Source: Wikipedia. Pages: 42. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: "Harap Alb" or "Harap-Alb" (Romanian pronunciation: ), known in full as Povestea lui Harap Alb ("The Story of Harap Alb"), is a Romanian-language fairy tale. Based on traditional themes found in Romanian folklore, it was recorded and reworked in 1877 by writer Ion Creang, becoming one of his main contributions to fantasy and Romanian literature. The narrative centers on an eponymous prince traveling into a faraway land whose throne he has inherited, showing him being made into a slave by the treacherous Bald Man and eventually redeeming himself through acts of bravery. The plot introduces intricate symbolism, notably illustrated by the secondary characters. Among these are the helpful and sage old woman Holy Sunday, the tyrannical Red Emperor, and a band of five monstrous characters who provide the prince with serendipitous assistance. An influential work, "Harap Alb" received much attention from Creang's critical posterity, and became the inspiration for contributions in several fields. These include Ion Popescu-Gopo's film De-a fi Harap Alb, a Postmodernist novel by Stelian urlea and a comic book by Sandu Florea, alongside one of Gabriel Liiceanu's theses in the field of political philosophy. The title of the work and name of the protagonist originate with the antiquated Romanian word harap, which, like its more common version arap, originates with the "Arab" and covers the sense of "Black person" (or "Moor"), and alb, meaning "white." The notion of Harap Alb has therefore often been translated as "White Moor" or "White Arab." Both arap and harap are akin to a narrative theme present throughout the Balkans, from Turkey in the s...More: http: //booksllc.net/?id=23902144

    The science is never pedantic; indeed the language of biology and natural history is used to great lyrical effect. The stories are accomplished and seasoned, remarkably so given that this is the author’s first book. Murray is adept at holding together a complex narrative and creating characters who reach out emotionally to the reader upon first meeting.Global in scope, classical in form, evocative of place, and deeply emotional, this collection marks the beginning of what promises to be an illustrious career.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Kirsten Tranter, Mandy Sayer, John Dale, Eleanor Limprecht, Mark Dapin, Leigh Redhead, Julie Koh, Peter Polites, Robert Drewe, Tom Gilling, Gabrielle Lord, Philip McLaren, P.M. Newton, and Peter Doyle.From the introduction by John Dale:Nothing lasts in Sydney, especially good fortune: lives are upturned, shops are sold, roads dug up, trees and houses knocked down, premiers discarded, and entire communities relocated in the name of that economic mantra—growth and progress. Just when you think the traffic can’t get any worse and the screech of the 747s descending over your roof can’t get any louder, along comes a wild electrical storm that batters the buildings and shakes the power lines and washes the garbage off the streets and you stand, sheltered under your broken brolly in the center of Sydney, admiring this big beautiful city.What never changes, though, is the hustle on the street. My father was a detective in the vice squad shortly after the Second World War, and he told stories of busting SP bookies in Paddington and Surry Hills, collaring cockatoos stationed in the laneways of South Sydney, and arresting sly-groggers. Policing back then was hands-on for the poor and hands-off for the rich. Crime and Sydney have always been inseparable: a deep vein of corruption runs beneath the surface of even its most respectable suburbs.

    Obsessed with their own habitat and history, they hire artisans, writers and historians to record in minute detail every aspect of their lives, and the nature of their land. A young film-maker arrives on the plains, hoping to make his own contribution to the elaboration of this history. In a private library he begins to take notes for a film, and chooses the daughter of his patron for a leading role.Twenty years later, he begins to tell his haunting story of life on the plains. As his story unfolds, the novel becomes, in the words of Murray Bail, 'a mirage of landscape, memory, love and literature itself'.

    Over four nights Paul Kelly performed, in alphabetical order, one hundred of his songs from the previous three decades. In between songs he told stories about them, and from those little tales grew How to Make Gravy, a memoir like no other. Each of its hundred chapters, also in alphabetical order by song title, consists of lyrics followed by a story, the nature of the latter taking its cue from the former. Some pieces are confessional, some tell Kelly's personal and family history, some take you on a road tour with the band, some form an idiosyncratic history of popular music, some are like small essays, some stand as a kind of how-to of the songwriter's art – from the point of inspiration to writing, honing, collaborating, performing, recording and reworking.Paul Kelly is a born storyteller. Give him two verses with a chorus or 550 pages, but he won't waste a word. How to Make Gravy is a long volume that's as tight as a three-piece band. There isn't a topic this man can't turn his pen to – contemporary music and the people who play it, football, cricket, literature, opera, social issues, love, loss, poetry, the land and the history of Australia … there are even quizzes. The writing is insightful, funny, honest, compassionate, intelligent, playful, erudite, warm, thought-provoking. Paul Kelly is a star with zero pretensions, an everyman who is also a renaissance man. He thinks and loves and travels and reads widely, and his musical memoir is destined to become a classic – it doesn't have a bum note on it.

