Gone are the cartoon images of wizened gray-haired men in pointy caps creating magic with a wave of their wands. Today's wizards are more subtle in their powers, more discerning in their ways, and-in the hands of modern fantasists-more likely than ever to capture readers' imaginations.In Neil Gaiman's "The Witch's Headstone," a piece taken from his much-anticipated novel in progress, an eight-year-old boy learns the power of kindness from a long-dead sorceress. Only one woman possesses two kinds of magic-enough to unite two kingdoms-in Garth Nix's "Holly and Iron." Patricia A. McKillip's "Naming Day" gives a sorcery student a lesson in breaking the rules. And a famished dove spins a tale worthy of a meal, but perhaps not the truth, in "A Fowl Tale" by Eoin Colfer.

    K. Jemisin“Soul’s Bargain” by Juliette Wade“The Halfway House at the Heart of Darkness” by William Browning Spencer“Gold Mountain” by Chris RobersonNON-FICTION“The Issue of Gender in Genre Fiction: Publications from Slush” by Susan E. Connolly“The Issue of Gender in Genre Fiction: The Math Behind the Slush” by Susan E. Connolly“Annihilation, Authority, and Acceptance: An Interview with Jeff VanderMeer” by Ben Fry“Another Word: Reclaiming the Tie-In Novel” by James L. Sutter“Editor’s Desk: Adding Some Color” by Neil Clarke