From the outside, the seven Templetons seem so bohemian, unusual... peculiar even. No one is more intrigued by the family than their neighbours, single mother Nina Donovan and her young son Tom. Before long, the two families' lives become entwined in unexpected ways, to the delight of Gracie, the sweetest of the Templeton children. In the years that follow, the relationships between the Templetons and the two Donovans twist and turn in unpredictable and life-changing directions, until a tragedy tears them all apart. What will it take to bring them together again?

    That was eight months ago.Richard now has ALS, and his entire right arm is paralyzed. His fingers are impotent, still, devoid of possibility. The loss of his hand feels like a death, a loss of true love, a divorce—his divorce.He knows his left arm will go next.Three years ago, Karina removed their framed wedding picture from the living room wall and hung a mirror there instead. But she still hasn’t moved on. Karina is paralyzed by excuses and fear, stuck in an unfulfilling life as a piano teacher, afraid to pursue the path she abandoned as a young woman, blaming Richard and their failed marriage for all of it.When Richard becomes increasingly paralyzed and is no longer able to live on his own, Karina becomes his reluctant caretaker. As Richard’s muscles, voice, and breath fade, both he and Karina try to reconcile their past before it’s too late.

    With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.Mayflies is a memorial to youth's euphorias and to everyday tragedy. A tender goodbye to an old union, it discovers the joy and the costs of love.

    In 1907, in a village full of eccentric characters in Australia's Blue Mountains, a young pharmacist's assistant named Eureka Jones falls in love with a landscape photographer and mystic called Harry Kitchings.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten.Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four.The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time.Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.Source: john-irving.com

    the occasion is a piano lesson, the first of many...

    In nineteen minutes, you can bake scones or get a tooth filled by a dentist; you can fold laundry for a family of five....In nineteen minutes, you can stop the world, or you can just jump off it. In nineteen minutes, you can get revenge. Sterling is a small, ordinary New Hampshire town where nothing ever happens -- until the day its complacency is shattered by a shocking act of violence. In the aftermath, the town's residents must not only seek justice in order to begin healing but also come to terms with the role they played in the tragedy. For them, the lines between truth and fiction, right and wrong, insider and outsider have been obscured forever. Josie Cormier, the teenage daughter of the judge sitting on the case, could be the state's best witness, but she can't remember what happened in front of her own eyes. And as the trial progresses, fault lines between the high school and the adult community begin to show, destroying the closest of friendships and families. Nineteen Minutes is New York Times bestselling author Jodi Picoult's most raw, honest, and important novel yet. Told with the straightforward style for which she has become known, it asks simple questions that have no easy answers: Can your own child become a mystery to you? What does it mean to be different in our society? Is it ever okay for a victim to strike back? And who -- if anyone -- has the right to judge someone else?

    .Poppy's world has been tipped sideways: the husband who never wanted children has betrayed her with her broody best friend.At least Annalise is on her side. Her new friend is determined to celebrate their freedom from kids, so together they create a Facebook group to meet up with like-minded women, and perhaps vent just an little about smug mummies' privileges at work.Meanwhile, their colleague Frankie would love a night out, away from her darlings - she's not had one this decade and she's heartily sick of being judged by women at the office as well as stay-at-home mums.Then Poppy and Annalise's group takes on a life of its own and frustrated members start confronting mums like Frankie in the real world. Cafés become battlegrounds, playgrounds become war zones and offices have never been so divided.A rivalry that was once harmless fun is spiraling out of control.Because one of their members is a wolf in sheep's clothing. And she has an agenda of her own . . .

    Don't they teach you anything at school?So says 104-year-old Ona to the 11-year-old boy who's been sent to help her out every Saturday morning. As he refills the bird feeders and tidies the garden shed, Ona tells him about her long life, from first love to second chances. Soon she's confessing secrets she has kept hidden for decades.One Saturday, the boy doesn't show up. Ona starts to think he's not so special after all, but then his father arrives on her doorstep, determined to finish his son's good deed. The boy's mother is not so far behind. Ona is set to discover that the world can surprise us at any age, and that sometimes sharing a loss is the only way to find ourselves again.

    First published in 1934, this dramatic novel covers four days following a car crash where a doctor is critically injured, and the women around him struggle with their hopes, inhibitions and knowledge.

    The only survivor is Isabella Winterbourne, who clutches a priceless gift meant for the Australian Parliament. This gift could be her ticket to a new life, free from the bonds of her husband and his overbearing family. But whom can she trust in Lighthouse Bay?Fast-forward to 2011: after losing her lover, Libby Slater leaves her life in Paris to return to her hometown of Lighthouse Bay, hoping to gain some perspective and grieve her recent loss. Libby also attempts to reconcile with her sister, Juliet, to whom she hasn’t spoken in twenty years. Libby did something so unforgivable, Juliet is unsure if she can ever trust her sister again.In these two adventurous love stories, both Isabella and Libby must learn that letting go of the past is the only way to move into the future. The answers they seek lie in Lighthouse Bay.

    It reveals the purpose of the moon, explains the difference between criminals and outlaws, examines the conflict between social activism and romantic individualism, and paints a portrait of contemporary society that includes powerful Arabs, exiled royalty, and pregnant cheerleaders. It also deals with the problem of redheads.

    'That,' she announced, 'is a seriously glamorgeous name.'From the day Annabelle Andrews sashays into her classroom, Tallulah 'Lulu' de Longland is bewitched by Annabelle, by her family, and their sprawling, crumbling house tumbling down to the river.Their unlikely friendship intensifies through a secret language where they share confidences about their unusual mothers, first loves, and growing up in the small, coastal town of Juniper Bay. Their lives become as entwined as Annabelle's initials engraved beneath the de Longland kitchen table.But the euphoria of youth rarely lasts, and the implosion that destroys their friendship leaves lasting scars and a legacy of self-doubt that haunts Lulu into adulthood.Years later, Lulu is presented with a choice: remain the perpetual good girl who misses out, or finally step out from the shadows and do something extraordinary. And possibly unforgiveable.It's not how far you fall, but how high you bounce.

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.