But as the New York Times Book Review raved, Barnett and Rivers "debunk these theories in a no-nonsense way, offering a refreshingly direct (i.e. unashamedly judgmental) critique of traditional parental roles, tututting at the couples they interviewed who cling to stereotyped ideas of the family." "Blending case histories, new research and thoughtful analysis, the writers describe the divide between the sexes as a crevice, not a chasm. The good news: We're all a lot more flexible than the gender clich8Es let on."-Psychology Today

    He tells of the Nazi cult of the primeval German forest; the play of Christian and pagan myth in Bernini's Fountain of the Four Rivers; and the duel between a monumental sculptor and a feminist gadfly on the slopes of Mount Rushmore. The result is a triumphant work of history, naturalism, mythology, and art. "A work of great ambition and enormous intellectual scope...consistently provocative and revealing."--New York Times"Extraordinary...a summary cannot convey the riches of this book. It will absorb, instruct, and fascinate."--New York Review of Books

    Now, in this brilliant collection of essays, he offers a new perspective on how Britain works and sees itself. He discusses the background to his work and its development – from surrealism to post-2008 economic catastrophe – and expands on what the films reveal. Referencing writers including Benjamin and Lefebvre, the essays follow his career since the late 1970s, exploring themes including the surrealist perception of the city; the relationship of architecture and film; how cities change over time, and how films represent this; as well as accounts of cross-country journeys involving historical figures, unexpected ideas and an urgent portrait of post-crash Britain.