Three years later he completed the greatest novel to emerge from "the good fight," For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving and wise. "If the function of a writer is to reveal reality," Maxwell Perkins wrote to Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.

    Set against the background of Australia and England in the late nineteenth and early twentieth centuries, this book is part of a series that provides a vivid portrait of an upper middle-class family divided between the two countries yet at home in neither.

    And nice girls don't, except, of course, Holly Golightly. Pursued by Mafia gangsters and playboy millionaires, Holly is a fragile eyeful of tawny hair and turned-up nose, a heart-breaker, a perplexer, a traveller, a tease. She is irrepressibly 'top banana in the shock department', and one of the shining flowers of American fiction.This edition also contains three stories: 'House of Flowers', 'A Diamond Guitar' and 'A Christmas Memory'.

    There's Popo the carpenter, who neglects his livelihood to build "the thing without a name." There's Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big Foot, the bully with glass tear ducts. There's the lovely Mrs. Hereira, in thrall to her monstrous husband. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.Set during World War II and narrated by an unnamed-but precociously observant-neighborhood boy, Miguel Street is a work of mercurial mood shifts, by turns sweetly melancholy and anarchically funny. It overflows with life on every page.

    But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey's extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.

    In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.

    It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.A sweeping story of family, love, and friendship told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is an unusual and powerful novel that has become a beloved, one-of-a-kind classic.--khaledhosseini.com

    Filled with the "sacred hunger" to expand its empire and its profits, England entered full into the slave trade and spread the trade throughout its colonies. In this Booker Prize-winning work, Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp.

    Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche.

    He lives with his gran and his uncle Rory. His best friend is Clinton Tull. Adrian loves to draw, and he wants a dog. He’s afraid of quicksand, shopping centers, and self-combustion. But as closely as he watches his suburban world, there is much he cannot understand. He does not, for instance, know why three neighborhood children might set out to buy ice cream one summer’s day and never be seen again. . . .In this suburb that is no longer safe and innocent, in a broken family of self-absorbed souls, Sonya Hartnett sets the story of a lone little boy - unwanted, unloved, and intensely curious - a story as achingly beautiful as it is shattering. As her quiet tale ominously unfolds, we are reminded of how fragile are the threads that hold us secure - and how brave, how precious, is the heart of each child who soldiers on.

    In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love. A fascinating, abundant novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

    The love between Coonardoo and Hugh, which so shocked its readers when the book was first published in 1929, is never acknowledged and so, degraded and twisted in on itself, destroys not only Coonardoo, but also a community that was once peaceful.Daring for its time, this tough, uncompromising novel still raises difficult questions about the history of contact between blacks and whites, and its representation in Australian writing.

    God has been outlawed, and the priests have been systematically hunted down and killed. Now, the last priest is on the run. Too human for heroism, too humble for martyrdom, the nameless little worldly “whiskey priest” is nevertheless impelled toward his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.   In his introduction, John Updike calls The Power and the Glory, “Graham Greene’s masterpiece…. The energy and grandeur of his finest novel derive from the will toward compassion, an ideal communism even more Christian than Communist.”

    The controversy provoked by Babbitt was influential in the decision to award the Nobel Prize in Literature to Lewis in 1930.

    Strangled with a nylon stocking in the mangroves on the banks of the river in wartime Brisbane, the case soon became known as the river girl murder. Olivia’s detective work exposes the sinister side of that city in 1943, flush with greenbacks and nylons, jealousy and violence brewing between the Australian and US soldiers, which eventually boiled over into the infamous Battle of Brisbane. Olivia soon discovers that the diggers didn’t just reserve their anger for the US forces – they also took it out on the women they perceived as traitors, the ones who dared to consort with US soldiers.Can Olivia rewrite history to bring justice to the river girl whose life was so brutally taken? Even if the past can’t be changed, is it possible to undo history’s erasure?