talking on the phone with vic­tims of tainted bottled water—and she is on the bottler’s side. And it isn’t only work. It’s her sister, her friends, even her husband, James, with whom she doesn’t connect the way she used to. She doesn’t connect to much in her life, period, with the exception of three things—her computer, her BlackBerry, and her watch. Acting on impulse, Emily leaves work early one day, goes home, packs her bag, and takes off. Groping toward the future, uncharacteristically following her gut rather than her mind, she heads north toward a New Hampshire town tucked between mountains. She knows this town. During her college years, she spent a watershed summer here. Painful as it is to return, she knows that if she is to right her life, she has to start here.

    Claire finally finds the courage to move on; then she discovers among the remnants of her shattered world her husband’s last manuscript. It’s intimate, stirring—and unfinished. An idea comes to her…What if she can find someone to give David’s novel the ending it deserves?Whitaker Grant is famous for his one and only bestselling novel—a masterpiece that became a hit film. But after being crippled by the pressure of success and his failed marriage, Whitaker retreated from the public eye in his native St. Petersburg, Florida. Years later, he’s struggling through a deep midlife crisis. Until he receives an intriguing request from a lonely widow. To honor David’s story, Whitaker must understand, heart and soul, the man who wrote it and the woman he left behind.There’s more to the novel than anyone dreamed. Something personal. Something true. Maybe, in bringing a chapter of David’s life to a close, Claire and Whitaker can find hope for a new beginning.

    The town of Ringgold, Georgia, has a population of 1,923, one traffic light, one Dairy Queen, and one Catherine Grace Cline. The daughter of Ringgold's third-generation Baptist preacher, Catherine Grace is quick-witted, more than a little stubborn, and dying to escape her small-town life. Every Saturday afternoon, she sits at the Dairy Queen, eating Dilly Bars and plotting her getaway to Atlanta. And when, with the help of a family friend, the dream becomes a reality, she immediately packs her bags, leaving her family and the boy she loves to claim the life she's always imagined. But before things have even begun to get off the ground in Atlanta, tragedy brings Catherine Grace back home. As a series of extraordinary events alter her perspective and sweeping changes come to Ringgold itself Catherine Grace begins to wonder if her place in the world may actually be, against all odds, right where she began. Intelligent, charming, and utterly readable, Looking for Salvation at the Dairy Queen marks the debut of a talented new literary voice.

    Downsized during the recession and out of work for a year, Chris copes by retreating to a dark place where no one can reach him, not even Claire. When he’s offered a position that will keep him away from home four nights a week, he dismisses Claire’s concern that time apart could be the one thing their fragile union can’t weather. Their suburban life may look idyllic on the outside, but Claire has never felt so disconnected from Chris, or so lonely.Local police officer Daniel Rush used to have it all, but now he goes home to an empty house every night. He pulls Claire over during a routine traffic stop, and they run into each other again at the 4th of July parade. When Claire is hired to do some graphic design work for the police department, her friendship with Daniel grows, and soon they’re spending hours together. Claire loves the way Daniel makes her feel, and the way his face lights up when she walks into the room. Daniel knows that Claire’s marital status means their relationship will never be anything other than platonic. But it doesn’t take long before Claire and Daniel are in way over their heads, and skating close to the line that Claire has sworn she’ll never cross.

    She imagined every detail, from the Vivienne Westwood bustiers hanging next to satin gowns, to sequinned cupcake dresses adorning the walls.At the launch of Village Vintage, Phoebe feels the tingle of excitement as customers snap up the fairytale dresses. Her dream has come true, but a secret from her past is casting a shadow over her new venture.Then one day she meets Therese, an elderly Frenchwoman with a collection to sell, apart from one piece that she won't part with …As Therese tells the story of the little blue coat, Phoebe feels a profound connection with her own life, one that will help her heal the pain of her past and allow her to love again.

    Ben and Rachel. It was them against the world. Until it all fell apart.It’s been a decade since they last spoke, but when Rachel bumps into Ben one rainy day, the years melt away.From the moment they met they’d been a gang of two; partners in crime and the best of friends. But life has moved on. Ben is married. Rachel is definitely not. In fact, the men in her life make her want to take holy orders…Yet in that split second, Rachel feels the old friendship return. And along with it, the broken heart she’s never been able to mend.If you love David Nicholls and Lisa Jewell then this is the book for you. Hilarious, heartbreaking and everything in between, you’ll be hooked from their first ‘hello’.

    Her mourning is disrupted, however, by the unexpected arrival of a builder with a contract to add a porch onto her house. Stunned, Janie realizes the porch was meant to be a surprise from her husband—now his last gift to her.As she reluctantly allows construction to begin, Janie clings to the familiar outposts of her sorrow—mothering her two small children with fierce protectiveness, avoiding friends and family, and stewing in a rage she can't release. Yet Janie's self-imposed isolation is breached by a cast of unlikely interventionists: her chattering, ipecac-toting aunt; her bossy, over-manicured neighbor; her muffin-bearing cousin; and even Tug, the contractor with a private grief all his own.As the porch takes shape, Janie discovers that the unknowable terrain of the future is best navigated with the help of others—even those we least expect to call on, much less learn to love.

    Her Santa Monica house staff takes care of everything, leaving Agnes to focus on her trophy-wife responsibilities: look perfect, adore her older husband, and wear terribly expensive (if uncomfortable) underwear.When her husband disappears, leaving Agnes and their infant daughter with no money, no home, and no staff, she is forced to move across the country, where she lands a job teaching at an all-boys boarding school in the Bronx. So long, organic quinoa bowls and sunshine-filled California life. Hello, processed food, pest-infested house, and twelve-year-old-boy humor—all day, every day.But it’s in this place of second chances (and giant bugs), where Agnes is unexpectedly forced to take care of herself and her daughter, where she finds out the kind of woman she can be. Ultimately, she has to decide if she prefers the woman and mother she has become…or the trophy life she left behind.Authentic and sharply witty, Trophy Life is proof that granny panties and mom coats might not be the answer to everything; they’re simply comfortable (if slightly unattractive) reminders of what happens when one life ends…and real life begins.