    And when you're shot you're shot ... In Melbourne, generations of gangsters have lived and died by the creed ''We catch and kill our own''. But in the last decade the violence bubbling under the surface spilled into open war on the streets. This is the story of the gangsters, the hitmen and the police who deal with them in the deadliest game of all. The book that inspired the smash hit television series "Underbelly".

    But the stories end abruptly on the day Adele and her sister are orphaned, and they grow up with only each other to rely on. Adele finds work in an antiques shop but when a wrongful accusation robs her of her reputation, her future looks bleak. So it's not hard for Col Vincent, a successful businessman, to persuade Adele to marry him. Adele grows to love him - until she realises that her husband is a violent man. In the 1930s, a woman who leaves her husband faces penury. Somehow Adele survives, and then news comes that will transform her life, bringing back the haunting memory of the Lydgate Widow - and the man who has loved Adele for decades...

    However, nothing was as it seemed and Annabet and Anders were both exposed to harsh, often irrational and frequently violent discipline from their parents, which left them emotionally unbalanced and starved of affection. In a time where domestic violent was never discussed within the family let alone outside of it, Annabet and Anders struggled to keep their spirits and souls afloat. But at least they had each other.As they endeavoured to find their paths in life - Annabet as a children's clothing designer and Anders as an internationally recognised chef, restaurateur and talented potter - neither could escape the legacy of their violent and disturbing upbringing. Anders never overcame a secret he kept tragically to himself and Annabet was perpetually wracked with self-doubt due to her mother's continual criticism.This beautifully written story not only traces the history of growing up on the north shore but the gradual evolution of the food and fashion scene in Sydney in the 70s and 80s. It encompasses many areas of day to day struggles within families that were not discussed then and which are, sadly, still occurring today.

    When Ellen turns nineteen Holland makes an announcement: she may marry only the man who can correctly name the species of each of the hundreds of gum trees on his property. Ellen is uninterested in the many suitors who arrive from around the world, until one afternoon she chances on a strange, handsome young man resting under a Coolibah tree. In the days that follow, he spins dozens of tales set in cities, deserts, and faraway countries. As the contest draws to a close, Ellen and the stranger's meetings become more erotic, the stories more urgent. Murray Bail's rich narrative is filled with unexpected wisdom about art, feminine beauty, landscape, and language. Eucalyptus is a shimmering love story that affirms the beguiling power of storytelling itself.

    The Bathroom Readers' Hysterical Society agrees, and shows it with this endlessly diverting tribute to tabby. From famous cats to the famous with their cats to cats' famous history, from cats who like to paint to cats who travel the world to find their way home, Uncle John's Hysterical Society scours the globe to find the winning-est, wackiest, most wondrous cat tales for this collection.

    New information about the ways the Howard government manipulated the situation for its own gain is included.

    But in this small coastal town, shy, awkward Edie has always lived in the shadow of her surf champion father. How can she move on from her ex -- and from her past?Her best friend and life-coach, Sally, is full of dubious advice, but Edie finds there are many ways to mess things up all by herself. A new-found talent for erotic writing, a job drawing crab larvae, unrequited lust for a professor with hidden depths and a maddening musician with troubles of his own add to her swag of problems. And then things get complicated ...A tender and witty tale about finding your voice, falling in love ... and crab sex.

    Pearl is eighteen, beautiful and impetuous. She plays saxophone in an all-girl jazz band at the Trocadero and occasionally sits in on underground gigs with her twin brother Martin, who also plays the sax. On one such evening black GI and jazz legend James Washington blows into her life, and nothing is ever the same again, especially not Pearl. A love story begins to unfold against the blacked-out nights and rumour-filled days of a city in the grip of war.But public events are closing in on Pearl's private world. When James is shipped out to fight in New Guinea, she hatches a breathtaking plan to reunite with him. And then all hell breaks loose.Moving, tender and audaciously original, Love in the Years of Lunacy is a love story with a haunting jazz soundtrack and a war story like no other.

    It will make you laugh, think and feel and is the perfect Christmas gift for those who speak human. Illustrations by Shaun Tan Every copy sold will contribute to cancer research

    A Yourtopia Bespoke Terraria employee becomes paranoid about the mounting coincidences in her life. Four girls gather to celebrate their underwear in ‘Happy Smiling Underwear Girls Party’, a hilarious take-down of saccharine advertisements.With her trademark wit and slicing social commentary, Elizabeth Tan’s short stories are as funny as they are insightful. This collection cements her role as one of Australia’s most inventive writers.